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Comment on chaucer portrayal of wife of bath
Comment on chaucer portrayal of wife of bath
Chaucers view of women in bath
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Sexual Relations in Wife of Bath
Sexual relations between men and woman have created issues of life and death from the beginning of time. In most classic Western beliefs it began when Eve with the help of the Devil seduced Adam thus leading the downfall of humanity into an abyss of sin and hopelessness. This issue arises in all literature from Genesis, Chaucer and into modern day. Authors, clerks and writers of all types have aided stereotyping women throughout history and Geoffrey Chaucer is not an exception in most cases. However, in Chaucer's Wife of Bath we can find the beginnings of a new type of woman arising from the dark ages of the post-Roman era. And of course at the center of his character's struggle is sex. As this topic develops, we shall take a brief look into sex, women, the Middle Ages and Chaucer's Wife of Bath as an example of Middle Ages reflections.
Women and sex in the Middle Ages
The woman of the Middle Ages tended to be pawns of men in religion, politics and economics (Gies). "Although a woman could
hold land, inherit it, sell it or give it away and plead for it in law courts, most of a woman's life was spent under the guardian ship of a man" (Gies 41). These set standards for the
dominance of men during and following much of the Middle Ages. As in the Wife of Bath's case women recovered some rights when they became widows. Sometimes a widow even successfully sued to recover land sold by her husband (Gies 44). "Medieval ideas were far from the Victorian notions that women did not enjoy sex. Physiologically, men and women were considered sexual equals -- in fact women were commonly credited with stronger sexual feelings than men" (Gies 48). Another misogynistic theory in the Middle Ages was that w...
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... fell in love, became married, became divorced and continued to cope with problems that have followed us into present day (Evans 3330).
The tale is that of power and who has or should have the control in a relationship is it political, economical, governmental or sexual. The Wife of Bath clearly believes that she, and all women, should have the control in relationships and especially over husbands.
Works cited
Chaucer, Geoffrey. The Canterbury Tales. London: Penguin, 1977.
Evans, Joan. The Flowering Middle Ages. New York: McGraw Hill Book Company, 1966.
Gies, Frances and Joseph. Daily Life in Medieval Times. New York:
Gregg, Joan Young. Devils, Women and Jews. New York; State University of New York Press, 1997.
Black Dog and Leventhal Press, 1990.
Williams, David. The Canterbury Tales: A Literary Pilgrimage. Boston: Twayne Publishers, 1987.
Traditional female characteristics and female unrest are underscored in literary works of the Middle Ages. Although patriarchal views were firmly established back then, traces of female contempt for such beliefs could be found in several popular literary works. Female characters’ opposition to societal norms serves to create humor and wish- fulfillment for female and male audiences to enjoy. “Lanval” by Marie De France and “The Wife of Bath’s Tale” by Geoffrey Chaucer both show subversion of patriarchal attitudes by displaying the women in the text as superior or equal to the men. However, “The Wife of Bath’s Tale” also incorporates conventional societal ideas by including degradation of women and mistreatment of a wife by her husband.
Looking back through many historical time periods, people are able to observe the fact that women were generally discriminated against and oppressed in almost any society. However, these periods also came with women that defied the stereotype of their sex. They spoke out against this discrimination with a great amount of intelligence and strength with almost no fear of the harsh consequences that could be laid out by the men of their time. During the Medieval era, religion played a major role in the shaping of this pessimistic viewpoint about women. The common belief of the patriarchal-based society was that women were direct descendants of Eve from The Bible; therefore, they were responsible for the fall of mankind. All of Eve’s characteristics from the biblical story were believed to be the same traits of medieval women. Of course, this did not come without argument. Two medieval women worked to defy the female stereotype, the first being the fictional character called The Wife of Bath from Geoffrey Chaucer’s The Canterbury Tales. The second woman, named Margery Kempe, was a real human being with the first English autobiography written about her called The Book of Margery Kempe. In these two texts, The Wife of Bath and Margery Kempe choose to act uniquely compared to other Christians in the medieval time period because of the way religion is interpreted by them. As a result, the women view themselves as having power and qualities that normal women of their society did not.
Medieval Jewish society, like all traditional Jewish culture, was run by patriarchal hierarchy “Philosophical, medical, and religious views of the time all supported the view that men were superior to women both in nature and in deed” . Women’s position in society was secondary in comparison to that of men. They were characterized as lightheaded, weak, easily seduced, and linked to sorcery.
Women during the medieval period had certain role with their husbands, depending on his social status. The wives were placed into a class according to their husband’s line of work or social status (Time Traveler’s 54). This social status may be favorable, but not all wives were able to make it into the elite social status. Once the woman was committed, and married to her husband, she was totally controlled by her husband. Even though the wife was able to maintain the same social status of the husband, she lost a lot of rights after she married. Women during the medieval period not only lost a lot of their rights, but also became somewhat of a slave to the husband in many ways.
The claim presented in “The Wife of Bath’s Tale” argues that a woman who is free to make her own decisions will reward her husband with a happy marriage. The first hint of the concept of women being dominant begins when the knight is faced with death for raping a woman. Typically this is an automatic death sentence in the kingdom, but the Queen changed the King’s mind so she was put in power over the knight’s life. As stated in the book “he granted him his life on the spot,/and gave him to the queen, completely at her will,/to choose whether she would save or destroy him” (Page 339, lines 40-43). Already at this point the idea of the women having dominion over men is being hinted at, where she has complete control even over his life. In order to save his life the knight was told by the Queen to find what all women want in life, a great...
In the Geoffrey Chaucer’s Canterbury Tales, Chaucer illustrates the different perspective between men and women on the concept of marriage and love. In The Wife of Bath’s tale, it is shown the woman appreciating marriage and wanting to be able to love a man unconditionally as where in The Miller’s Tale, love isn’t anything, but sex with the man in the story. In accordance with Chaucer, the complication with marriage is that men are consumed by sexual desire and are easily abused by women like The Wife of Bath. As noticed, The Miller’s Tale is all about adultery. “Just like men, the wives have secrets, as does God”, says the Miller. Both have information that the other do not know about that are sacred and better left unsaid.
Geoffrey Chaucer’s poem, The Canterbury Tales, contains a character that is read by some as “the epitome of the modern feminist,... takes on the men at their own game of name-dropping, and refuses to be silenced by the patriarchal powers that be” (Evans, Ruth, and Johnson 1). The Wife of Bath contains all the negative stereotypes of women portrayed by men of the Medieval time period, such as being a chatterbox and promiscuous. Which greatly contrasts the other fictional women of her time, who were silent and suppressed in literature. The Wife’s argument “offered a defence of women against their misogynist critics” (Rigby 137) of the Medieval Age. Presented as a critic who beats males at their own game, and gives her the authoritative stance
The knight tells the woman his true feelings about her. According to Arthurian” “She is the most hideous woman he has ever seen”. Furthermore, it is unusual for a young man to marry an old women. Women have a lot of power in their appearance because a woman uses her appearance to seduce and control men. The woman inner desire in this time period is to have power over there husband. However during this time period Christians believe that a man and women should treat each other equally. According to 1 Corinthians 7:3-5 “The husband should give to his wife her conjugal rights, and likewise the wife to her husband. For the wife does not have authority over her own body”. Woman still felt look down upon compared to men because there duties are to stay at home cook and
In “The Wife of Bath’s Prologue and Tale” of Geoffrey Chaucer’s The Canterbury Tales, the Wife of Bath challenges the oppressive standards women are expected to uphold and asserts her agency by reassessing women’s public and interpersonal roles. However, rather than naively disregarding the influence of gender constructs, the wife manipulates the “limitations” that binary oppositions create for her gender in order to dominate the skill of persuasion. Through the careful use of language, the Wife of Bath exploits societal standards placed upon females in order to reconstruct women’s role within her culture and the institution of marriage. In particular, the Wife argues that her opinions should be regarded because her amount of marriage experience
Many critics throughout the years have given the Wife of Bath a title of that of a feminist. She is a strong-willed and dominant woman who gets what she wants when she wants it, by manipulating her husbands into feeling bad for things that they didn’t do, or by saying things that put them to utter shame. No man has ever been able to give an exact answer when she asks to know how many husbands a woman may have in her life...
Chaucer, in his female pilgrimage thought of women as having an evil-like quality that they always tempt and take from men. They were depicted as untrustworthy, selfish and vain and often like caricatures not like real people at all. Through the faults of both men and women, Chaucer showed what is right and wrong and how one should live. Under the surface, however, lies a jaded look of women in the form that in his writings he seems to crate them as caricatures and show how they cause the downfall of men by sometimes appealing to their desires and other times their fears. Chaucer obviously had very opinionated views of the manners and behaviours of women and expressed it strongly in The Canterbury Tales. In his collection of tales, he portrayed two extremes in his prospect of women. The Wife of Bath represented the extravagant and lusty woman where as the Prioress represented the admirable and devoted followers of church. Chaucer delineated the two characters contrastingly in their appearances, general manners, education and most evidently in their behaviour towards men. Yet, in the midst of disparities, both tales left its readers with an unsolved enigma.
In the tale the wife of bath, women all around the world long and desire many needs like rights or equal convenience but mostly they want sovereignty over men. Many reasons why women need jurisdiction over men is “Freedom to do exactly as they please”, “No one to reprove our faults and lies” and “rather to have one call us good or wise”. Women need respectful and equal contingency as men, so both of them can continue on and live amicable and ecstatic lives.
Women have the ability to get what they want, when they want it. Chaucer portrays the Wife of bath as the dominant person in her marriages. She looks at men as her trinkets to be used and played with. She moves from one man to another, always looking for more. The Wife of Bath is a control freak, wanting to have sex when she desires it and with whom she desires.
Unlike many of Geoffrey Chaucer’s other tales, The Wife of Bath’s is from the point of view of a medieval woman named Alison. Although Alison may seem as though she is a radical feminist as she sexually exploits and controls men, Alison is clearly not a feminist but rather believes in a form of misandry. Alison’s wicked, deceitful ways exemplify the negative side of women that one may hear within stereotypes. Although this sexual confidence and rebellion may be seen as a feminist standpoint in these medieval times, it actually does not empower women at all but may harm them. Alison’s attitude toward men confirms many stereotypes and may encourage men to hold a misogynist viewpoint toward women. Geoffrey
At times, women can take action to either preserve the reputation or emphasize the importance of some well-regarded man. In other situations, it is the actions of a man towards a woman that helps preserve or increase the influence that he has. Even symbolically, women have importance in defining the standing of man, as they highlight what made a man of value to the community. Neither the Greek nor Anglo-Saxon depictions of women are too positive; nevertheless, they are accurate depictions of the times these societies lived in and of a time when women were considered to be inferior to