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Marriage and Love in Elizabethan England
The movie, Shakespeare in Love, provides insight into the world of Elizabethan England. Through the character of Viola De Lessups the audience is shown how marriage was an institution entered into not for love, but as a strategic maneuver designed to enhance the lives of those who would benefit from a union, whether or not the beneficiaries were the people actually exchanging vows. As Queen, Elizabeth I chose not to enter into such a union. She expressed the thoughts and feelings she had about the subject in both her speech, “On Marriage” and her poem “On Monsieur’s Departure.” A comparison of the character of Viola to the real life Queen of England, Elizabeth I, can provide the reader a greater understanding of marriage and love in Elizabethan England.
Queen Elizabeth and Viola both realized that their station in life would determine their prospects for marriage. Elizabeth had the power to decide not to marry. Viola’s marriage to Wessex decided for her as “a daughter’s duty and the Queen’s command”(Shakespeare).[2] Viola is the daughter of a wealthy merchant and while she is “not so well born” she is, as her nurse points out, “Well moneyed” which “is the same as well born” and “well married is more so” (Shakespeare). Likewise, Elizabeth knew that if the Queen of England were to marry she would have to make a union that would benefit her country. She felt pressure from Parliament to marry and addressed it in her speech, “On Marriage”, given to Parliament in 1559. She assured them that they could put that idea “clean out of [their] heads” for “whensoever it may please God to incline [her] heart to another kind of life,” she intended “not to do...
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...n that she understood that duty prevented her from such a marriage. In her poem, “On Monsieur’s Departure” she allows a glimpse into the pain it caused her to be unable to fully pursue a life of love.
Works Cited:
[1] William Shakespeare, “Sonnet CXVI”, The Longman Anthology of British Literature: The Early Modern Period, ed. David Damrosch, 2nd ed., vol 1B (NewYork: Longman, 2003) 1233-34.
[2] Shakespeare in Love, dir. John Madden, Perf. Gwyneth Paltrow, Joseph Fiennes. Mirimax/Universal, 1998.
[3] Elizabeth I, “On Marriage,” The Longman Anthology of British Literature: The Early Modern Period, ed. David Damrosch, 2nd ed., vol 1B (NewYork: Longman, 2003) 1084-85.
[4] Elizabeth I, “On Monsieur’s Departure,” The Longman Anthology of British Literature: The Early Modern Period, ed. David Damrosch, 2nd ed., vol 1B (NewYork: Longman, 2003) 1081-82.
This paper will discuss the well published work of, Pomeroy, Sarah B. Goddesses, Whores, Wives, and Slaves: Women in Classical Antiquity. New York: Schocken, 1975. Print. Sarah B. Pomerory uses this book to educate others about the role women have played throughout ancient history. Pomerory uses a timeline to go through each role, starting with mythological women, who were called Goddesses. She then talks about some common roles, the whores, wives, and slaves during this time. Pomerory enlightens the audience on the topic of women, who were seen as nothing at the time. Men were seen as the only crucial part in history; however, Pomerory’s focus on women portrays the era in a new light.
Lefkowitz, Mary R., and Maureen B. Fant. Women's Life in Greece and Rome. Baltimore: The John Hopkins University Press, 2005.
--- Goddesses, Whores, Wives and Slaves: Women in Classical Antiquity. New York: Schocken Books. 1995, 2010. Kindle Edition. Location 2733 of 6360.
The account of Roman women is a fascinating facet of the greater saga of the Roman Empire itself. During the Roman Empire, the economy, politics and civilization as a whole, was dominated almost entirely by men. As a result, a number of expectations were placed on women, detailing how they should look, behave and with whom they should associate. These expectations were reinforced and affected by both the social and political fixtures of the Roman Empire. Although women made a number of important social and legal advances in Ancient Rome, the development of the Empire proved to be detrimental to the emancipation of women as the pre-existing social expectations were altered in order to impose a more conservative moral order. These antecedent expectations were crafted from a number of ideals concerning female intellect, sexuality and influence, that existed in society prior to the development of the Roman Empire.
“Love and Marriage.” Life in Elizabethan England. Elizabethan.org, 25 March 2008. Web. 3 March 2014.
It is well known that Shakespeare’s comedies contain many marriages, some arranged, some spontaneous. During Queen Elizabeth's time, it was considered foolish to marry for love. However, in Shakespeare’s plays, people often marry for love. With a closer look into two of his most famous plays As You Like It and Twelfth Night or What You Will, I found that while marriages are defined and approached differently in these two plays, Shakespeare’s attitudes toward love in both plays share similarities. The marriages in As You Like It’s conform to social expectation, while the marriages are more rebellious in Twelfth Night. Love, in both plays, was defined as
I was surprised at some of the facts I discovered while researching this paper topic. It is not a “black and white” simple answer topic; explaining the role of women is more complicated than that. During the early years of Rome, the role of the woman was minimal; however as Rome evolved so too did the place of women in Roman society. Rome, and its men, eventually grew to understand that women could be helpful, indeed, more than that, they could be a working partner in a su...
Women in Ancient Rome did not have equal legal status as their husbands, fathers, or any other male figures in the society. Women were not allowed to make legal transactions without her husband’s or father’s consent. This showed how men were superior and controlled the money in the family. A woman was permanently attached to her family of birth and her husband’s family, if she got married.
Lefkowitz, M., and Fant, M. (2nd. ed. 1982). Women's Life in Greece and Rome. Baltimore: The John Hopkins University Press.
The Catholic Encyclopedia. New York: Robert Appleton Company. Retrieved February 21, 2010 from New Advent: http://www.newadvent.org
Shopp, John B, ET al, The Harper Collins Encyclopedia of Catholicism. New York: Harper Collins Publishers Inc, 1995.
The international students are expected to pay the full tuition fee, whereas the domestic students are eligible for heavy government subsidies and that is one of the reasons why there is a huge difference between the fee amounts. Many students take up part time jobs to make ends meet, but it is imperative to note that job opportunities are very limited and even those jobs that are available do not give a substantial income. Therefore, they must rely on their own money and be prepared for the expenses.
Spencer, Edmund. “Amoretti: Sonnet 37”. The Norton Anthology of English Literature. Gen. ed. David Simpson. 8th ed. Vol. 1. New York: Norton, 2006. 904. Print.
Steele, Felicia Jean. "Shakespeare's SONNET 130." Explicator 62.3 (2004): 132-137. Academic Search Complete. Web. 22 Nov. 2013.
The African National Congress wanted a democratic future where all races would enjoy equal rights. (Encyclopedia, 2008) South Africa was going through a hard time, ”The Great Depression” and ”The World War 2” brought economical problems for the Africans. The government needed to strengthen its policies of racial segregation, and they did. In 1948, the Afrikaner...