Marigolds By Eugenia Collier

724 Words2 Pages

Coming of age: it’s a topic commonly front and center in modern media. Movies, novels, TV shows, and any other form of consumable entertainment are popular selections for growing up. Why is this a problem? It’s a topic that strikes a chord within any human being, a conflicting and confounding one, like a bittersweet minor seventh. In the texts “Marigolds” (Collier), “American History” (Ortiz Cofer), and “Blackberry Picking” (Heany), each author delves beautifully into the theme that coming of age is a bitter, often confusing experience, but it prepares you for life beyond the comfort of childlike naivety. In “Marigolds” by Eugenia Collier, fourteen-year-old Lizabeth simultaneously deals with the difficulty of the dull, dusty, impoverished life …show more content…

Suddenly I was ashamed, and I did not like being ashamed. The child in me sulked and said it was all in fun, but the woman in me flinched at the thought of the malicious attack that I had led” (22). These feelings that Lizabeth feels are uncomfortable, ugly emotions. Ironically, the destruction of her neighbor’s marigolds was also the destruction of her childhood, solidifying the death of her innocence. But the pain was necessary, for a wise Lizabeth reflects, “One does not have to be ignorant and poor to find that his life is as barren as the dusty yards of our town. And I too have planted marigolds” (Collier 30). In another tale about a growing young woman, “American History” by Judith Ortiz Cofer tackles the story of young Elena and the prejudice that launches her into a complicated adult world. The story takes place as her largely Puerto Rican apartment is grieving the loss of President John F. Kennedy. However, despite the grievings of her family for the late President, Elena cannot stop thinking about Eugene, the young white boy from Georgia who has captured her …show more content…

The gray snow is her life, the differences between her and others that she never thought to be significant, her dying naivety, and her grieving family; the weight of all of these adult problems is unbearable for a young girl, so she does not look at the snow and the truth it contains. Just as bitter experiences can make one wiser, so too can bitter fruit. “Blackberry Picking,” a poem by Seamus Heaney, follows a speaker who grapples with spoiling, once-sweet blackberries. A sad metaphor for the loss of childlike innocence and the beginning of adult-ish complexity, the poem displays the intense longing and desire to stay happy and youthful, traits depicted in the ripe blackberries. However, as they sour, disappointment and cruel wisdom are instilled upon the speaker for the first time while the mold slowly infects every berry. The speaker learns from this tragedy, stating, “Each year I hoped they’d keep, knew they would not,” expressing the desire for the illusion of innocence to reappear, yet the knowledge that their inner child was not

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