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Recommended: Honor in othello
The Disenchantments of Love by Maria de Zayas showed this obsession of honor through a woman's point of view. Love for the Sake of conquest and Innocence Punished provided us with the final proof of obsessive perception of honor.
Esteban in love with the forbidden fruit of Laurela decides to become Estefania to seduce her into marriage. After many crazy attempts, he finally convinces her to elope. Do you think we were going to see and "they lived happily ever after"? he confesses his sins, leaving her with dishonor. This obviously leaves her no other choice but to commit suicide. The obsession is proven once again within the texts of Spanish literature and the pattern arises of the issue with honor, how it is represented, addressed, and
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Greer and Elizabeth Rhodes. Reverberating Brownlee's commentaries, Lisa Vollendorf's Reclaiming the Body: Maria de Zayas' Early Modern Feminism contends that Zayas used her text to test the social interpretation toward women. Vollendorf claims that Zayas's use of gaudy images was envisioned for this purpose. She also discovers Zayas's strong certainty in the abbey as a haven for women's individuality. According to Vollendorf, Zayas had little hope for transformation to happen by itself, and she became a voice urging women to pursue freedom and men to teach themselves about …show more content…
Leonardo and the Bride find their separate social positions insufferable and rebel against their fates. They disrupt the bonds of marriage and terminate the symmetry of the community. The way the characters are named in Lorca's play divulges a great deal about how the dramatist regards this problem. Except for Leonardo, who prompts the volatility, none of the characters are given proper names. Rather, they are nominated according to their social situation or role. The Bride, therefore, is on her way to becoming a Wife or a Mother. The Bridegroom, above and beyond being a son, is on his way to becoming a Husband or a Father. What this suggests is the manner in which, in some deep sense, there are no real entities in societies. In other words, to live in harmony with other humans, human conforming to a restricted number of roles and opportunities that accord with the guidelines and arrangements for social living and life. Hence, it is only Leonardo, who contests these rules, who can be personalized by being given a proper name. This speaks to the theme of individual honor, given to those due to their social standing and their designated names. When this system is thrown into disarray, the system collapses, and with it the honor that people get by simply being
Honour went hand in hand with how reputable a family was considered to be within the community. There were two types of honour; “honor” which symbolized the honour brought to an individual by their family or their birth right, and “honra” which represented ones virtue in the sense of morality and piety or their saintliness. Honour killings would occasionally be performed (most often by men) on women who took lovers behind their husband’s backs. To restore his honour, the husband would be legally allowed to kill both his wife and her lover. Women would also resort to violent tendencies if anyone threatened their families’ honour and reputation. High class woman were known to protect both their own honour and the households by filing lawsuits and beating other women they saw as treats, making women more likely than men to act out in defence. In the “Scandal at the Church” case, Mr. de Alfaro indirectly refers to his wife’s and his family’s honour multiple times as his wife was attacked in the daylight crowds after mass. With so many people present to witness his wife’s beating and Mrs. Bravo’s insulting words, Mr. de Alfaro’s family honour was tarnished as a direct result from the scandal. Even as a man of a lower class, honour is still incredibly important as other families within the community base their perceptions on how honourable and thus reputable a family is. Mrs.
One of the most important themes throughout `Campos de Castilla' is the relationship between the poet and the external reality. In `La Tierra de Alvargonzález', this is also an important theme, yet this poem differs from the collection, not only in its length, but also its content. There are many different levels of interpretation of this poem: first of all as a simple murder story, secondly as historical degeneration - represented within a family by parricide, and lastly as Cainism. `La Tierra de Alvargonzález' existed in two forms: prose and verse. The prose form was the original form, but it is the verse form which is more well-known out of them. There are some fundamental differences between the two forms. Most notably is the absence of the second narrator - the peasant, in the verse form, which creates a multitude of effects upon the interpretation of the poem. As a result, the narrator of the poem is more involved in the action he is retelling, and there is a greater accumulation of tension, more ambiguity and supernatural aspects. Another difference between the prose and verse versions is the murder of Miguel, the youngest brother. In the prose version, he is also murdered, yet in the poem, Miguel survives which puts more emphasis upon the theme of guilt and retribution. The unseen forces of sin, guilt and retribution are conveyed with an ambiguity made effective through poetic rhythm and imagery which conveys that nature and human lives run parallel, which is emphsised by the landscape's role as a reminder of the brothers' guilt in the final stages of the poem.
The figures of Sor Juana and Catalina de Erauso are larger than life. They did things no other women (and most men) during the 17th century could have ever dreamed of. Sor Juana was a nun who, through her confined cloister, produced works of literature and theology that are now part of both the Mexican and Catholic Cannon. De Erauso on the hand roamed free, she abandoned her religious life and instead took up the garb of a man and set out for the New World. Both of these women did not do what women were expected to do. Sor Juana’s life in the covenant should have been one of quiet contemplation and De Erauso should have never left the covenant she was a part of. In addition not only did De Erauso abandon her vows but she attempted, and succeeded, at passing herself off as a man which allowed her to do things that, if her true identity was known, every apparatus available in the Empire would have brought her to swift justice. These women went against the norms of what was expected ...
Many people seem to get entangled into society's customs. In the novel Anthem, the protagonist, Equality 7-2521, lives a period of his life as a follower. However, Equality eventually, tries to distant himself from his society. He is shaped to be a follower, but eventually emerges in to an individual and a leader. On his journey, he discovers the past remains of his community. Ayn Rand uses Equality's discoveries of self to represent the importance of individuality in a functional society.
"If a man is not faithful to his own individuality, he can not be loyal to anything" (McKay 1). The book Anthem demonstrates that individuality is key if one is to learn, love, and be oneself. Though the Council says the world is equal, it is in reality unbalanced and unfair because the Council makes all the decisions for the place. The book shows that people become mindless and "machine-like" because of Collectivism. Equality, the protagonist and the one with different ideas, shows that identity is very important to humanity. Throughout the book Anthem, the theme of individuality and one's own identity, shown through Equality's own ideas, love, and ego, are important to show Collectivism's downfalls.
In the 1960s, a wave of Cuban immigrants moved into the United States to escape their ruthless dictator, Fidel Castro. Aleida Rodriguez and her siblings were some of those immigrants. In her reflection, she looks at photographs of her childhood while she reflects upon the impact of emigration within her family during the sixties. In the excerpt from “my Mother in Two Photographs, Among Other Things,” author Aleida Rodriguez reveals the cultural rifts caused by relocation.
The central theme of the play is romance. The characters all experience love, in one way or another, whether it be unrequited or shared between more than one person. The plot is intricately woven, sometimes confusingly so, between twists and turns throughout the multiple acts, but it never strays too far from the subject of adoration. Despite the hardships, misperception and deceit the characters experience, six individuals are brought together in the name of holy matrimony in three distinct nuptials. Sebastian, the twin brother of Viola who was lost at sea after a shipwreck, and Lady Olivia are the first to marry, but things are not as they seem.
reflects upon the theme of the novel. As it highlights the fact that if people in the society
Unpleasant truth’s that the author has presented to the reader, show that as a result of Briony’s crime, she has no one to atone for, that she is the person who decides outcomes relating to Robbie and Cecilia. Thus, in the stages of the human condition, one finds mortality within the power of words, while others have an ultimate demise. In conclusion, the unpalatable truths of the human condition represented in texts confront readers as they are challenged to recognise life’s obstacles.
Family is one of the most important institutions in society. Family influences different aspects of a person’s life, such as their religion, values, morals and behavior. Unfortunately, problems may arise when an individual’s belief system or behavior does not coincide with that of family standards. Consequently, individuals may be forced to repress their emotions or avoid acting in ways that that are not acceptable to the family. In the novel The Rain God, written by Arturo Islas, we are presented with a story about a matriarchal family that deals with various conflicts. One major internal conflict is repression. Throughout the novel the characters act in strange ways and many of the family members have internal “monsters” that represent the past that they are repressing. In his article, “The Historical Imagination in Arturo Islas’s The Rain God and Migrant Souls”, Antonio C. Marquez’s implicitly asserts a true idea that The Rain God is a story about repression. Marquez’s idea can be supported from an analysis of secondary sources and a reading of the primary text.
In the time of William Shakespeare where courtship and romance were often overshadowed by the need to marry for social betterment and to ensure inheritance, emerges a couple from Much Ado About Nothing, Hero and Claudio, who must not only grow as a couple, who faces deception and slander, but as individuals. Out of the couple, Claudio, a brave soldier respected by some of the highest ranked men during his time, Prince Don Pedro and the Governor of Messina, Leonato, has the most growing to do. Throughout the play, Claudio’s transformation from an immature, love-struck boy who believes gossip and allows himself to easily be manipulated is seen when he blossoms into a mature young man who admits to his mistakes and actually has the capacity to love the girl he has longed for.
It is an unconventional recollection of the author to the events prior to, during, and following the murder of a Santiago Nasar, wealthy young local Arab man. A native woman of the town, Angela Vicario had become the love interest of a flamboyantly rich and young Bayardo San Roman, son of famous and renown civil war general. In a matter of four months they were married. On the first night of their union San Roman learned his new wife was not the blessed virgin he thought he married. Angela
The belief and concept of dishonor in the Greek and Colombian culture of ‘Antigone,’ by Sophocles, and ‘Chronicle of a Death Foretold,’ by Gabriel Garcia Marquez, is a deciding aspect that blinds characters moral values. It is evident that in both societies Greek and Colombian, a family or an individual without honor is an outcast to the community. As honor plays a drastic role in outlining the culture of the society. Therefore the belief that a perpetrator has brought dishonor upon the family, or community foreshadows punishment for the individual, often conveyed through death.
Women in Latin America were expected to adhere to extreme cultural and social traditions and there were few women who managed to escape the burden of upholding these ridiculous duties, as clearly shown in “Chronicle of a Death Foretold”. First, Latin American women were expected to uphold their honor, as well as their family's honor, through maintaining virtue and purity; secondly, women were expected to be submissive to their parents and especially their husbands; and lastly, women were expected to remain excellent homemakers. One of the most prominent expectations of women in Latin America, and certainly the main idea surrounding “Chronicle of a Death Foretold”, is the idea that women should be pure, maintaining their virginity, prior to marriage. In the novel, Angela Vicario was forced by her parents and family into accepting a proposal from Bayardo San Roman, none of whom knew she was no longer a virgin. Knowing that her future husband would expect to spend their wedding night with a virgin, Angela scrambled to find ways to reinstate her virginity and deceive San Roman so he would not detect her impurity.
The roles of society included expectations,family inheritance, and how conflicts were dealt with. Expectations helped develop and correlate family inheritance. While family inheritance brought burdens and expectations to fill.The conflicts which bring the part of responsibility of family inheritance. Thus the motifs which foreshadowed what would happen in the play and what effect it had.The motifs were knifes that brought destruction and death. While greed brought the marriage together and conflict. Which then revealed the themes of cycle of life,the progression of time,choice, and fate. Lorca’s message is duties to family’s needs verse duties to self. Characters feel obligated to fufill familys wants and needs like the Bride to fulfill her family 's needs.Also the Bridegroom which followed everything and attended his mother’s needs.While Leonardo is different he goes against society which causes conflict of the Bride putting her own needs first.Now see the change which Lorca is trying to convey, that there is now the old generation verse the new generation.The old caring about their status and view to society.While the new is finding your own happiness.Over the course of the play conflict,roles,and motifs are developed in within the