Maria De Zayas

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The Disenchantments of Love by Maria de Zayas showed this obsession of honor through a woman's point of view. Love for the Sake of conquest and Innocence Punished provided us with the final proof of obsessive perception of honor.
Esteban in love with the forbidden fruit of Laurela decides to become Estefania to seduce her into marriage. After many crazy attempts, he finally convinces her to elope. Do you think we were going to see and "they lived happily ever after"? he confesses his sins, leaving her with dishonor. This obviously leaves her no other choice but to commit suicide. The obsession is proven once again within the texts of Spanish literature and the pattern arises of the issue with honor, how it is represented, addressed, and …show more content…

Greer and Elizabeth Rhodes. Reverberating Brownlee's commentaries, Lisa Vollendorf's Reclaiming the Body: Maria de Zayas' Early Modern Feminism contends that Zayas used her text to test the social interpretation toward women. Vollendorf claims that Zayas's use of gaudy images was envisioned for this purpose. She also discovers Zayas's strong certainty in the abbey as a haven for women's individuality. According to Vollendorf, Zayas had little hope for transformation to happen by itself, and she became a voice urging women to pursue freedom and men to teach themselves about …show more content…

Leonardo and the Bride find their separate social positions insufferable and rebel against their fates. They disrupt the bonds of marriage and terminate the symmetry of the community. The way the characters are named in Lorca's play divulges a great deal about how the dramatist regards this problem. Except for Leonardo, who prompts the volatility, none of the characters are given proper names. Rather, they are nominated according to their social situation or role. The Bride, therefore, is on her way to becoming a Wife or a Mother. The Bridegroom, above and beyond being a son, is on his way to becoming a Husband or a Father. What this suggests is the manner in which, in some deep sense, there are no real entities in societies. In other words, to live in harmony with other humans, human conforming to a restricted number of roles and opportunities that accord with the guidelines and arrangements for social living and life. Hence, it is only Leonardo, who contests these rules, who can be personalized by being given a proper name. This speaks to the theme of individual honor, given to those due to their social standing and their designated names. When this system is thrown into disarray, the system collapses, and with it the honor that people get by simply being

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