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Elements of literary text
Elements of literary text
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Jessica Cribb Mrs. Keatings ENG3UO-E December. 3rd, 2014 The Loons Margaret Laurence is one of many Canadian authors who incorporate real life events into her stories. The Loons, written by Margaret Laurence, deals with the theme that people have trouble with themselves, who they are, and who they want to be. Jean Margaret (Peggy) Wemyss (before she got married), was only four years old when her mother, Verna Jean passed away. This unfortunate event not only affected her, but her family too. A few years later Margaret’s father, Robert Wemyss, got remarried to her deceased mother’s sister, Margaret Campbell Simpson. At the age of nine, Margaret’s father passed away which made the nine year olds life much tougher than any nine year olds life …show more content…
This is possibly a social influence that may have caused Margaret to write such a story because she lost her mother too. What is not so similar is the fact that Piquette’s father, Lazarus, was rarely in the picture, whereas Margaret and her father were close; in personality and in character. Because Piquette had no one to help her, she had to take the role of the caregiver or the ‘mother’ because her father was barely there and was not reliable. “[…] Piquette cooks for them, and she says Lazarus would never do anything for himself as long as she’s there” (Laurence 2). Another social Influence is that Margaret and Piquette both have male figures in their lives other than their fathers. Margaret has always had her grandfather and after Piquette got sick, she had Vanessa’s father, who was the doctor that cared for her. “Your dad was the only person in Manawaka that ever done anything good to me” (Laurence 9), she says to Vanessa after her father passed away. Also, another example of a social influence is when Vanessa never cared for the loons that were at the cottage until after they had left and her father had passed away. After Margaret’s father passed away, she says, “I hated him for a long time, even after his death. Now I have a kind of respect and admiration for him” (uudb.org). Having lived life without her father for years, Margaret learned to admire him, just like in the story where Vanessa begins to admire the
Carol Armstrong begins her essay by pointing out the two main points that come about when discussing A Bar at the Folies-Bergere. These two points are the social context of the painting and its representation of 19th century Paris, and the internal structure of the painting itself with the use of space. She then goes on and addresses what she will be analyzing throughout her essay. She focuses on three main points, the still life of the counter and its commodities, the mirror and its “paintedness”, and the barmaid and her “infra-thin hinge” between the countertop and the mirror.
Sal explains, “When my mother was there, I was like a mirror. If she was happy, I was happy. If she was sad, I was sad. For the first few days after she left, I felt numb, non-feeling. I didn’t know how to feel”(Creech 37).
In the article “ From Fly to Bitches and Hoes” by Joan Morgan, she often speaks about the positive and negative ideas associated with hip-hop music. Black men display their manhood with full on violence, crime, hidden guilt, and secret escapes through drugs and alcohol. Joan Morgan’s article views the root causes of the advantage of misogyny in rap music lyrics. In the beginning of the incitement her desires shift to focus on from rap culture condemnation to a deeper analysis of the root causes. She shows the hidden causes of unpleasant sexism in rap music and argues that we need to look deeper into understanding misogyny. I agree with Joan Morgan with the stance that black men show their emotions in a different way that is seen a different perspective.
The mother and daughter have a very distant relationship because her mother is ill and not capable to be there, the mother wishes she could be but is physically unable. “I only remember my mother walking one time. She walked me to kindergarten." (Fein). The daughter’s point of view of her mother changes by having a child herself. In the short story the son has a mother that is willing to be helpful and there for him, but he does not take the time to care and listen to his mother, and the mother begins to get fed up with how Alfred behaves. "Be quiet don't speak to me, you've disgraced me again and again."(Callaghan). Another difference is the maturity level the son is a teenager that left school and is a trouble maker. The daughter is an adult who is reflecting back on her childhood by the feeling of being cheated in life, but sees in the end her mother was the one who was truly being cheated. “I may never understand why some of us are cheated in life. I only know, from this perspective, that I am not the one who was.” (Fein). The differences in the essay and short story show how the children do not realize how much their mothers care and love
By doing this, Margaret receives empathy from the audience because the audience may recall a point in their lives where they were faced with similar challenges which were very difficult at the time but now they hold happy associations with those times. For example, Atwood begins her second paragraph with “The year as 1962…It was summer, and I was faced with the necessity of earning the difference between my scholarship for the next year and what it would cost me to live.” This excerpt from her essay is critical to establishing nostalgia because for most young adults, money is a problem and many people can relate to this and they believe that it is the end of the world for them if they cannot make ends meet. However, as one grows older, they come to realize that there will be many more serious problems in life and managing finances as a young adult are among the smallest of problems. Throughout the essay, Margaret continues to retell her challenges such as her uniform misunderstanding, her struggles with the cash register and being harassed by the Greek cook, but she fails to retell any of her successes such as earning enough money or any times when she had dealt with pleasant customers. This helps the author to achieve a nostalgic tone because it reminds the reader that
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
Along with taking on the mother role because her mom can’t handle it she is the father as well. Her father is gone to a military base. Instead of attempting suicide, she should have looked to the good in life. She had a Grandma that was there for her and didn’t want this for her granddaughter. “Stay with me, Vanessa.” (Hopkins page 35). Vanessa had a little brother who had to find her bleeding on a bathroom floor. So, why would she want to put her family through that? She should have looked at her grandma and brother and not given up on life. Should have thought about how much it would suck for Bryan to have to go through life being the boy whose sister killed herself. Vanessa should have had the ambition to live on after her mother was sent away and be a better mother, wife, and human being than her mother could have ever done. Instead of ending the pain the easiest and quickest way possible she could have seen a doctor, gotten a diagnosis and worked to better herself. She should have made the problems in her life a tiny little piece of it instead of her whole entire
pity in the reader by reflecting on the traumatic childhood of her father, and establishes a cause
Like Gail Hightower, Joanna Burden is an outcast because of the past. However, Hightower idealizes the heroic southern past, while Joanna was raised to reject southern ideas of race. Hightower’s ancestors inadvertently affect his present state; Joanna’s ancestors directly influence her social position in the town. When her family first arrived they were outcast, “they hated us here. We were Yankees. Foreigners. Worse than foreigners: enemies. Carpet baggers . . . Stirring up the negros to murder and rape, they called it. Threatening white supremacy” (Faulkner 249). The hatred that the townsfolk held for them stemmed from the fact that her family did not hold the same southern values that they did. While Hightower’s family were heroic Civil
At the beginning of the short story Maggie's family is introduced, from her scrappy little brother Jimmie, to her short lived brother Tommie, her alcoholic mentally-abusive mother Mary, and her brutish father. Jimmie's friend Pete is introduced and becomes a mirror image of Jimmie later on in the book. They both are portrayed as Don Juans, the seducers of young women who treat women as objects rather than people. Maggie's father is as short-lived as her brother Tommie. However, he becomes a negative social factor in Maggie's life. Maggie’s mother was an essential symbol of hypocrisy and pessimism throughout the book, from her drinking to her last comment in the book “I'll Forgive Her” (Crane).
With a shock of dyed red hair, statement glasses, and colourful sweaters, Lorna Jean Crozier dresses as eccentric as she writes. Although she never considered writing as a career when she was young, at 68 she has authored 15 books. Crozier has lived everywhere from Victoria to Toronto, but to me, her poetry shows that her heart has never left the Saskatchewan Prairies where she was born. Her works often showcase her interests, including cats, gardening, and sex--sometimes rolled together.
Margaret is painted as a strong character from the very beginning. As Jessica Ray Lymberopoulos writes in her essay,
Caroline Beaufrot the mother of Victor, is the first example we have of women’s subservience to their male counterparts. She had been caring for her ill father as ‘her time was more entirely occupied in attending him’ but when his death came she was left ‘an orphan and a beggar’. Even though she had worked tiresly in his need. She was in reality only a form of comfort to him until death came. Alphonese Frankenstein was friends with her father Beaufrot, and on a visit to the chamber he discovered Caroline weeping by her father’s coffin. Some would argue that Alphonese is the ...
Looking back on the death of Larissa’s son, Zebedee Breeze, Lorraine examines Larissa’s response to the passing of her child. Lorraine says, “I never saw her cry that day or any other. She never mentioned her sons.” (Senior 311). This statement from Lorraine shows how even though Larissa was devastated by the news of her son’s passing, she had to keep going. Women in Larissa’s position did not have the luxury of stopping everything to grieve. While someone in Lorraine’s position could take time to grieve and recover from the loss of a loved one, Larissa was expected to keep working despite the grief she felt. One of the saddest things about Zebedee’s passing, was that Larissa had to leave him and was not able to stay with her family because she had to take care of other families. Not only did Larissa have the strength to move on and keep working after her son’s passing, Larissa and other women like her also had no choice but to leave their families in order to find a way to support them. As a child, Lorraine did not understand the strength Larissa must have had to leave her family to take care of someone else’s
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...