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Margaret atwood happy endings analysis
Critical analysis essay of happy endings margaret atwood
Literary elements in happy endings by margaret Atwood
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In Margaret Atwood’s short story, “Happy Endings” she establishes a meeting between a man named John and woman named Mary. She lets the reader choose between six hypothetical situations that could occur after their initial meeting, but she notes that that option A is the one to try if you prefer a happy ending. In Option A John and Mary are the “perfect couple”. They both have good jobs, they marry and then have kids when they can afford it, they retire and both find meaningful hobbies and then they die. The other five options are paralleled to option A however Atwood’s portrayal of the women in the options provides an alternate meaning of the story.
Option B strays away from the perfect happy ending and sets up a relationship of unrequited love between Mary and John. John uses Mary “for selfish pleasure and ego gratification of a tepid kind.”(Atwood 549) His uncaring nature is revealed to Mary but that doesn’t stop her from treasuring their twice a week meeting arrangement in which she cooks dinner and then has sex with him. Mary doesn’t necessarily enjoy the constant sex she has with John but she feels that “if they do it often enough surely he’ll get used to her,” (Atwood 549) .John shows no interest, however Mary holds on to shreds of optimism thinking that John will come around. Mary’s friend reveals that John was on a date with a woman. The fact that John cares enough about the other woman to take her on date to a restaurant gets to Mary. Mary then “collects all the pills and aspirins she can find and takes them with a half a bottle of sherry.”(Atwood 550) She commits suicide with the hopes that John will come find her before the lethal combination of alcohol and medicine kills her but of course he doesn’t.
Options C-F ...
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...life. Atwood has covered many of the stereotypes that women fall into she has the stereotypical “good” woman (Mary in option A and Madge), the “bad” woman (Mary in option C) and the woman who falls somewhere in between (Mary in option B). What remains true about all these women no matter what category of women they fall into is that they are not better or worse for fitting the “good” stereotype or the “bad” one. Madge for example is faithful to a husband who has lost interest; her fulfilling the goal of marriage did not guarantee her happiness. Atwood’s point in these scenarios is that everyone’s lives result in death there is no true “happy ending” because death is the only guarantee in life women should not focus on living or aspiring to what society says they should because there is truly no reward for living or not living their within societal constraints.
Like the Good Other Woman, the Evil Other Woman often spends much of her life hidden away in the castle, secret room, or whatever, a fact suggesting that even a virtuous woman’s lot is the same she would have merited had she been the worst of criminals. The heroine’s discovery of such Other Women is in the one case an encounter with women’s oppression-their confinement as wives, mothers, and daughters-and in the other with a related repression: the confinement of a Hidden Woman inside those genteel writers and readers who, in the idealization of the heroine’s virtues, displace their own rebellious
It solidified the truth unacknowledged to them earlier--their friendships among each other were valued above their less than satisfactory marriages in their minds, something that if uncovered by their husbands would have surely placed them under detrimental suspicion. Throughout the story, after surviving the odds and preserving a dangerously unsteady life, the female characters proved that their devotion to each other could conquer the power struggle against the forced commitments they lived in. Society deemed their marriages to be untouchable and unable to be disputed in any way, but with the sturdy connections among them, wives found a way to tamper with the stereotypes and secure a better future for their fellow struggling
The female characters in Young Frankenstein and One Flew over the Cuckoo’s Nest are, stereotypically, satiric and parodic renditions of oppressed or emotionally unstable feminine personalities. The theme of the treatment of women is not only played out in the external relationships the women interact within but also in the basic mentality and roles they embody within their personality. The women of Young Frankenstein add a comical element to the film which a direct contrast to the insignificance of the female in Mary Shelley’s novel. The women of One Flew over the Cuckoo’s Nest are either almost terrifying when thinking of the potential evil lurking just beneath the surface or effectual props in the healing of those who need it.
However, well beneath the surface of the plotline, the viewer can also find himself or herself looking at a struggle for survival that is greatly affected by the roles of genders. Collins asks many questions regarding this; such as “If young girls do not see themselves reflected in media, will this diminish their sense of importance and self-esteem? Will boys conclude that women and girls are unimportant, as well? Will girls lack role models? Will adult women feel disenfranchised? Does the under-representation of women constrict societal perspectives and information in important ways?” (Collins). If Becky had not followed the standard gender role that the frame of time presented itself, she may have seen herself surviving the endeavor, despite almost no chance of her doing so. It is one of those things that today’s society may be glad to have moved past, because there is no reason for anyone to lose their life because they rely so heavily on the opposite
These men were so infatuated that other people thought so highly of them, that they never even considered any of the other factors involved In Status and Identity in Marital Interactions” Stets notes, “In adulthood, women are more likely than men to derive feelings of well-being from the “success” of their marriage…for men, feelings of well-being are tied to “success” at their job” (10). Both Mr. Doran and Armand put their social status as their first priority without ever thinking about the antagonists, Polly and Desiree or about how they felt with the situations they were in. Leaving them with no choice but to remove themselves from the heartbreaking decisions their mates had made without a second thought. Polly made it clear that she would “put an end to herself”, while Desiree packed up and left along with her baby. Although Polly did not actually put an end to herself, it was Mr. Doran’s selfish actions and thoughts that drove her to that point of wanting to kill herself. It is not clear what really happened to Desiree and the baby, it is implied that she took her own life as well as the
... in life is her sexual being. It is presented in the novel that men were disrespecting woman and have tried to gain control over women by disrespecting them. In the novel it was the want of knowledge which caused both men and women in the Okanagan to be unaware of a woman’s self-respect. Not only did men disrespect women but women disrespected themselves and other women around them in this era. By comparing characters of the novel to the women of now days they are considered equal and are respected. There are a lot of female characters in the novel that show qualities of being poor and insecure. Women should be given the same respect they give men and they should not be abused or mistreated. Everyone in the world today should stand up for the women and protect them so they are not abused. This is a crime and should be stopped to let the women live comfortable lives.
Love caused his logic and sensibility to fail him, and provoked him to commit monstrous acts that destroyed many lives. Through analysis of “Happy Endings” by Margaret Atwood, it can be concluded that one of her many intended lessons was to show the value and the powerful effects of love. Atwood successfully proved this lesson by using powerful examples of both successful and disastrous relationships to illustrate the positive and negative effects of love. Atwood truly demonstrated what it is like to follow your heart.
Margaret Atwood’s “Happy Endings” is an Author’s telling of societal beliefs that encompass the stereotypical gender roles and the pursuit of love in the middle class with dreams of romance and marriage. Atwood writes about the predictable ways in which many life stories are concluded for the middle class; talking about the typical everyday existence of the average, ordinary person and how they live their lives. Atwood provides the framework for several possibilities regarding her characters’ lives and how each character eventually completes their life with their respective “happy ending”.
...ng it through Grace’s mother and Mrs. Humphrey. The novel depicts this construct of gender identity through society by molding Grace to believe women are subordinate and need to get married and be good housewives to be successful. This construct is seen through emotion as women who are emotional are seen as “abnormal” and sent to asylums, while men had to power to do so. The societal construct of gender identity was seen as men were to bask in their sexuality and be assertive, while women were to be passive and suppress their sexuality. Mrs. Humphrey challenged this construct as she was assertive and the instigator. Lastly, the societal construct of gender identity was challenged through Grace’s mother as she took over the males position of being the provider. Overall, women were looked at as subordinate to men in the Victorian age and Atwood challenged this belief.
In conclusion, the three women end up with different fates, they all face similar conditions within their lives. Each woman deals with their circumstances differently and it impacts not only their lives but also the men’s lives that they interact with throughout the story. Both authors highlight the key issues surrounded by the lack of power that women have, isolation, and mental health illness within the Victorian time period through their characters and enlighten the reader to the similarities and differences between the themes that Brontë and Gilman both address.
...ve been suffering mental abuse by their husband. This play presents the voice of feminism and tries to illustrate that the power of women is slightly different, but can be strong enough to influence the male dominated society. Although all women are being oppressed in the patriarchal society at that time, Glaspell uses this play as a feminist glory in a witty way to win over men. Mrs. Hale and Mrs. Peters solve the crime by reflecting on Minnie Wright’s unhappy marriage that leads her to murdering. Using the relationship between female and male characters throughout the play, Glaspell speaks up to emphasize how the patriarchal society underestimated women’s rights and restricted women’s desires.
...e reader sympathizes with her and understands that if only someone would have listened to her she might have been set free. At the end of the story, the take home message is simply a feminist one—that a woman should have the right to speak for herself and give input about her own life. What if Jane had not been prescribed the “rest-cure” treatment? Might she have lived a life, happily ever after? The author leaves this question for the reader to contemplate and ponder. This sort of questioning is effective in that it proposes the idea to a woman that maybe she does deserve more rights and especially control of her own life. Gillman is a wonderful writer who set out with the purpose of writing a story that served as a warning, yet did so in such a clever, intriguing and twisted way through the use of many literary devices which included irony, imagery and symbolism.
...s the female character. In total, the female characters are always victimized because of their qualities and gender. In conclusion, by destroying the female characters, Mary Shelly alludes to the idea that women are always in victimized positions in society.
In Margaret Atwood’s short story, “Happy Endings,” the central theme of fiction provides several different kinds of marriages and relationships that ultimately result in the same ending. The “Happy Endings” shows that it’s difficult to have complete control over day-to-day events. No matter how hard society tries to achieve the perfect life, it does not always go as planned. It doesn’t matter if the characters are bored and depressed, confused and guilty, or virtuous and lucky; the gradual path of version A is not always in reach.
These stories contain a rather cheerful theme: Love. Despite the different perceptions and similarities on it, both authors survey the theme of life and love. In Woolf’s piece, “A Haunted House,” the narrator and her husband live in a house with ghosts roaming that mean good for them. In the story, the turbulence comes when the ghosts want to reunite since they were lovers in life, and eventually they visit the narrator asleep in her bed. Through the idea of transcendence of love, Woolf reveals that the reason why this couple is being haunted is nothing more than love itself. The dead couple come to the realization that love is such a strong nature that the living couple reminds them of their times alive. Ultimately, the ghosts serve as a symbol for transcendence: the living couple realize that, regardless of their actions in this life, their love is so profound that even when they die, their love will never fade. Finally, the narrator asks the couple “Oh, is this your buried treasure? The light in the heart,” realizing that it is such a strong force, that it shall never fade away (Woolf 13-14). Likewise, Atwood also surveys the theme of love in “Happy Ending,” the narrative begins with a simple, straightforward story about a couple who fall in love and follow the