During the age of art after World War I, a sense of disillusionment shows up in subject, materials, and the expedition space or location. The Dada movement is a reaction to the horrors of the war, and rejected reason and logic. They despised the intellectual and cultural conformity in art and society. They turned away from the status quo and undermined established authority. It was a new state of mind. The Dadaists collage technique developed during the movement through the pasting of cut pieces of items to portray aspects of life. In photomontages, the Dadaists used scissors and glue rather than paintbrushes to express their views of modern life through images presented by the media. The assemblages were three-dimensional variations of the …show more content…
Bicycle Wheel (Marcel Duchamp, 1913) [8] is a great example. Seeking an alternative to representing objects in paint, Duchamp began presenting objects themselves as art. He selected mass-produced, commercially available, often utilitarian objects, designating them as art and giving them titles. Ready-mades, as he called them, disrupted centuries of thinking about the artist’s role as a skilled creator of original handmade objects. Instead, Duchamp argued, “An ordinary object [could be] elevated to the dignity of a work of art by the mere choice of an artist” ( … ) [ ]. This took away the power of the art critic because Duchamp believed that the artist hold the power of deciding what is art. By taking ordinary things and turning them into art pieces, Duchamp makes people change their view on the item. As with the government and propaganda, Duchamp is suggesting people should take a second look at what they thought was right. Marcel Duchamp made another famous readymade called Fountain (Marcel Duchamp, 1917) [9]. The most notorious of the ready-mades, Fountain was submitted to the 1917 Society of Independent Artists under the pseudonym R. Mutt. The initial R stood for Richard, French slang for "moneybags" whereas Mutt referred to JL Mott Ironworks, the New York-based company, which manufactured the porcelain urinal. After the work had been rejected by the Society on the grounds that it was immoral. The “fountain” was supposed to make people feel disgusted; an emotion they should have felt about World War 1. Duchamp presents the idea that even though he says this is a fountain, it will never be looked at as more than an upside-down urinal. At the time, it caused a lot of controversy because women had never seen a urinal before. It shocked people that he would take something that was from a dirty men’s bathroom and call it “art”. Challenging the establishment's position on what could be considered
Claude Monet played an essential role in a development of Impressionism. He created many paintings by capturing powerful art from the world around him. He was born on November 14, 1840, in Paris, France. Later, his family moved to Le Havre, Normandy, France because of his father’s business. Claude Monet did drawings of the nature of Normandy and time spent along the beaches and noticing the nature. As a child, his father had always wanted him to go into the family grocery business, but he was interested in becoming an artist. He was known by people for his charcoal caricatures, this way he made money by selling them by the age of 15. Moreover, Claude went to take drawing lessons with a local artist, but his career in painting had not begun yet. He met artist Eugène Boudin, who became his teacher and taught him to use oil paints. Claude Monet
Modernity held movements that paved the path for new ways of thinking and expression as a result of the industrial revolution. Two of these movements are: Surrealism, and the school of Bauhaus. Although these movements are quite different in appearance, they both wanted to challenge the traditional customs of the time. Whether it be eliminating conscious editing of thoughts by the Surrealists or producing a new sophisticated approach to design in Bauhaus, these movements created unique artworks that reflected the times of change they existed in.
Expressionism is a style of art in which the artist distorts form and uses colors to express strong emotions. The expressionists used “swirling,swaying,and exaggeratedly executed brushstrokes.” (Expressionism Movement, Artists and Major Works.) This art style’s movement started in the late 19th century in Germany and ended in the late 1930’s. Some pioneers of the expressionist movement were Vincent van Gogh and Edvard Munch.
What is ‘Art’? Does the term describe a tangible object, experiential event, process, technique, medium, or creative skill? Does it imply attractive decoration, pleasant arrangement, and sound financial investment - or can art provoke, be unattractive, make people uncomfortable, and be fleeting? Today, Art is subjective, open to interpretation and encompasses the spectrum of the visual, literary, dance, and musical humanities - often overlapping one another. As such, Art and its practice can be all of the above and more. Post World War II, Modernist theories were waning and a general dissatisfaction was building in the United States and other westernized countries that ultimately led up to the cultural and social revolution of the 1960’s. The period also parallels a rise in relative wealth and subsequent mass consumption of commodities, education, and cultural activities within all the socioeconomic classes. Personal expression became acceptable and art practice exploded to include multiple fields of activity that Rosalind Krauss likens to “an extraordinary practice in elasticity”. Interest in ecology, performance, process, alternative materials, a loosening of social mores and experimentation with altered states of reality contributed to the rise of what is now known amply as Postmodernism. Civil rights, the anti-war movement, rise of feminism, and a political movement left of center created egalitarian entrances for many into various fields of study including Art. Nevertheless, similar to the current state of Western Civilization, not everyone appreciates an open multiplicity of voices often differing in viewpoints from safer, more conservative ones. It is in this context that artists Robert Smithson and Richard Serra bega...
Cubism was a movement that started in 1908 and ended roughly by the end of the 1920’s and is often synonymous with the works of Pablo Picasso and Georges Braque, two of the most influential and important of the cubist painters, each coming up with their own first cubist painting near 1908. They tended toward the structural and architectural form of Cubism that was hinted at by post-impressionist Paul Cézanne, whose death would provoke an exhibition of work for future cubists and other modern painters to admire and learn from. On the other hand, near 1912-14, cubism took a different turn with the help of Picasso’s papier collé, (Golding 120, Green Synthesis 88, Gopnik 81). The collages produced by papier collé managed to change analytical cubism,
When studied with World War 1, “Dada was not an artistic movement in the accepted sense; it was a storm that broke over the world of art as the war did over the nations (Tucker).”
One of the most unique figures in the continuum of the art world, Marcel Duchamp changed the way we look at and produce art today. Marcel Duchamp was by far, one of the most controversial figures in art. Two of the most well known and talked about pieces by him are The Fountain and The Bride Stripped Bare by her Bachelors, Even . Duchamp created many other pieces that caught the attention of critics, other artists, and the population in a negative way; however, these two pieces alone, brought about the greatest amount of controversy.
Abstract Expressionism is making its comeback within the art world. Coined as an artist movement in the 1940’s and 1950’s, at the New York School, American Abstract Expressionist began to express many ideas relevant to humanity and the world around human civilization. However, the subject matters, contributing to artists, were not meant to represent the ever-changing world around them. Rather, how the world around them affected the artist themselves. The works swayed by such worldly influences, become an important article within the artists’ pieces. Subjectively, looking inward to express the artist psyche, artists within the Abstract Expressionism movement became a part of their paintings. Making the paintings more of a representation of one’s self.
The German Expressionism movement started in the early twentieth century art world, pre-WWI, presumably from Vincent Van Gogh’s “pioneering expressionist paintings like… Starry, Starry Night”(Encyclopaedia of Art History). It was a purely aesthetic movement at this time that sought to oppose the Impressionist movement, which imitated nature, by imposing unnatural, distorted images. Aspects of those distortions served to convey the emotions an artist held towards their subject. War brought terror. War brought mental meltdowns. War changed the Expressionistic style into a “bitter protest movement”(Encyclopaedia of Art History) as artists “suffered from war-induced disillusionment and were dissatisfied with post-war German
Throughout the vast history of visual art, new movements and revolutions have been born as a result of breaking past conventions. This idea of moving past traditional styles was done by many artists in the 1950s and 1960s, including those artists who participated in the many different abstract movements. These artists decided to abandon old-fashioned techniques and ideas such as those of classical Renaissance, Baroque, or even Impressionist art. One of these new conventions, as discussed by art historian Leo Steinberg in his essay, “The Flatbed Picture Plane,” is the concept of a flat and horizontal type of plane in a work that does not have a typical fore, middle, or background like that of the traditional art from classical periods previously mentioned. The flatbed picture plane that Steinberg refers to is similar to that of a table in which items can be placed on top of, yet they are merely objects and do not represent any space. In his article, Steinberg explains that the opposite of this flatbed plane is the
People decided to rebel against the political and social rules of their time and started a new trend of art. It conveyed dramatic subjects perceived with strong feelings and imagination.
Green 1 Controlled Chaos: The Impact of Surrealism on the Art World The Surrealist movement that began in the 1920’s, was unlike anything the art world had ever seen before. While Surrealist painters borrowed techniques from previous “ism” movements, for example Impressionism and Cubism, the prominent painters of this movement had acquired a new, shocking style all their own. Surrealism, as an art movement, stressed the importance of expanding one’s mind in order to welcome other depictions of ‘reality’. Surrealist artists channelled their subconscious and their works reflected images of total mind liberation. Unlike the art movements before it, Surrealism came the closest to truly reflecting the human dreamlike state. While this essay will explore the purpose, techniques and lasting impact of the Surrealist art movement, it should be noted that this movement transcended the boundaries of the image arts world. The influence of Surrealism can be felt in the fields of literature, film, music and philosophy, among others. The Surrealist movement started in 1920’s Europe, with Paris as the unofficial basis for the movement. Surrealism is usually linked with the Dada movement. Dadaism attacked the conventional forms of aesthetics and it stressed how absurd and unpredictable the process of artistic creation was. They created pieces of ‘non-art’ to show, out of protest, how meaningless European culture had become (de la Croix 705). The Dada movement was declared dead around 1922 when it had become ‘too organised‘ a movement, but it planted the seeds for Surrealism (de la Croix 706). While the Dada movement provided the basis for Surrealism, Surrealism was lighter and much less violent than its predecessor. Dadaism provided a basis for Su...
collage on the pavement from old cigarette butts and other discarded materials. He, also differed from other Dadaists in the way he was much more interested the concept and process then the end product. He focused closely on the texture, line, colour and thickness of line and enjoyed contrasting these elements against one another.
Emile Durkheim is one of the famous founders of modern sociology. Along with Karl Marx and Max Weber, he is commonly credited as one of the fathers of sociology, perhaps the most important founder of all. He devoted his life to studying sociology and wrote several famous dissertations, establishing still popular sociological theories. His most famous work was arguably Suicide, which studies the difference in suicide rates between Catholics and Protestants. While his research methods and conclusions in Suicide are thoughtful but faulty at best, Durkheim is undeniably a great contributer to the world of sociology.
Avant-garde was also used to describe modern artists. It was another way of saying that as modern artists, they are always trying something new by pushing boundaries. Some avant-garde artists seek an introverted path by reviewing artistic principles and elements and there are some who -in their work, criticize both the political and social ideologies. For example, the Dada movement, Dada began in 1916 in Zuric, Switzerland and it was considered to be an artistic and literary movement. It rose as a reaction to the belief that the causes of World War I are ‘reason’ and ‘logic’. The movement itself was influenced from previous movements such as Cubism, Futurism, Constructivism and Expressionism. Dada was the opposite of what art stood for. The Dadaists rejected traditional culture and aesthetics hoping to destroy it. The Dadaist’s interests are solely in rebelling against what they saw as cultural snobbery and political support for the war. In his Dada Manifesto of 1918, Tristian Tzara is said to have invented the word Dada. It was known that Dadaism’s output ranged from performance art, to poetry, photography, sculpture, painting and collage. Some artist examples would be Hugo Ball and his readings of sound-poems and Hans Arp using abstract compositions by chance, which were expressive. Dada artists also analyzed form and movement by