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Writers techniques to engage readers
Ages through society
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One of the few inescapable happenings in life is death. The perception of death is similar to the end of an era, a full revolution, and an inescapable enigma. Over the centuries, many civilizations have searched for their own death and every attempt has been riddled with failure. However, the quest for eternal life often includes a desire to stop aging. By living past normal life expectancy--with youthful attributes and energy, a lengthened life may equate to greater accomplishments, prominent prestige, and a lasting legacy. Eternal youth may also mean never maturing or reaching full potential. Author Mark Strand emphasizes elusive youth and immortality in his poem “Man and Camel” by utilizing rhetorical and literary devices to exploit the …show more content…
An author must establish a level of credibility to the audience for a sense of trust to believably cement the two parties, and Mark Strand seems uncaring in the audience’s lack of trust. A skilled and effective writer must believe the audience will accept his ideas, whimsical or possible as they might appear. Consequently, the audience must believe the writer trusts them enough to tell the truth--or some version of the truth, even if it is a concept solely believed by the author. The author wants the audience believe in him and the audience conversely wants to believe. “Man and Camel” initially establishes a trustworthy setting of a porch on the outskirts of town as well as a plausible cast of characters. Furthermore, a man and a camel could realistically travel together. Later actions confuse the audience, as near the end the couple is depicted “galloping” and initially are depicting having “drifted up the street”(Strand, line 5), which the reader must interpret literally based upon content provided. Unlike theater, the audience cannot truly practice suspension of disbelief because the writing is on a more personal level. Author Mark Strand convinces the audience believe in a logical idea by juxtaposing illogical characters and
For example, Alobar and Kudra are representatives of this dynamic enduring a 600 year relationship. Where Alobar feels resigned and acts out of self preservation to ensure they can continue in their longevity, Kudra feels longevity for the sake of just longevity removes the purpose for a long life. These schools of thought could really be interpreted in multiple directions, but for these purposes it appears Alobar is motivated by a sense of responsibility and Kudra by a passion for meaningful life. For Alobar, an obligation to his individualism, preservation and longevity motivate him. In contrast, Kudra is not satiated by the nomadic life longevity has driven them to out of necessity, but rather a passion to explore boundaries between life and death. Alobar and Kudra have differing beliefs about death and its permanence, causing them to act based on responsibility or passion,
In his paper “The Makropulos case: reflections on the tedium of immortality” Bernard Williams asserts his central claim that when immortality is feasible it is intolerable; further, it is reasonable to regard death as an evil. He argues his position by utilization of The Makropulos case, or the case of E.M. This character and circumstance is derived from a play by Karel Capek. E.M. is a woman of three hundred and forty two years. She has survived so long due to an immortality draught concocted by her father, a physician, long before the play’s action. E.M. explains her problem with immortality is that her unending life has become incredibly dull, her emotions have become cold and indifferent. She feels that in the end, everything has happened before and life has become unsatisfying. She stops taking the immortality draught and death overtakes her. This invokes the optimistic thought that immortality may be rewarding, if certain desires continue to be satisfied. Williams expands on the idea of these desires, called categorical desires and inherent motivation, but first we should confirm the views of death that make the conversation of immortality desirable.
In the contract of life, there are numerous requirements. Every living being must be able to reproduce, practice homeostasis, consume energy, and adapt. However, there is one component of life that facilitators don’t include in their lesson plans: death. While all living organisms must have the ability to perform certain tasks in order to be considered living, all life must come to an end. Death is not a matter of if, but when. Many humans share a common fear of losing a loved one, yet authors utilize death to convey a profound meaning within their novel. In the first paragraph Bill Barich’s novel, Laughing in the Hills, he uses the inevitability of death to supply the reader with insight on the theme of his writing.
We are all condemned to death; it is inescapable. Even if a person doesn’t believe in the concept of destiny, it is undeniable that every person is fated to die at some point. Most people, however, are not aware of when exactly the inevitable will approach. Often in works of fiction, the reader, or sometimes even the character, is aware of their fate. There are many different understandings of destiny, which is one of the reasons why it has played such a large role in so many different literary works throughout the world and history. Fate is one of the principal literary devices used in Homer’s epic poem, The Iliad, Shakespeare’s tragic play, Antony and Cleopatra, and Tolstoy’s pedagogical novella, The Death of Ivan Ilych.
“Death, the end of life: the time when someone or something dies” (Merriam-Webster, 2014). The definition of death is quite simple, the end of life is inescapable. I chose to write about death and impermanence because it is something we all must inevitably face. People often deal with death in a number of different ways. Although it is something that we must eventually face, it can be hard to come to terms with because the idea can be hard to grasp. Some of us fear it, others are able to accept it, either way we all must eventually face it. In this essay I will look at two different literary works about death and impermanence and compare and contrast the different elements of the point of view, theme, setting, and symbolism. The comparison of these particular works will offer a deeper look into words written by the authors and the feelings that they experiencing at that particular time.
One of the oldest and most prominent issues that mankind has faced throughout history is that of their own mortality. In every society mankind has wrestled with the inevitable problem of their eventual death, and literature often reflects each society’s take on their mortality. For instance one of the most pronounced motifs in the epic poem Beowulf is the impending doom that each and every character knows will eventually come for them. This is most clearly illustrated by the protagonist himself in his dialogue with other characters. It is also perpetuated by the compelling need for glory and renown that many of the characters continuously search for. Lastly, the issue of mortality is presented by the preeminence of the history of the clans
Death is a reality that can be interpreted in many ways. Some people fear the possibility of no longer living and others welcome the opportunity for a new life in the afterlife. Many poets have been inspired by death, be it by the approaching death of loved ones or a battle for immortality. Just as each poet is inspired differently, each poem casts a different hue of light on the topic of death giving readers a unique way to look at death.
Death is an eternal mystery and the most controversial subject stemming from human inexperience. Its inescapability and uncertainty can give insights on the core principles and vulnerability of human nature. In Shakespeare’s tragedy Hamlet he skilfully makes use of death as a lashing force to explore the depths of his characters along the way illustrating man’s continual dilemma “To be or not to be”?
Death and Immortality in The Epic of Gilgamesh The search for immortality has been a major concern for many men and women all throughout history. True love and immortality in life would be a dream come true to many. To spend time with a special someone, the person one feels closest to, and never have to say good-bye would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves. In The Epic of Gilgamesh, Gilgamesh explores the possibility of immortality following the saddening death of his friend and brother, Enkidu.
A. E. Houseman and John Keats are two poets who have wrote many poems about death. In particular, I will be speaking about Houseman’s “To An Athlete Dying Young,” and John Keats “When I have fears that I may cease to be.” Houseman speaks about a young athlete who died shortly after winning a race. Many people would think that this was a life that was short lived; however, Houseman believes this is the best way to go. If you die at your prime, that is how people will remember you, and no one will break your record. Keats speaks about some things that he wants in life: success, face, love, etc. He believes these things are crucial to the value of one’s life, and he realizes his death is coming soon, and he will not be able to fulfill these things.
In our lives, we go through stages of mindset and maturity that naturally coincide with aging. One thing that remains the same, though, through all of these stages, is that eventually, we die; we are completely aware of that as humans. Whether because it’s due to the painful reality that is mortality, our ever-diminishing ability to be wistful and imaginative, or merely the impending coming of the Grim Reaper, our entire lives are, ironic as it is, surrounded by and flooded with death. However, as we grow older, our perception of death changes. It goes from taboo in our young ages to something that begins to surround and eventually consume us as we grow older. Between the poems “For the Anniversary of my Death” by
The speaker started the poem by desiring the privilege of death through the use of similes, metaphors, and several other forms of language. As the events progress, the speaker gradually changes their mind because of the many complications that death evokes. The speaker is discontent because of human nature; the searching for something better, although there is none. The use of language throughout this poem emphasized these emotions, and allowed the reader the opportunity to understand what the speaker felt.
A recurring theme in Emily Dickinson’s poetry was death. Many years of Emily Dickinson’s adult years consisted of man...
Many, including I, have heard this statement a thousand times, “I have so much to do and so little time.” This statement explains what two poets were trying to say through their poems. In the poems, Death Be Not Proud by John Donne, and Because I Could Not Stop for Death by Emily Dickinson, the power that death has over one’s life and the power that one has over death becomes a race for time. Both poems explained death in two different perspectives but both still showed the underlying current that death cannot be stopped. With the use of symbolizations and metaphors, both authors show the power of death.
The search for immortality is not an uncommon one in literature. Many authors and poets find contentment within the ideals of faith and divinity; others, such as Whitman and Stevens, achieve satisfaction with the concept of the immortality of mortality. This understanding of the cycle of death and rebirth dominates both Walt Whitman's "On the Beach at Night" and Wallace Stevens' "Sunday Morning" and demonstrates the poets' philosophies of worldly immortality.