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Use of Symbolism
Use of Symbolism
The use of symbolism in the novel
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"Mama Gone" by Jane Yolen is a short vampire story about a mother who died after giving birth and came back as a vampire. The story focuses on the relationship of her oldest daughter Mandy who is also, the narrator in the story and protagonist that sets her mother free from the darkness of night with her expression of love and the significant bond between mother and child. Mandy Jane is symbolized as a strong character, she is able to control her feelings and emotions better than any in family including her father who takes the lost of his wife very hard. Even durning the death of birthing her new born sister Mandy never cried out a single tear. Throughout, the entire book she holds on to trust and faith of her mother and does not appear …show more content…
to be afraid even when she has returned from the dead. The author makes it apparent that Mandy does not fear the darkness because she still sees her mother behind it all. Even when she sleeps by the gravestone knowing that her mama had just murder a child the night before allows readers to understand just how brave she is . Jane Yolen did a great job foreshadowing that mama was going to return as a vampire without exposing that to the readers to early. She used many different symbols to notion this. For example, they wanted to bury mama with garlic and cut her hands and feet off but papa would not allow this. "Your Mama couldn't stand garlic, it give her rashes all over" . This also explores the idea something dark and dangerous may return and this allows readers to become curious on actually what that is. Although , many readers are already familiar with the idea that vampires cannot withstand garlic and silver metal crosses and Jane Yolen used both symbols to foreshadow mama return from the dead. The author uses a superficial idea that soon becomes reality when mama come back from the grave and tries to prey on own family. This also explores the idea that even dead have a sense where home is and this also brings up the question why do we try to hurt the ones we love ? This reflects back on the father because he loved his wife dearly and he did not want to take the precaution that was needed to keep others around him safe and this lead to the mama killing another infant in a crib from a family that lived over the mountains. It is also ironic that mama choice to kill infant when in fact giving birth to infant is what killed her. Though it is not clear that was the idea, I thought it worthy of acknowledgement. This brought more guilt to the father and soon he realizes that he was at fault. Then it comes back to the idea of why do we hurt the ones we love because father become prepared to kill his wife to stop her from harming anyone else. She uses great imagery to describe her ideal vampire which would have skin as grey as greystone and eyes as dark as midnight.
Jane Yolen also allowed readers to believe the idea that feeling and emotions can be provoked even in the afterlife or in this case the walking dead. Readers are able to connect with the notion of everlasting relationship between a mother and child. She tries to bring light to a dark situation. Mandy recalls old memories to her mother and makes her mother remember the goodness in her that appears to cleanse away the darkness from her allowing her to be set free. Jane Yolen makes it clear to readers that love overpowers fear that was provoked by the undead mother. I found it ironic that Jane Yolen had acknowledge a few biblical references in a horror story. For example "For the living know that they shall die: but the dead know not anything'. This is very similarly to the biblical scripture from Ecclesiastes 9:5 stating ‘For the living know that they shall die: but the dead know not anything, neither have they any more a reward; for the memory of them is forgotten’. Which is later proven to be false by her oldest daughter Mandy when she brings back the remember of love and set her mother free from the darkness of the
afterlife. The last words from her undead mother was "here & gone" which can be a notion that she is finally leaving and that was her way of saying goodbye my child. . This book is perfect for middle school to high school age students.
Chapter 10 of Laurie Kaye Abraham’s Mama Might Be Better Off Dead mainly discusses the spread of preventable illnesses and the possible reasons poor areas have low immunization rates. Child immunization clinics fail to reach poor children because they are overburdened with patients, leading to long wait times. These clinics often require doctors to give a complete physical before giving shots and do not track children’s immunization records. Little effort goes into case management, which could assist in ensuring that vulnerable populations come in for preventative care. The author condemns Medicaid as a culprit for these other factors since states curtail expenses by creating barriers for poor families that would benefit from its programs. The argument about the majority of Medicaid spending going to nursing-home care versus to care for poor children and women is compelling and upsetting. How could a program designed primarily for the protection of poor children and mothers neglect to provide families with preventative care?
...e on her part. Throughout the story, the Mother is portrayed as the dominant figure, which resembled the amount of say that the father and children had on matters. Together, the Father, James, and David strived to maintain equality by helping with the chickens and taking care of Scott; however, despite the effort that they had put in, the Mother refused to be persuaded that Scott was of any value and therefore she felt that selling him would be most beneficial. The Mother’s persona is unsympathetic as she lacks respect and a heart towards her family members. Since the Mother never showed equality, her character had unraveled into the creation of a negative atmosphere in which her family is now cemented in. For the Father, David and James, it is only now the memories of Scott that will hold their bond together.
...ther is losing her daughter to time and circumstance. The mother can no longer apply the word “my” when referring to the daughter for the daughter has become her own person. This realization is a frightening one to the mother who then quickly dives back into her surreal vision of the daughter now being a new enemy in a world already filled with evils. In this way it is easier for the mother to acknowledge the daughter as a threat rather than a loss. However, this is an issue that Olds has carefully layered beneath images of war, weapons, and haircuts.
Mama, as a member of an older generation, represents the suffering that has always been a part of this world. She spent her life coexisting with the struggle in some approximation to harmony. Mama knew the futility of trying to escape the pain inherent in living, she knew about "the darkness outside," but she challenged herself to survive proudly despite it all (419). Mama took on the pain in her family in order to strengthen herself as a support for those who could not cope with their own grief. Allowing her husband to cry for his dead brother gave her a strength and purpose that would have been hard to attain outside her family sphere. She was a poor black woman in Harlem, yet she was able to give her husband permission for weakness, a gift that he feared to ask for in others. She gave him the right to a secret, personal bitterness toward the white man that he could not show to anyone else. She allowed him to survive. She marveled at his strength, and acknowledged her part in it, "But if he hadn't had...
...cts of the mother and the descriptions, which are presented to us from her, are very conclusive and need to be further examined to draw out any further conclusions on how she ?really? felt. The mother-daughter relationship between the narrator and her daughter bring up many questions as to their exact connection. At times it seems strong, as when the narrator is relating her childhood and recounting the good times. Other times it is very strained. All in all the connection between the two seems to be a very real and lifelike account of an actual mother-daughter relationship.
The three events that mark Jane as an evolving dynamic character are when she is locked in the red room, self reflecting on her time at Gateshead, her friendship with Helen Burns at LoWood, her relationship with Mr. Rochester, and her last moments with a sick Mrs. Reed. Brought up as an orphan by her widowed aunt, Mrs. Reed, Jane is accustomed to her aunts vindictive comments and selfish tendencies. Left out of family gatherings, shoved and hit by her cousin, John Reed, and teased by her other cousins, Georgina and Eliza Reed, the reader almost cringes at the unfairness of it all. But even at the young age of ten, Jane knows the consequences of her actions if she were to speak out against any of them. At one point she wonders why she endures in silence for the pleasure of others. Why she is oppressed. "Always suffering, always browbeaten, always accused, forever condemned" (Bronte, 12). Jane’s life at Gateshead is not far from miserable. Not only is she bullied by her cousins and nagged by her aunt, but help from even Bessie, her nurse and sort of friend, seems out of her reach. In the red room scene Jane is drug by Ms. Ab...
The daughter alludes to an idea that her mother was also judged harshly and made to feel ashamed. By the daughters ability to see through her mothers flaws and recognize that she was as wounded as the child was, there is sense of freedom for both when the daughter find her true self. Line such as “your nightmare of weakness,” and I learned from you to define myself through your denials,” present the idea that the mother was never able to defeat those that held her captive or she denied her chance to break free. The daughter moments of personal epiphany is a victory with the mother because it breaks a chain of self-loathing or hatred. There is pride and love for the women they truly were and is to be celebrated for mother and daughter.
When this tale is looked at from a deeper perspective, it is learned that the mothers wish is to be loved and not have to worry about her child that has come in the way of her and her
I walked into the room on New Year’s Day and felt a sudden twinge of fear. My eyes already hurt from the tears I had shed and those tears would not stop even then the last viewing before we had to leave. She lay quietly on the bed with her face as void of emotion as a sheet of paper without the writing. Slowly, I approached the cold lifeless form that was once my mother and gave her a goodbye kiss.
Early in the film , a psychologist is called in to treat the troubled child :and she calmed the mother with a statement to the effect that, “ These things come and go but they are unexplainable”. This juncture of the film is a starting point for one of the central themes of the film which is : how a fragile family unit is besieged by unusual forces both natural and supernatural which breaks and possesses and unites with the morally challenged father while the mother and the child through their innocence, love, and honesty triumph over these forces.
A breathtaking saga of a young girl’s tragic memories of her childhood. As with Ellen, Gibbons’ parents both died before she was twelve-years-old, forming the family. basis of the plot and themes of this novel. The fond memories she possessed of her mother and the harsh ones of her father are reflected in the thoughts and actions of Ellen. The simplistic and humble attitude that both Gibbons and Ellen epitomizes in the novel is portrayed through diction and dialogue.
She knows her son would not want her to be in this pain and dwell on something she cannot change which is why the author states “But soon afterwards, when the child had been buried, it appeared by night in the places where it had sat and played during its life, and if the mother wept, it wept also, and, when morning came, it disappeared.” The little boy is referred to as ‘it’ because he is only appearing in the mother’s mind as she reminisces all of the memories they shared. The mother eventually comes to an understanding with this terrible incident and at peace for herself and her little boy when the story reads “Then the mother gave her sorrow into God’s keeping, and bore it quietly and patiently, and the child came no more, but slept in its little bed beneath the earth.” She finally let go. Also, in the last quotation, this is showing that the mother now worships God above all and is putting her faith in him. As opposed to the beginning of the story where the author states “THERE was once a mother who
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
Addie Bundren, the wife of Anse Bundren and the matriarch of a poor southern family, is very ill, and is expected to die soon. Her oldest son, Cash, puts all of his carpentry skills into preparing her coffin, which he builds right in front of Addie’s bedroom window. Although Addie’s health is failing rapidly, two of her other sons, Darl and Jewel, leave town to make a delivery for the Bundrens’ neighbor, Vernon Tull, whose wife and two daughters have been tending to Addie. Shortly after Darl and Jewel leave, Addie dies. The youngest Bundren child, Vardaman, associates his mother’s death with that of a fish he caught and cleaned earlier that day. With some help, Cash completes the coffin just before dawn. Vardaman is troubled by the fact that his mother is nailed shut inside a box, and while the others sleep, he bores holes in the lid, two of which go through his mother’s face. Addie and Anse’s daughter, Dewey Dell, whose recent sexual liaisons with a local farmhand named Lafe have left her pregnant, is so overwhelmed by anxiety over her condition that she barely mourns her mother’s death. A funeral service is held on the following day, where the women sing songs inside the Bundren house while the men stand outside on the porch talking to each other.
Motherhood is a traditional role for women. From the time they are young, girls are taught to grow up, marry and become mothers. Of course they can do other things with their lives like play sports, have careers, and travel, but an overwhelming amount of women want to be mothers no matter what else they accomplish with their lives. It is common knowledge that being a good mother is one of the hardest jobs in the world. It is to forever have a special link with another person or people and have a tremendous influence, maybe the most tremendous influence over their lives. Motherhood is a roller coaster ride for women, full of ups and downs, fears and accomplishments. But what happens when motherhood defines who a woman is? All children grow up, and while a woman is always a mother, children need their mothers less and less until eventually their dependence is very minimal. What happens to the woman whose singular role and purpose is no longer needed? In The Summer Before The Dark, and The Fifth Child, the maternal roles of Kate Brown, and Harriet Lovatt are analyzed and traditional motherhood behavior is deconstructed due to these characters’ experiences and relationships with their children.