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My analysis of hills like white elephants
The main theme of the story of Hills Like White Elephants
Theme of hills like white elephants analysis
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Structure is Key It is easy to read and understand a story when the events are revealed in chronological order. There is no guessing or inferring involved in reading. There is a distinct satisfaction reading a story in which the events do not happen chronologically. The author lets the reader search and wonder and come to a conclusion on their own. In the short story, “Hills Like White Elephants”, Hemingway uses an obscure structure in which he expresses the theme of male dominance. The first indicator of the twisted structure is the fact that there is no back story or history on the characters. The story starts with the setting being laid out and then it jumps into dialogue. This allows the reader to development their own opinion on the characters based on this …show more content…
The man is trying to use reverse psychology to get the girl to do what he wants. He says, “If you don’t want to you don’t have to. I wouldn’t have you do it if you didn’t want to (Hemingway n.p.).” He says this so she will think she is doing the operation for herself, but instead it is for the man’s benefit. Another way the man is manipulative is when he says, “Well I care about you (Hemingway n.p.).” He wants her to believe he has her best intentions at heart and that he truly cares for her when in reality he is just taking the blame off of him. Another evident way the male is portrayed as more dominant is in each character’s title. Throughout the story the male is always referred to as ‘the man’. The female, however, is referred to as ‘the girl’. Her being called ‘the girl’ shows that she is less than the man. Typically a girl is seen as sort of naïve, young, and useless where as a man is seen as strong, smart, and above females. The man also calls her Jig once in story. The meaning of the word jig is to whine, which is a derogatory term, which shows how he exerts his dominance over the
Gale. Weeks, Lewis E., Jr. "Hemingway Hills: Symbolism in 'Hills like White'" Elephants. Studies in Short Fiction. 17.1 (Winter 1980): 75-77.
Hemingway’s narrative technique, then, is characterized by a curt style that emphasizes objectivity through highly selected details, flat and neutral diction, and simple declarative sentences capable of ironic understatements; by naturalistic presentation of actions and facts, with no attempt of any kind by the author to influence the reader; by heavy reliance on dramatic dialogue of clipped, scrappy forms for building plot and character; and by a sense of connection between some different stories so that a general understanding of all is indispensable to a better understanding of each. He thus makes the surface details suggest rather than tell everything they have to tell, hence the strength of his “iceberg.” His short stories, accordingly, deserve the reader’s second or even third reading.
“Roman Fever” and “Hills Like White Elephants” are two stories that on surface seem very different from one another, but through careful analysis the two are quite similar. Their similarities are mainly evident through the significant use of the dialogues in the both stories. “Roman Fever” has a third person omniscient narrator which the author allows to know the inner private thoughts of both characters, Mrs. Slade and Mrs. Ansley. In contrast, “Hills Like White Elephants” is composed in a third person limited narrative where very little is known about the thoughts of both Jig and the American. At first Ernest Hemingway’s short story can clearly be viewed as the most ambiguous out of the two. With its simplistic style, written mostly in straightforward dialogue which leaves the readers to contemplate over the ultimate outcome of the story and forces them to ...
Hemingway, Ernest. "Hills like White Elephants." Responding to Literature. Ed. Judith Stanford. Boston: McGraw-Hill, 2006. 841-44. Print.
In a well-written short story, different literary elements and terms are incorporated into the story by the author. Ernest Hemingway frequently uses various literary elements in his writing to entice the reader and enhance each piece that he writes. In Hills Like White Elephants, Hemingway uses symbols to teach the reader certain things that one may encounter during daily life. Symbolism may be defined as relating to, using, or proceeding by means of symbols (Princeton). The use of symbols in Hills Like White Elephants is utterly important to the plot line and to the fundamental meaning of the story. Through this use of symbolism, the reader can begin to reveal the hidden themes in this short story.
Burroway, Janet. Writing Fiction: A Guide to Narrative Craft. 6th ed. New York: Longman, 2003. As Rpt. in Rankin, Paul "Hemingway's `Hills Like White Elephants'." Explicator, 63 (4) (Summer 2005): 234-37.
The man further complicates the discussion by contradicting himself. For each time he reassures the girl he wants what she wants, he spends at least one line identifying exactly what he wants. This is clearly seen in the following conversation: "You?ve got to realize . . . that I don?t want you to do it if you don?t want to. I?m perfectly willing ...
The art, literature, and poetry of the early 20th century called for a disruption of social values. Modernism became the vague term to describe the shift. The characteristics of the term Modernism, all seek to free the restricted human spirit. It had no trust in the moral conventions and codes of the past. One of the examples of modernism, that breaks the conventions and traditions of literature prior to Modernism, is Ernest Hemingway’s short story “Hills Like White Elephants”. The short story uses plot, symbolism, setting, dialogue, and a new style of writing to allow human spirit to experiment with meaning and interpretation.
Hemingway, Ernest. “Hills Like White Elephants.” Fiction 101: An Anthology of Short Fiction. James H. Pickering. Twelfth Edition. Pearson Education, Inc., 2010. 638-641
In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the symbolism of their surroundings. Upon examination of the setting, the couple's final choice becomes instantly apparent.
Hemingway, Ernest. "Hills Like White Elephants." Perrine's Literature: Structure, Sound, and Sense. Ed. Thomas R. Arp and Greg Johnson. Boston: Thomson Wadsworth, 2006. 268-272.
Hemingway, Ernest. “Hills Like White Elephants.” Literature Approaches to Fiction, Poetry, and Drama. Ed. DiYanni, Robert. 2nd ed. New York. Mc Grew Hill. 2008. 400-03. Print.
Ernest Hemingway is an incredible writer, known for what he leaves out of stories not for what he tells. His main emphasis in Hills Like White Elephants seems to be symbolism. Symbolism is the art or practice of using symbols, especially by investing things with a symbolic meaning or by expressing the invisible or intangible by means of visible or sensuous representations (merriam-webster.com). He uses this technique to emphasize the importance of ideas, once again suggesting that he leaves out the important details of the story by symbolizing their meaning.
Why does mankind give up things they truly desire for someone else? In Ernest Hemingway’s fictional short story “Hills like White Elephants” he demonstrates this through his theme of regret. The story occurs in northern Spain at a junction station for the train in the valley of the Ebro River. An American man and a young girl named Jig walk up to the junction station and sit on the porch. As they sit in wait for the train to arrive, the two order beer and a foreign alcoholic beverage while having a conversation with one another. Their conversation begins with Jig claiming that “...the hills look like white elephants.” (Hemingway p.475). The American man then brings up an operation that Jig is expected to have. He tells her that she will be
Hemingway, Ernest. “Hills Like White Elephants.” The Norton Introduction to Literature. 10th ed. Eds. Alison Booth and Kelly J. Mays. New York: Norton, 2010. 113-117. Print.