Ernest Hemmingway uses time, place, and symbolism in "Hills like White Elephants" to intensify the central dilemma in a story about a man and a woman deciding on whether to go through with an abortion. Although a literal reading of the title may not seem to have any relation to the story, the title is rich in implications. Critics suggest that "Hills" refers to the shape of a woman's stomach when pregnant, and Webster's 21st Century Dictionary defines white elephant as: "[An] awkward, useless possession." The term is also defined in Webster's as an item that is worthless to some but priceless to others. According to Victor Lindsey, the child in the story is a white elephant in the view of the man, who is trying to convince the girl to get rid of it. Hemingway hints about how the man and the woman each feel about the unborn child, but he never tells us why they have such different views on the prospect of an abortion. The man in the story, referred to as "the American," claims that the abortion is necessary because it would save their relationship, whereas the woman, Jig, has doubts as to whether or not she should have an abortion at all. Hemingway uses a unique style of writing to communicate his ideas to the reader. Like most of his works, Hemmingway uses very simple language to build suspense, but he does not explicitly resolve the conflict. The words not said by the characters play a crucial role in describing their conflict. Jig's smiles, or the times Hemingway tells us "The girl did not say anything" suggest that there is a much deeper story in the background. Critics like Hilary Justice have written many in-depth analyses of the meanings of Jig's smiles throughout the story (3). David Wyche devotes half a pa... ... middle of paper ... ... (327). Her silence suggests that she will have the abortion. Works Cited Baker, Sheridan. "Hemingway's Two-Hearted River." The Short Stories of Ernest Hemingway: Critical Essays. Ed. Jackson, J. Benson. Burham: Duke UP, 1975. Hemingway, Ernest. "Hills Like White Elephants." Literature and Its Writers. Ed. Ann Charters. New York: Bedford/St. Martin's, 2001. 323-327. Justice, Hilary. "Well, well, well: Cross-gendered autobiography and the manuscript of "Hills Like White Elephants." The Hemingway Review. 1998. 17-32. Organ, Dennis, "Hemingway's 'Hills Like White Elephants'." Explicator. Sum. 1979. "White elephant." Webster's 21st Century Dictionary of the English Language. 1993 ed. Wyche, David. "Letting the air into a relationship: Metaphorical abortion in `hill like white elephants'" The Hemingway Review. 2002. 56-71
Link, Alex. Staking Everything on It: A stylistic Analysis f Linguistic Patterns in “Hills Like White Elephants.”. The Hemmingway Review. 23.2 (Spring 2004); 66-74. Rpt. In Twentieth-Century Literary Critisism. Vol. 203. Detroit; Gale, 66-74. Literature Resources from Gale. Gale. . 12 Jan. 2015
The main characters’ conflict over not wanting the same things in life is the root of the women’s disillusionment. The theme is furthered by the complication of the antagonist manipulation of the Jig’s feelings for him. Similar to Cisneros’s written work, Hemingway uses the narrative point of view to illuminate the growing disillusionment the women feels about not being able to have everything if she terminates the pregnancy. Hemingway leads the audience to this conclusion when the protagonist states “no, we can’t it isn’t ours anymore… Once they take it away, you never get it back” when referring to her disappointment that the antagonist will not change his mind and they can no longer have everything they ever wanted
Hemingway presents takes the several literary styles to present this short story. Hemingway’s use of Foreshadowing, Pathos, Imagery and Personification allows the reader to enter the true context of the frustration and struggle that the couples face. Although written in the 1920’s it the presents a modern day conflict of communication that millions of couples face. At first glance the beautiful landscape of the Barcelonian hillside in which Jig refers to frequently throughout the text appears to have taken the form of White Elephants. The Americans’ response to Jigs’ observation was less than enthusiastic as he provides a brief comment and continues on with his cerveza. This was but the first of the many verbal jousts to come between Jig and the American. The metaphorical inferences in those verbal confrontations slowly uncover the couple’s dilemma and why they may be on the waiting for the train to Madrid.
Ernest Hemingway has a superbly unique style of writing in Hills Like White Elephants. His short, to the point syntax and sentence style plays a great role in helping readers understand the theme of this short story. The critique M.A.K. Halliday observed, “The story is frequently generated by the repetition of words, clauses, and groups of related words or ethical sets” (Link, Alex). The first set of dialogue that can be pulled from this story is story is short and to the point. The American states, “We can have the whole world.” Jig replies with “No, we can’t” (Hemingway, Ernest). The sentence length is very short, yet there is a hidden meaning behind the small talk. Jig is referring to not having the baby. She can have everything, but her will to decide things. She can’t have a baby due to unloving pressure from the American. It is in sync with the tone of the story perfectly. The tone is forward, direct, and shallow. That is exactly what happens in this dialogue. There is no emotion, just pure sarcasm on a huge topic. Abortion to this couple is nothing more then a qui...
What would literature be had every author used the same perspective for every single story? Literature would not be as well received as it currently is received. Take three American short stories, “Hills Like White Elephants,” “A Rose for Emily,” and “The Yellow Wallpaper,” for example. These stories, by Hemingway, Faulkner, and Gilman respectively, each utilize a different a point of view. The perspective of a story heavily influences the impact of the story on a reader and that impact varies based on the content of the story.
The "Hills Like White Elephants." In The Heath Anthology of American Literature, Volume II. Edited by Paul Lauter et al.
" The Hemingway Review. 15.1 (Fall 1995): p. 27. Literature Resource Center -.
Hemingway has created a situation where she is forced to depend on him because she is a young, immature, girl in an adult situation. It is when the American tells jig that “we will be fine afterward. Just like we were before, it is the only thing that bothers us. It’s the only thing that’s made us unhappy” that she realizes nothing will ever be the same no matter what he says. During one discussion she says “we could have everything” the man agrees, then she says “no we can’t it isn’t ours anymore and once they take it away, you can never get it back.” He says “But they haven’t taken it away” and her response is “we’ll wait and see.” The American doesn’t realize that at this point she has discovered that if he cannot love her and be happy while she is pregnant how he will ever truly love her as much as she loves him. According to Robert Barron many critics believe that the couple’s relationship has a bleak and ultimately poor ending (Barron). The older waiter in “A clean, Well-Lighted Place” is dealing with a similar situation when a wealthy old man who is a regular at the café he works at comes in after a failed suicide
Ernest Hemingway: A Life Story. New York: Charles Scribner's Sons, 1969. Benedictus, Luke. The. The "Those Literary Lushes.
This short story is filled with symbolism, some of which the reader may never find. The title itself can be analyzed a lot deeper. The “hills” refers to the shape of the female body during pregnancy and the “white elephants” symbolize a property requiring much care and expense and yielding little profit (merriam-webster.com). The story is about a man and a woman taking a train to get an abortion. The train is supposed to show change and movement, something this couple appears to need because their life is very routine.
Renner, Stanley "Moving to the Girl's Side of `Hills Like White Elephants'." The Hemingway Review, 15 (1) (Fall 1995): 27-41. As Rpt. in Wyche, David "Letting the Air into a Relationship: Metaphorical Abortion in `Hills Like White Elephants'. The Hemingway Review, 22 (1) (Fall 2002): 56-71. EBSCOhost.
Hills Like White Elephants displays the differences in the way a man and a woman view pregnancy and abortion. The woman looks at pregnancy as a beautiful aspect of life. In the story the woman’s pregnancy is implied through their conversation. She refers to the near by hills as elephants; "They look like white elephants" (464). She is comparing the hills to her own situation, pregnancy. "They’re lovely hills. They really don’t look like white elephants. I just meant the coloring of their skin through the trees" (465). Just as the hills have their distinct beauty to her, she views pregnancy in the same fashion making the reference to the hills having skin—an enlarged mound forming off of what was once flat. The man views pregnancy just the opposite. When the girl is talking about the white elephants and agrees that the man has never seen one, his response is, "I might have, just because you say I haven’t doesn’t prove anything" (464). This shows the defensive nature of the man, and when the woman implies the he is unable to differentiate between what is beautiful and what is not.
Hemingway, Ernest. "To Maxwell Perkins." 16 Nov. 1933. Ernest Hemingway/Selected Letters, 1917-1961. Ed. Carlos Baker. New York: Charles Scribner?s Sons, 1981. 400.
In the short story by Ernest Hemingway, "Hills Like White Elephants," a couple is delayed at a train station en route to Madrid and is observed in conflict over the girl's impending abortion. In his writing, Hemingway does not offer any commentary through a specific character's point of view, nor, in the storytelling, does he offer his explicit opinions on how to feel or think about the issues that emerge. The narrative seems to be purely objective, somewhat like a newspaper or journal article, and in true Hemingway form the story ends abruptly, without the couple's conflict clearly being resolved. The ambiguity of the ending has been a subject of much debate; however, the impact of what is not said in words can be gleaned through the symbolism of their surroundings. Upon examination of the setting, the couple's final choice becomes instantly apparent.
Through the characters' dialogue, Hemingway explores the emptiness generated by pleasure-seeking actions. Throughout the beginning of the story, Hemingway describes the trivial topics that the two characters discuss. The debate about the life-changing issue of the woman's ...