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Iago importance in othello
Discuss othello as tragedy
Problems with racism in literature
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“How does Shakespeare introduce the main themes of the play ‘Othello’ in act one and act three scene three?” William Shakespeare was a very famous and successful playwright during the late 1500’s and early 1600’s. His plays gave a significant and momentous effect towards the Jacobean (people ruled by King James) audience. Shakespeare was born in 1564 in Warwickshire; Stratford – Upon – Avon. To continue with his career of writing, Shakespeare then moved to London with his wife, Anne Hathaway and his three children. His plays were presented at the Globe theatre in London. Plays to do with comedies, tragedies and histories were all performed here in front of a Jacobean audience; sometimes in front of the King or Queen too. Written in 1604, one of Shakespeare’s most popular plays was the tragedy of ‘Othello’. The play Othello is different from other Shakespearean plays. It emphasises and reflects racial prejudice during the 1600’s. When Shakespeare wrote this play, there was a very small amount of the black civilisation in England. The Jacobeans thought of Africans as malicious and mischievous creatures that were beyond normal and extremely harmful during the 17th century. However, in Shakespeare’s play Othello, the black man is portrayed as the protagonist of the tragic story; brave and courageous. Othello is a black general living in Venice and working for the Venetian army. He falls in love with a white woman named Desdemona. Yet the jealous and evil character of Iago becomes angry of their marriage. As the deleterious antagonist, he comes up with an envious plan to harm their relationship. Othello is manipulated by Iago to think that Desdemona is having an affair. When Othello believes this, he turns on Desdemona; killing h... ... middle of paper ... ...ares jealousy to this evil monstrosity. The character of Iago uses religious words in his quotes like; ‘Good God’ and ‘souls’. This religious imagery allows other characters in the play to believe and trust him. But the Jacobean audience know that Iago is lying and that he is not religious at all, as he is always using negative words associated with ‘Hell’ and ‘fire’. This proves that Iago is untruthful and equivocating; resulting in another example of dramatic irony. A modern day audience would not think of hell as a non religious word unlike during the 17th century. So perspectives towards these negative comments would change. By using these techniques, Shakespeare successfully introduces the theme of Jealousy. The theme of xenophobia is presented through the characters of Iago and Roderigo. “Forsooth, a great mathematician, one Michael Cassio, a Florentine.”
Shakespeare’s fictional character Othello, General of the Venetian Army, has an eminently respectable reputation as a result of his plentiful exploits in battle and because of his notoriety to command “Like a full soldier”. Nevertheless, the rough-and-ready commandant is not as emotionally callous as, not only his war-time resume would suggest, but also how Iago and Roderigo portray his as a character in Act 1, Scene 1. Despite his triumphs, numerous characters throughout Othello do not shy away from the casual racist jab towards their black-skinned General. Exposure to repetitive, often overt, verbal-degradation leads Othello to believe that he is racially inferior as the play progresses – this infectious discrimination of Elizabethan racists
Arthur Shopenhauer once described a racist man as a “…miserable fool who has nothing at all of which he can be proud, adopts as a last resource pride in the nation to which he belongs; he is ready and happy to defend all its faults and follies tooth and nail, thus reimbursing himself for his own inferiority.” Without a doubt, racism is one of the key themes in Othello, which challenges the characters thoughts and actions throughout the play. One specific character, Iago, is driven by such racial distort, especially against Othello, that ultimately motivates his ingenious rampage of revenge and confusion. Hence, the characters racist attitudes, but mainly Iago’s, creates the momentum needed to spur the confusion and tension between the characters, resulting in the popular Shakespearean dramatic ending. Iago’s word choice describes very clearly his racial vision of Othello. He refers to Othello throughout the play by many racial slurs: “the moor”, “an erring barbarian”, and “black ram”. His attitude towards Othello implies certain personal characteristics: it shows that he is, jealous, hateful, and insecure “of his own inferiority.” From the beginning, Iago has been the “playmaker” of the play, always instigating the trouble and trying somehow to damage Othello.
In the Sixteenth century, as we see clearly from Othello and other works of both Shakespeare and Cinthio's original version of Othello, race was a topic of great debate and discussion. Today, in the twenty-first century the debate retains its controversy and passion. However, attitudes towards race have taken a dramatic turn during the last century. In the developed world people are now living in an increasingly cosmopolitan society would undoubtedly be more tolerant and would reject or even be offended by racial discrimination to any person or sections of the community. Openly 'racist' people today are seen as outcasts. Taking this into account, the way a modern audience would react to race and racism in Othello is dependent upon the way in which that modern audience would interpret 'Othello'. This prompts the questions of what sort of message Shakespeare wanted to send to his audience and was Othello the moor portrayed as a tragic hero or did his character eventually come to resemble the prejudices of which he was a victim. Shakespeare also discusses the issue of race with other characters such as the hateful Iago and the prejudices hidden deep in Barbantio.
Although Othello is set in Venice and Cyprus, the attitudes and values shared in the text are probably reflective of the attitudes and values of Shakespeare's own society. It is difficult to assess the attitudes and values of people in sixteenth-century Britain to the relatively few blacks living amongst them. We are given an insight into those attitudes and values through the representation of race and gender in the text of Othello.These attitudes and values are indicative of what a culture believes in and supports.
Built on a broad base of multiple themes, Othello is one of William Shakespeare’s most popular tragedies. Let’s sift through the themes and try to rank them in significance.
Throughout history, countless writers have been commended for their work, yet people still had criticized them. Famous Writers like William Shakespeare, Harper Lee and Charles Dickens all have endured much criticism throughout their lifetime by fellow writers. Movie producers also tend to ridicule traditional stories and plays, focusing on a writer’s weaknesses. One of the most famous plays by Shakespeare, Othello, can be seen in bits of the story Tom Thumb, in which Fielding most definitely ridicules the famous play.
This really starts the tragedy with the audience now knowing that evil Iago's plan has worked and the play. will have a tragic ending, this builds up the tension as well, because. the characters in the play still refer to Iago as "honest" when the audience can see plainly he is not. Shakespeare uses certain ironies in the play, where he seems to be. saying something to a person, but in fact saying something.
Being the only different person in the room is hard; constantly being judged, and never actually fitting in; it can drive even the most normal person insane. The Tragedy of Othello by William Shakespeare is a play about a general who is different: the only one who’s black. No one else in Venice is from Africa, and with such a high position in the Venetian military, Othello’s race is almost non-existent, he appears to actually fit in along with the rest of the fair-skinned people. In this play, Shakespeare develops the motif of racism as a seed that grows, and eventually creates a sociopath full of hatred. Overall, racism is a viral disease that encircle us, and subconsciously controls our actions.
Texts and their appropriations reflect the context and values of their times. Within Shakespeare’s Othello and Geoffrey Sax’s appropriation of Othello, the evolution of the attitudes held by Elizabethan audiences and those held by contemporary audiences can be seen through the context of the female coupled with the context of racism. The role of the female has developed from being submissive and “obedient” in the Elizabethan era to being independent and liberated within the contemporary setting. The racism of the first text is overtly xenophobic and natural, whilst the “moor” is unnatural whereas the updated context portrays Othello’s race as natural and racism as unnatural. Therefore these examples show how Shakespeare’s Othello, and it’s appropriation, Geoffrey sax’s Othello, reflect the context and values of their times.
And I, bless the mark, his Moorship’s ancient”(I.i.18-32). Through Iago’s tone, his enraged anger and discomfort is exhibited. Iago speaks with a sense of shame toward himself, “And I, bless the mark, his Moorship’s ancient” (I.i.32). exposing his loss of respect for himself. When Iago loses respect for himself it is certain he has lost all respect for others, being a reason why he is able to be so cruel to the people around him and destroy their lives....
Racism in William Shakespeare's Othello. The play, Othello, is certainly, in part, the tragedy of racism. Examples of racism are common throughout the dialogue. This racism is directed toward Othello, a brave soldier from Africa and currently the supreme commander of the Venetian army.
The play ?Othello? is an epiphany of the ultimate battle between appearance versus reality in the respect that Iago is the complete opposite from what he appears to be. Everyone involved with him separately thinks that he is doing them favors, when actually he is a backstabbing, conniving person who is the essence of evil and is often referred to as half-man, half-devil. Contrary to Iago, Othello is often referred to as a God-like figure, innocent in every way: trusting and naïve. Unfortunately for Othello, this serves as his eventual downfall helping Iago play Othello like a harp, which results in Desdemona?s death. Iago?s two-sided face and the other characters? readiness to believe him before thinking twice is the driving force of the play and its plot.
The play Othello by Shakespeare is set up in Venice, during the 1500s. At the time blacks were deemed and dehumanized due to their complexion. Non-westernized people were also seen as savages. Having one black character (Othello) in this story presupposes that there will be tension between Othello and a white male. Therefore, when Othello promotes Michael Cassio to lieutenant Iago becomes infuriated and filled with jealousy. Iago becomes enraged because he feels that he should have been the one to be promoted. He claims to have more experience in the field. He then strives to get rid of Cassio in hopes of attaining the position he desires in doing so he also manipulates Othello and fills his soul with jealousy and insecurity. Othello’s insecurities and jealousy eat him alive and lead him to his downfall. This play denies blacks a full complexion furthermore; it dehumanizes them and belittles them making them resemble savages in order to illustrate European problems.
Shakespeare wrote different types of plays such as comedies, tragedies, and historical plays. The play Othello is one of his tragedies. It is about a character named Othello who is a Moor, in the service of Venice. Throughout the play Iago, Othello's lieutenant, manipulates Othello to believe that Desdemona, Othello's wife, is cheating on him. Various characters in the play Othello appear to be virtuous, upstanding individuals, but their actions reveal that they are not as they appear to be.
Written by William Shakespeare, “Othello” is a twisted tale of deceit and betrayal that turned a beautiful love into a murderous plot due to outside jealousy. The play begins in with Iago and Rodrigo arguing in Venice. Iago is a soldier who is under Othello’s command and Rodrigo has been paying him to spy on Othello because he wishes to be with Desdemona, Othello’s lover. Rodrigo believes that Iago is loyal to Othello and has not been keeping up his end of the bargain due to his lack of information . Iago reassures Rodrigo that he has a strong hatred towards Othello because Othello had recently passed over Iago for a promotion to lieutenant in favor of Cassio, a less experienced soldier. In order to keep Rodrigo’s trust, and his money, Iago decided to inform Desdemona’s father, Brabantio, about her relationship with Othello. This angers her father because Othello is considered “The Moor”, which indicates that Othello is a black man. An upset Brabantio sends his men out at night to capture Othello because he believes that Desdemona would never be with Othello willingly. Hoping to disguise what he had done, Iago runs and tells Othello to warn him, saying that Rodrigo was the one who told her father about their relationship. Othello does not seem phased because he believes that he has not done wrong and that his good reputation will help clear up the matter. In all the commotion, we learn that Othello and Desdemona had just been married.