MaestraPeace is both literally and symbolically site specific. As a literal meaning, site specific art takes the "site" as an actual location, a tangible reality, its identity composed of a unique combination of constitutive physical elements: length, depth, height, texture; and shape of walls and rooms; scale and proportion of plazas, buildings, or parks; existing conditions of lighting, ventilation, traffic patterns; distinctive topography features. In this term, Maestrapeace is a perfect example of site-specific artwork. The completed Maestrapeace covers two 65' by 80' window-punctuated walls of the women’s building and it’s roughly 12,000 square foot. The enormous size along with richly vibrant and bold colors of this mural invite each
and every one on the street. Even someone doesn’t know about what this building is would be attracted to walk into the building and examine what it is about. "It's very big, it's very public, it's beautiful—a spectacular visual celebration," said Tim Drescher, a muralist, teacher, and author in San Francisco. Moreover, Women’s building serves as a symbolic place where a lot of community involvement opportunities, counseling, arts, wellness and educational events are happening each year so that all women and girls are guaranteed to have the right to enjoy safe and creative everyday lives. As a writer of an art blog “When Paint Meets Purpose”, Virginia Tieman conducted several interviews to get a taste of what the public genuinely thinks about this mural. Graciella Mesa, one of the active participants of the programs offered by Women’s building said, “by looking at what is represented on the wall you can tell that it is generally about a diversity of women, of different cultures, of different aspects, but practically also about women in this building.” This shows how not only literally but also symbolically site specific this mural is. Maestrapeace is not limited to historic and mythic figures but it also represents women in everyday life, interacting with the building.
Unknown (2014). Glossary of Art Terms. [ONLINE] Available at: https://www.moma.org/learn/moma_learning/glossary#w. [Last Accessed 28 April 2014].
The room was set up by having paintings on the walls with a sculpture directly in the center. This was the focal point of the room, Soundsuit, by Nick Cave. This piece was rich in color and character and I was immediately drawn to it. When I rounded the corner of the gallery there were many extravagant pieces such as Untitled #8 (2014) by Mickalene Thomas and Woman Under Willow (2014). Both pieces are inspired by Matisse, rich in color, and represent woman. The American gallery does a good job transitioning from one piece to another because each work is similar in some aspects. This gallery was less organized and different mediums were presented all throughout. There was a traditional quilt, Tar Beach 2 (1990) displayed in the same area as mediums such as wooden panels, oil pastel, and the metal hood of a car. This gallery and collection inspired by Matisse displayed many breathtaking works that I enjoyed seeing.
Canal is heavy on the use of values. The piece of art work has heavy contrasts and deep shadows. This can be seen with the building on the right’s corridor. In the middle left he uses high light to show the sun light in the horizon. On the right bottom in the building’s outer corridor Canal uses cast shadow and core shadow. The shadows of the individuals walking are consistent in not only in direction, but in length. Canal used planes to divide the surroundings with the building and lines to divide the building to the sky. He also uses lines to create movement and direction as you can see the citizens heading toward the middle of the art work. The “View of the Molo” also gives the building a sense of texture on the surface. The building does not look flat. The windows protrude a bit. One can see depth on the window sills and the bottom corridors. Canal uses one-line perspective and the vanishing point is the building in the bottom middle. Canal’s use of color is minimal. The colors are not vibrant at the same time not dull. The art work uses colors minimally. The temperature of Canal’s art work is
DeWitte, Debra J. et al. Gateways To Art. New York City, NY: Thames & Hudson, 2012. Print.
An artwork that stood out in the exhibition was School of Beauty, School of Culture (2012) . It portrays women and two children standing in a beauty salon and school with green walls and a red floor. The walls have posters promoting black beauty with one that reads, “it’s your hair” and under this statement are the words love, dark and lovely. There are mirrors against the wall and in the reflection a camera flash is shown from a person who is taking a picture of those in the salon. Red, black, and green, the colors of the Afro-American flag, border the top of the wall, symbolizing the black power movement . The focal point of this piece is a woman who stands in the center, posing for the person taking a picture. To her right, towards the floor, is a “floating” head of a white woman which is compressed and 2-dimensional. This is a tribute to Hans Holbein’s The Ambassadors (1533) because in Holbein’s piece, there is a 2-dimensional skull painted in the same fashion. Just how the skull in The Ambassadors is a reminder of death, the head in Marshall’s
The notable French-Canadian abstract expressionist Jean-Paul Riopelle is known for his signature large-format mosaic composition to establish explosive engagement. The monumental Chevreuse II (Figure 1) in his Mosaiques series was created during 1953 to 1954, measured in 3m x 3m. This work is currently on exhibit at the Art Gallery of Ontario (AGO). The AGO decided to put up a co-exhibition of Riopelle and his romantic partner Joan Mitchell’s works, and titled the exhibition Nothing in Moderation.
While doing my research on Marela Zacarias, my eyes have opened up more when it comes to art. I’ve come to like sculptures more than I do portraits. I like that you can actually feel the outlining and curves of a sculpture than you would a flat surface portrait. The thing I love most about Zacarias’s sculptures, is that it’s so unique and comes at you with beautiful colors and patterns. It also seems as if it were a linen drapes coming at you or a linen bed cover drying outside and the wind is blowing it, causing it to get that rippled effect. Art can be many things in one’s eyes. But what is art to
Abstract – According to Tate abstract art is, “…art that does not attempt to represent an accurate depiction of a visual reality but instead use shapes, colors, forms and gestural marks to achieve its effect.” The role of abstract art in this study to document abstract qualities of a site.
Jane Golden demonstrates the Philadelphia Anti-Graffiti Mural Art Program that has changed the appearance of the city in a positive way and that gives people a way to embrace how they feel. While Harriet F. Senie in Reframing Public Art and is stating that most public art is being ignored by people and is slipping away into urban-scape. Public art is often ignored art, we don’t know how those pieces of art are actually successful. Public art such as sculptures
In Office in a Small city, the viewer is looking through a side window of a plain utilitarian building of a solitary man in a corner office. The highrise the man currently occupies is unassuming. Its color a soft white. The only decorative feature of this highrise is the front. Two other buildings can be seen. Another highrise, with apparently no windows, is similar to the one that the man occupies. The other building that occupies the rest of the space, is reminiscent of a time before the rise of skyscrapers. It stands out as unique and more human when compared with the other structures in this painting. The office that man sits in is bare, nothing hangs on the walls and the interior is the same drab color of the outside building. The windows of this office aren't framed. The few things that occupy this corner office is a couple dull brown colored desks and chairs and the solitary man. The man, dressed in a white shirt and black vest, sits at one of the desks and looks across the way to another building, with o...
There is some debate about the purpose of The Broighter Horde, in which The Broighter Boat was found. Originally thought to be a votive offering uncovered on the English coast, the courts were quick to dismiss this argument in order to take possession of the find and donate them to the Royal Irish Academy. The sculptor of the boat is unknown but it stands out as a prime example of artisans' skill during the La Tène period of Celtic craftsmanship and artistry. The La Tène period defined the Celts as a viable culture. Their civilization was such that it was able to acquire the day-to-day needs of the people giving them time to perfect various forms of metal working and other refined forms of art. The La Tène style spanned approximately 400 years between 500 and 100 BCE. La Tène represents the first pinnacle of achievement or prosperity of Celtic art, illustrating the flourishing and expanding growth of the Celtic empire. Coincidentally, during this period the Celts stopped cremation of the dead and began to bury the bodies of their dead. The resultant increase of burial sites with hoards of personal possessions and household items buried with the dead person in order to facilitate one's enjoyment of the afterlife, has provided a cache of artifacts that contributes to understanding this Celtic civilization.
When looking at a piece of art a sense of wonder and beauty bewitches the beholder.
Wide stone stairways and a diagonal slicing wall disappear beneath the surrounding rocks, creating a dramatic path to the rooftop terrace in the Naoshima Contemporary Art Museum. Ando defines architecture as “the box that provokes.” He says, “I do not believe architecture should speak too much. It should remain silent and let nature in the guise of sunlight and wind speak.” His gift is to create spaces that respond to human needs and spirit, juxtaposing powerful concrete walls with light and nature to create a deep sense of peace. Using simple materials and geometry, Ando has produced a volume of exquisite
The author explains architecture as an identification of place. Architecture starts with establishing a place. We define ‘place’ as a layout of architectural elements that seem to accommodate, or offer the possibility of accommodation to, a person, an activity, a mood, etc. We identify a sofa as a place to sit and relax, and a kitchen as a place to cook food. Architecture is about identifying and organizing ‘places’ for human use.
chase their dreams. In its proper residence, art can be very inspiring and provide a spectacular moment to the viewer. One of the most famous