Madness in Hamlet: An Act or True Intention?
Deception is a way of tricking the mind into thinking lies are truths, and truths are lies. It is achieved through trickery and falsehoods, and is most often done with a purpose. Self-seeking people use the art of deception as a way to fulfill their own needs. In Shakespeare’s tragedy, Hamlet, it is this skill that Hamlet puts forth in order to avenge his father’s death and attain the satisfaction he had always desired. The façade of madness Hamlet put on was intentional, while Ophelia’s deceiving front was displayed out of distress. Although Hamlet and Ophelia appear wrought with madness by both of their fathers’ deaths, their motives of revenge and truth were deliberate, whether consciously aware or not.
Hamlet, a brilliant and witty character, was almost too smart for his own good. The act of insanity he plays not only convinces others of his madness, but almost manages to lead himself to believe it to be true. The front Hamlet exhibits manifests itself when he is engaged with certain characters. Particularly, when Hamlet is around Horatio, Francisco, Bernardo, the Gravedigger, and the Players, he acts rationally. On the other hand, Hamlet’s behavior becomes irrational when with Polonius, Gertrude, Ophelia, Claudius, or Rosencrantz and Guildenstern. For example, when having a conversation with Polonius, Hamlet says:
HAMLET. Do you see yonder cloud that’s almost in the shape of a camel?
POLONIUS. By th’ Mass, and ‘tis like a camel indeed.
HAMLET. Methinks it is like a weasel.
POLONIUS. It is backed like a weasel.
HAMLET. Or like a whale.
POLONIUS. Very like a whale. (3.2.406-412)
It is clear from this dialogue with Polonius that Hamlet seems as if he has lost his mind, but th...
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...y. Shakespeare wasn’t one to openly state direct meanings, so this could have been more than an act of madness played out by Ophelia.
Shakespeare’s symbolic meanings and messages were big clues to the true motives behind Hamlet and Ophelia’s actions. Both characters lost their fathers at critical points in their lives, and although something like this would usually spur on madness, it is this assumption that they used to disguise their goals. Hamlet succeeded in killing Claudius, even though it came with a price: his own life. Ophelia, clearly distressed and in need of some guidance, subtly infused new meaning into the depictions of the main characters, making them appear to be distasteful in the eyes of their counterparts. Through a deceptive veneer, Hamlet and Ophelia revealed the truth behind the death of their fathers, and attained the satisfaction of revenge.
Often overlooked in Shakespeare’s famous play Hamlet, Shawna Maki analyzes Ophelia’s restricting role as a woman in a patriarchal society and how it essentially leads to her death being the true tragedy of the play. Maki supports this argument by stating, “Whereas Hamlet has the power and potential to change his fate, Ophelia does not and her death is tragic because the only escape she sees from her oppression is madness and death.”. The comparison between Hamlet and Ophelia is a common parallel because both characters are inevitably labeled as tragic deaths due to the quick deterioration of their state of mind.
In William Shakespeare’s tragedy, Hamlet, Prince of Denmark, we, as readers, increasingly question the sanity of the protagonist, Hamlet, as the play continues. His seemingly psychotic banter with the other characters in the play begins to convince us that Hamlet is, indeed, insane. Hamlet, however, states, “How strange or odd soe’er I bear myself, as I perchance hereafter shall think meet to put an antic disposition on” (1.5.171). He specifically tells Horatio and Marcellus that he will be acting mad, as a front. Hamlet has an exceptional grasp on mental philosophy and the uses and effects of logic, more so than the other characters in the play.
death when his mother and the king enter the room and question him on his
In this paper I will be analyzing and discussing how these four soliloquies reflect changes in Hamlet’s mental state; his
Oakes, Elizabeth. A. "Polonius, the Man behind the Arras: A Jungian Study. " New Essays on Hamlet.
Riddled with ambiguity by its very nature, the text of William Shakespeare's Hamlet has been a commonly debated subject in literary circles since its first performance. The character Hamlet undergoes intense physical and emotional hardship in his quest for revenge against his despicable uncle. This hardship, some argue, leads to an emotional breakdown and, ultimately, Hamlet's insanity. While this assessment may be suitable in some cases, it falls short in others. Since Hamlet is a play, the ultimate motivation of each of the characters borrows not only from the text, but also from the motivations of the actors playing the parts. In most respects, these motivations are more apt at discerning the emotional condition of a character than their dialogue ever could. Thus, the question is derived: In Kenneth Branagh's film adaptation of Hamlet, does the character Hamlet suffer from insanity? Giving halt to the response, this paper will first endeavor to establish what insanity is and will then provide sufficient examples both from the text, film, and Branagh's own musings on his motivations as proof that Hamlet's character, at least in Branagh's version of the play, is not insane.
Much of the dramatic action of Shakespeare’s tragedy, Hamlet is within the head of the main character, Hamlet. His wordplay represents the amazing, contradictory, unsettled, mocking, nature of his mind, as it is torn by disappointment and positive love, as Hamlet seeks both acceptance and punishment, action and stillness, and wishes for consummation and annihilation. He can be abruptly silent or vicious; he is capable of wild laughter and tears, and also polite badinage.
Shakespeare's tragic hero, Hamlet, and his sanity can arguably be discussed. Many portions of the play supports his loss of control in his actions, while other parts uphold his ability of dramatic art. The issue can be discussed both ways and altogether provide significant support to either theory. There are indications from Hamlet throughout the play of his mind's well being.
Throughout Shakespeare’s play, Hamlet, the main character, Hamlet, must seek revenge for the murder of his father. Hamlet decides to portray an act of insanity, as part of his plan to murder Claudius. Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full understanding of what if going on around him. Most importantly, Hamlet does not think like that of a person who is mad. Hamlet decides to portray an act of insanity, as part of his plan to seek revenge for his fathers murder.
...never truly know another’s inner nature. If Hamlet’s scenario is not convincing enough, an examination of the situations of Polonius— whose attempts to see into Hamlet’s interior based on Hamlet’s actions get him killed— and Claudius— who also falls prey to the belief that his soul is impenetrable and dies as a result of it— may be helpful. As Hamlet demonstrates, there exist certain moral principles beyond human control, and sometimes, as in Hamlet’s case, they are better left unchallenged.
One of the most analyzed plays in existence is the tragedy Hamlet, with its recurring question: "Is Hamlet’s 'antic disposition' feigned or real?" In truth, this question can only be answered by observing the thoughts of the main characters in relation to the cause of Hamlet real or feigned madness. In the tragedy Hamlet, each of the main characters explains Hamlets madness in their own unique way. To discover the cause behind the madness of Hamlet, each character used their own ambitions, emotions and interpretations of past events. Characters tried to explain Hamlet's "antic disposition" by means of association to thwarted ambition, heartbreaking anguish, and denied love. In the workings of their thoughts, the characters inadvertently reveal something about their own desires, emotions and experiences to the reader.
In Lewis Carol’s, Alice in Wonderland, he tells of the meeting between two of his characters, Alice, and the Mad Hatter. Carol writes about the struggles the young girl Alice has with him due to the fact that he appears to be entirely crazy, though the question stands if there is some method to his madness. Playwright and actor, William Shakespeare, uses this controversial connection between real madness and loss in his play Hamlet, portrayed in his characters Hamlet, and his crazed actions towards his loved ones, in Ophelia and her reaction to the death of her father, and lastly, in his character Laertes and his quick, rash reaction to act upon his desire for revenge.
One example of Hamlet’s madness is how he mocks Polonius. He would not do so normally because Polonius is older than he is so he would normally treat him with a certain amount of respect which he does not do following the sighting of the ghost of Old Hamlet. The Ghost tells Hamlet of his murder, and to test the truth of what he is told, Hamlet puts on “an antic disposition”. Hamlet manages to convince Polonius that he is inconsiderate of others, knowing that with seeing this odd change i...
The tragedy of Hamlet by William Shakespeare is about Hamlet going insane and reveals his madness through his actions and dialogue. Hamlet remains one of the most discussed literary characters of all time. This is most likely due to the complex nature of Hamlet as a character. In one scene, Hamlet appears happy, and then he is angry in another and melancholy in the next. Hamlet’s madness is a result of his father’s death which was supposedly by the hands of his uncle, Claudius. He has also discovered that this same uncle is marrying his mom. It is expected that Hamlet would be suffering from some emotional issues as result of these catastrophes. Shakespeare uses vivid language, metaphors, and imagery to highlight how Hamlet’s madness influences several important aspects of his life including his relationships and the way he presents himself.
But because of Hamlet’s drive to avenge his father’s death, and Ophelia’s will to obey her father, the two died in grief, along with the rest of Hamlet’s family. This play portrays the tragedy of death and how revenge does not end well. In fact it shows how revenge can lead to insanity and disturbance in the natural order. It causes anger and hate, something that is uncontrollable. Ophelia’s death shows how cruel revenge is and how one cannot realize whom their actions affect. Ophelia’s innocence gave a clear relationship to the theme of the play: mortality. Her death signifies how even the most naïve and delicate of situations can be affected by the horrors of death, revenge, and