Macbeth is a Tragic Hero in Shakespeare's Macbeth A tragic hero is said to be doomed from his beginning. Though courage and loyalty dwell in him, the temptation of superior life can be unsurpassable, and a civil person can display vicious, primitive attitudes and carry out evil deeds. Macbeth was an unfortunate man, who seemed insatiable, pitiless, and power-hungry, but really just attempted to cover up a tiny weakness he obtained through incidences beyond his control. Within Macbeth, there are several indications that may lead a person to think that he was insatiable and selfish. For instance, after the fierce victory over Sweno, Macbeth is presented with a new, more respectable title. "No more that thane of Cawdor shall deceive… with his former title greet Macbeth." (1:2:73-75) Though he should have been very content with this new placement, the visit from the witches promised him superior reign and wealth. Like any ordinary person, Macbeth reacted with surprise and interest. Here he was a trifling thane and he was being guaranteed all the riches and prosperity that goes along with being king! He began to enjoy this thought, and he silently wished the prophecy true. This may have been the initial voracious act, but it was far from the last. On the other hand, it may have been beyond Macbeth's control. The three witches were obvious perpetrators in the situation, presenting him with a tempting prophecy lacking any explanation. "All hail Macbeth! ...thane of Glamis! ... thane of Cawdor! … that shalt be king hereafter." (1:3:50-53) These witches were predicting his future, and at first Macbeth seemed to consider the predictions to be impossible. "This supernatural soliciting Cannot b... ... middle of paper ... ...sily backed down and given up his reign by choice, but he stood his ground and fought with passion and aggression. He was aware that he had failed himself, his wife, and lost all nobility, and maybe he had lost all ambition to live. He had nothing left to continue on for. But he did say, "Ring the alarum-bell! ... harness on our back." (5:3:56-57) I perceive this to be true courage on Macbeth's part. A tragic hero is said to be doomed from his beginning. A victim of his own ambition and moral weakness, Macbeth decline from a kind, respectable warrior, to a murdering, lying, fiend. It is his obsessive and literal belief in the prophecies that impaired him. The tragedy of Macbeth is of the kind of man he could have been and almost was, but fell short because he overlooked the contradictions in his character and made the fatal mistake of giving in to his ambition.
Macbeth was a tragic hero. Traditionally, a tragic hero is someone who is born as an example of greatness but somehow along the way they acquire a flaw in character that brings about his own downf...
This is my account of Macbeth’s downfall from a popular, successful soldier, quote “What he hath lost, noble Macbeth hath won”, who has received great honours for his loyalty, his courage, his bravery and his nobility. At the end of the play the only respect he has is because of the fear that his subjects have of him.
Macbeth begins to defer from his original character when he learns of the witches’ prophecies, which leads him to believe he is fated to be king and to pursue that “destiny.” After the witches make the prophecies, he merely views the thought of himself becoming king as something that “Stands not within the prospect of belief” (I. iii. 77). Macbeth’s disbelief of their claim of him obtaining the crown reveals how Macbeth does not trust the witches’ words and has no true ambition to become king. However soon after Banquo’s and Macbeth’s encounter with the witches, a messenger of the King greets him with the title of Thane of Cawdor as well as the title of Thane of Glamis as the witches had also done. These two titles are seen from Macbeth as “Two truths [that] are told/ As happy prologues to the swelling act/ Of the imperial theme” (I. iii. 140-142). Having one of the two prophecies become reality validates the witches’ words and makes Macbeth take their words seriously to be the truth, sparking his desire for power to fulfill the last prophecy. He now believes that what the witches have made it his destiny to become king, and it is his duty to fulfill it. Through Duncan and Macbeth’s dialogue, Macbeth hears about Malcolm b...
When he is later given the news that the king has made him Thane of Cawdor, he naturally believes that the witches know the future and that he can trust them. His thoughts then move to the other prediction the witches made: that he will be king. Macbeth seeks out the witches for more information and assurance. Then, once coming across the Three Witches, Macbeth then asks them to give him some clarification on his future to hold. The Witches then show Macbeth three apparitions.
In the third scene, he encounters the witches who truthfully predict that he will become the Thane of Cawdor and further predict that he will become king of all Scotland. At first Macbeth is merely intrigued by what the witches say, but when their prophecy starts to come true, a seed of evil is planted within him and he can no longer see the reality of the situation – the evil nature of the
As a result of the witches' prophecies, Macbeth's curiosity is aroused as he thinks how he could be King of Scotland. As the play progresses, Macbeth slowly relies on the witches prophecies to tell him what will happen. Macbeth's curiosity slowly corrupts his character.
If Macbeth had had less pride, he would likely have acted much differently. For one, he would have been more discerning of the witches and much less willing to believe the prophecies of his death. Macbeth has victories in many battles. His victories surely fill him with pride. His captain tells King Duncan of his victory in the following lines:
Throughout the play Macbeth allows his pride to interfere with his judgment and succumbs to the witches’ prophecy, leading to his tragic downfall. “Macbeth orders a slaughter of innocents in a vain and futile attempt to preserve kingships threatened by prophecies” (Hassel). He murders King Duncan, his good friend, in order to secure his fate as king. Although Macbeth knows the difference between right and wrong, he is a victim of his tragic flaw: his ambition. His tragic flaw repeatedly leads him to deceit and murder.
“All hail, Macbeth! Hail to you, thane of Glamis. All hail, Macbeth! Hail to you, thane of Cawdor. All hail, Macbeth, that shalt be king hereafter!”(1.3.51-53) and also goes on to tell Banquo that his descendents will be kings even though he won’t become one. At first Macbeth dismisses these claims, and Banquo suggest that they were just hallucinating, but the idea of becoming Thane of Cawdor and king of Scotland has been implanted in Macbeths head. Coincidentally just before Macbeth and Banquo meet the witches Duncan announces to Ross that Macbeth will be the new thane of Cawdor “No more that thane of Cawdor shall deceive our bosom interest: go pronounce his present death, and with his former title greet Macbeth.”(1.3.76-76) When Macbeth finds out that he will become thane of Cawdor from Ross and Angus he starts to truly believe that he can and will become the new king. The witches use this previously announced fact “Hail to you, thane of Cawdor” as a catalyst, to trick him into believing that he will become king which makes him take action towards the prophecy, but which was really his free will maki...
Typical of Shakespeare’s works, the play Macbeth has a protagonist who ultimately experiences a downfall that lead to his demise. The protagonist or tragic hero of this play is Macbeth, once brave and honorable, who eventually becomes tyrannical and feared by many due to what Abrams describes as his “hamartia” or “error of judgment or, as it is often…translated, his tragic flaw.” In this case, Macbeth’s tragic flaw proves to be ambition; however, he cannot be held solely responsible for his downfall. As a result of many outside influential factors, including the witches’ prophecies and a rather coaxing and persuasive wife, one should not hold Macbeth entirely culpable for his actions and tragic end.
Shakespeare’s “Macbeth” explores a fundamental struggle of the human conscience. The reader is transported into the journey of a man who recognizes and acknowledges evil but still succumbs to its destructive powers. The character of Macbeth is shrouded in ambiguity that scholars have claimed as both being a tyrant and tragic hero. Macbeth’s inner turmoil and anxieties that burden him throughout the entire play evoke sympathy and pity in the reader. Though he has the characteristics of an irredeemable tyrant, Macbeth realizes his mistakes and knows there is no redemption for his sins. And that is indeed tragic.
Seeking for greater power, Macbeth murders Duncan who is the king at that time, which caused a great pain for the kingdom. Duncan is a great king, but just not a so good human reader. He has never been aware of Macbeth. He never have a thought that Macbeth might be a danger, who is willing to kill him for the throne. On the other hand, Macbeth does not accept to be just a general for the rest of his life. He wants a greater power, higher position than he is having at the time. Because of the suggests from the trio witches: “ All hail, Macbeth! Hail to thee, Thane of Cawdor!/ All hail, Macbeth, that shalt be king hereafter!”(1.2.49-50), Macbeth has the thinking about killing the king to take his throne. By calling Macbeth the Thane of Cawdor, they give Macbeth the thought that being a king is his fate. On the night Macbeth is planning to murder Duncan, the Old Man see many strange events: “And Duncan’s horses (a thing most strange and certain),/ Beauteous and swift, the minions of their race, /Turned wild in nature, broke their stalls, flung out/ Contending ‘gainst obedience, as they would/ Make war with mankind” (2.4.14-18). It creates a scary feeling in the kingdom, and means something bad will happen to the kingdom.
In the early 1600’s, William Shakespeare penned an Aristotelian tragedy ‘Macbeth’ which provides his audiences both then and now with many valuable insights and perceptions into human nature. Shakespeare achieves this by cleverly employing many dramatic devices and themes within the character of ‘Macbeth’. Macbeth is depicted as an anti-hero; a noble protagonist with a tragic flaw that leads to his downfall. This tragic flaw of Macbeth’s, heavily laden with the themes of ‘fate or free will’, and ‘ambition’, is brought out by Shakespeare in his writing to present us with a character whose actions and final demise are, if not laudable, very recognisable as human failings.
All hail, MacBeth, that shalt be king hereafter! (Line 47-50) These prophecies throw into his mind the possibility of further advancement to the highest level of the nobility. If the witches had not told MacBeth of their prophecies, there is little chance he would have thought about them himself, and even less chance he would have murdered king Duncan. In Act Three, Scene Five, the witches talk to Hectate, the goddess of demons, about MacBeth.
Macbeth’s tragic flaw is his ambition and it consequentially leads to his downfall and ultimate demise. Macbeth is a tragic hero who is introduced in the the play as being well-liked and respected by the general and the people. He brings his death upon himself from this tragic flaw. His strengths turn into his weaknesses and his ambition drives him to the edge and sets himself up for his tragic death.