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Macbeth as tragedy plays
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Macbeth was a Tragic Hero Macbeth exhibits most, if not all, of the classic traits of a Shakespearean tragic hero almost flawlessly. From his rise to greatness to his ultimate destruction and death, he is most certainly a tragic hero. At the beginning of the play, Macbeth is a thane--a high-ranking vassal to the king, much like a duke. Macbeth is also an extraordinary general. Macbeth meets three witches after his victory in a great battle. The witches already know his weakest point and act upon it. Their prophecies rap into his pride he becomes their overly-determined puppet. Ultimately, Hecate's final words in scene III.5 show us the true intent of the witches: "He shall spurn fate, scorn death, and bear His hopes 'bove, wisdom, grace, and fear: And you all know security Is mortals' chiefest enemy" (3.5.30-33). These lines give us a give us a glimpse at the witches' intent. Hecate's words also tell us a little bit about Macbeth and his pride. Although many have argued that Macbeth's flaw was "over-ambition", this author would have to disagree. Macbeth's pride ultimately was what killed him. His pride was what brought him to power as the witches prophesied. It fed his determination, and finally, in Act V, Macbeth's final lines show this pride in full-blook at its ugliest: "I will not yield, To kiss the ground before young Malcolm's feet, And to be baited with the rabble's cause. Though Birnam Wood be came to Dunisane, And thou opposed, being no woman born, Yet I will try the last. Before my body I throw my warlike shield. Lay on, Macduff; And damned be him that first cries "Hold, enough!" (5.8.28-34). If Macbeth had had less pride, he would likely have acted much differently. For one, he would have been more discerning of the witches and much less willing to believe the prophecies of his death. Macbeth has victories in many battles. His victories surely fill him with pride. His captain tells King Duncan of his victory in the following lines: "As the sparrows eagles, or the hair the lion. If I say sooth, I must report they were As canons overcharged with double cracks; So they doubly redoubled strokes upon the foe" (1.
Macbeth was a tragic hero. Traditionally, a tragic hero is someone who is born as an example of greatness but somehow along the way they acquire a flaw in character that brings about his own downf...
After a long and hard battle, the Sergeant says to King Duncan, “For brave Macbeth,-well he deserves that name,- disdaining fortune, with his brandish’d steel, which smok’d with bloody execution , like valour’s minion carv’d out his passage till he fac’d the slave;” (1.2.16) . This quote shows that Macbeth is viewed as a valiant soldier and a capable leader. However, it does not take long for the real Macbeth to be revealed- a blindly ambitious man, easily manipulated by the prospect of a higher status. His quest for power is what drives his insanity, and after having been deemed the Thane of Cawdor, Macbeth’s ambition can immediately be seen. In a soliloquy, Macbeth says, “Present fears are less than horrible imaginings; my thought, whose murder yet is but fantastica, shakes so my single state of man that function is smother’d in surmise, and nothing is but what is not” (1.3.140). Macbeth has just gained more power, and his immediate thought is of how to gain an even higher status as king. He imagines how to kill Duncan, and then is troubled by his thoughts, telling himself it is wrong. This inner struggle between Macbeth’s ambition and his hesitation to kill Duncan is the first sure sign of his mental deterioration. Although Macbeth does kill Duncan, he questions whether or not he should to do so, which is far different from how Macbeth feels about murder later in the play. Macbeth becomes king, and this power leads
Macbeth shows a supreme pride, because he knows that Banquo is an obstacle in his way of ruling. So, in order to maintain his place as king, he must kill him. Macbeth states that it is his duty to kill him, but not let anyone see his crime, for it will all be over when Banquo is dead. “The Prince of Cumberland! That is step / On which I must fall down or else o’er leap, / For in my way it lies. Stars hide your fires; / Let not light see my black and deep desires: / The eye wink at the hand, yet let that be / Which the eye fears, when it is done, to see”(Macbeth 1.4.48-53). Macbeth also shows a supreme pride when he is thinking about the proposal of Duncan’s murder. He thinks about how nothing bad can happen and he can only move forward as king. Macbeth thinks about his ambition and how it can lead to a downfall. “I have no spur / To prick the sides of my intent, but only / Vaulting ambition which o’er leaps itself / And falls on th’other”(1.7.25-25).
‘Brave Macbeth,’ (1.2.18.) as he is first introduced, possesses a valiant temperament, is adored by his generous king and all those who have viewed his prowess on the battlefield. Noble and righteous, Macbeth is portrayed as a respectable man who – although it being prophesied by the three witches before he obtains knowledge of his good fortune – gains his title of Thane of Cawdor solely through his loyalty to his kingdom. At first glance, the play’s protagonist ostensibly has a near perfect balance of both ambition and pride. However, as the plot progresses and the Weyard Sisters equivocate the future in their familiar groups of three, the reader may discern an imbalance that contradicts early perceptions of the protagonist’s personality. ‘[Yielding] to that suggestion whose horrid image doth … make [his] heart knock against [his] ribs against the use of nature,’ (1.3.144–47) Macbeth has already succumbed, albeit only in thought, to his overwhelming ambition, adding more weight to his formerly balanced internal scale, thus raising pride raising slightly higher, as ambition takes precedence. Yet this change is relatively minute, and balance is retained, as he has no desire to act upon these thoughts, wishing to gain power only ‘if chance will have [him] king … without [his] stir.’ (1.3.154–55) It is not until his wife asks him, ‘If thou are afeard
Macbeth is not a tragic hero because a man is responsible for his own actions and this is the case with Macbeth. By deceiving and murdering his friends, he proves he is not a hero. He lets himself be corrupted by the prophecies of the witches. This weakness demonstrates that he lacks the qualities to be a hero (Johnson 1).
Bear Grylls once said, “A man’s pride can be his downfall, and he needs to learn when to turn to others for support and guidance” (brainyquote.com). Throughout Macbeth by William Shakespeare, there exists contributing factors which lead to the occurring events. The aforementioned quote discusses the idea that one’s unchecked ambition leads to cause hardship throughout life. Moreover, it symbolizes this novel as Macbeth senses a driven motivation for pride along with the influences around him which in turn lead to the tragedies that occur. In Macbeth, even though Lady Macbeth persuades Macbeth to take such barbarous actions, Macbeth remains at fault.
Before the murder of King Duncan, Macbeth was a brave, noble warrior. “For brave Macbeth well he deserves that name… Till he unseamed him from the nave to th’ chop and fixed his head upon our battlements” (Act I, Scene 2, lines 2). He was one of the last people anyone would expect to kill King Duncan. Shakespeare chooses a noble character such as Macbeth, to emphasize how greed and power can alter a person’s good morals. In Act one we start to see Macbeth’s desire for more power rise. “Stars, hide your fires; Let no light see my black and deep desires. The eye wink at the hond yet let that be which the eye fears, when it is done to see” (Act I, Scene 4, lines 52- 55). His desire for power is at war with his good morals. He wants to become king but does not want to kill Duncan.
The tragedy of Macbeth opens up with him returning home from a victorious military battle, displaying his honor and excellence. This is, also the first time he is presented with the opportunity for power. His success covered him with glory in defense of the crown. Macbeth is busily basking in his own glory and soaking up credit when Duncan basically steals his spotlight from right over his head, proclaiming Malcolm, Duncan's son, as the heir-apparent. This action also belittles Macbeth's achievement, since the procession of the throne is not necessarily dictated by bloodlines. Duncan is basically announcing that Macbeth, while noble, is inferior to his son Malcolm. This is where Duncan provokes Macbeth to hate him and also points out what Macbeth must do to become King. Duncan even tempts Macbeth, by pronouncing him as the Thane of Cawdor. This gives Macbeth a taste of power and he begins to have a desire for more. This desire or ambition is his fatal flaw. Shakespeare, by using Macbeth as a guide, shows that even the honorable men can fall into the hands of evil just like everyone else. No one is safe from his or her own ambitions of power and success. It is clear that Macbeth ends up a far more brutal and simple...
When Macbeth forms his plan to kill Banquo, and is informing his wife, he remarks that as night approaches, “good things of day begin to droop and drowse,/While night's black agents to their preys do rouse./...Things bad begun make strong themselves by ill” (3.2.56-62). Macbeth’s word choice of “night’s black agents”, “bad”, and “ill” invoke a fearful mood associated with night, which contrasts the “good things of day”. These evil connotations of night, the intended time of the crime, associate with his villainous ideas. Likewise, Hecate, the leader of the witches in the play, who happens to dislike Macbeth states that “this night”, she will cause Macbeth “a dismal and a fatal end./…He shall spurn fate, scorn death, and bear/He hopes 'bove wisdom, grace and fear” (3.5.20-31). Hecate utilizes word choice including “dismal”, “fatal”, “death”, and “fear” in order to establish a gruesome connotation, highlighting her anger towards Macbeth. Her desire to punish Macbeth for his greed fuels her to construct a plan with emphasized evil to punish him, and her aim to do this at night bridges it with her evil plan. The negatively connotated word choice of characters who have malicious plans at night ties darkness to villainous
During the beginning of the play, Macbeth is praised which raises his social standing, and later develops arrogance which ultimately leads to his downfall. Shakespeare cites “What he hath lost, noble Macbeth hath won” (1: 2: 78). This quote represents the praise Macbeth receives from the king, and his promotion which will further raise his self-esteem to a point where it is dangerous. According to Abram, “This tragic effect will be stronger if...
Witches are powerful beings that seek destruction in the pure of heart. Despite the minor appearances of Hecate in Macbeth, her character foreshadows the events that will occur within the story. Along with the Three Weird Sisters, they are the source of evil that corrupts the innocence in the human nature of Macbeth.
Macbeth is characterized as brave and loyal. At the beginning of the play, King Duncan praises Macbeth for being so brave at defeating the Thane of Cawdor. “For brave Macbeth Disdaining Fortune, with his brandished steel, which smoked with bloody execution, Like Valor’s minion, carved out his passage Till he faced the slave”(Act1,
They start to corrupt Macbeth by giving him these prophecies that "Now o'er the one halfworld/ Nature seems dead, and wicked dreams abuse/ The curtained sleep. Witchcraft celebrates Pale Hecate's offerings" (II i.49-52). The witches have started to corrupt Macbeth.
Throughout Macbeth, it’s apparent that Macbeth went through internal struggles. He grappled with finding the courage to commit murder and go against his own moral beliefs. He assumed the throne a powerful man but lost himself in the chaos of it all. He at one point in time possessed the ideal traits that Machiavelli describes in an ideal prince, but he lacked the willpower to maintain these qualities and let fear and guilt lead him to the loss of his
The witches are perhaps the most important supernatural characters in all of Macbeth. They represent Macbeth’s evil ambitions of evil, greed, and devilish scheming. They first appear in scene one, foreshadowing Macbeth’s future superiority of Scotland and his ultimate fate, “All hail, Macbeth! Hail to you, thane of Glamis! All hail, Macbeth! Hail to you, thane of Cawdor! All hail, Macbeth, the future king!” (Act 1, Sc. 2, 3). A...