In Shakespeare's tragedy, Macbeth, the characters and the roles they play are critical to its plot and theme, and therefore many of Shakespeare's characters are well developed and complex. Two of these characters are the protagonist, Macbeth, and his wife, Lady Macbeth. They play interesting roles in the tragedy, and over the course of the play, their relationship changes and their roles are essentially switched.
At the beginning of the play, they treat each other as equals. They have great concern for each other, as illustrated when Macbeth races to tell Lady Macbeth the news about the witches and she immediately begins plotting how to gain for her husband his desire to be king. At this point, Lady Macbeth is the resolute, strong woman, while Macbeth is portrayed as her indecisive, cowardly husband. He does have ambition, but at this point, his conscience is stronger than that ambition. Lady Macbeth explains this characteristic of her husband in Act I, Scene v, when she says, "Yet do I fear thy nature; it is too full o' th' milk of human kindness to catch the nearest way."
The next stage of change developing in the characters of Macbeth and Lady Macbeth is in Act II. This is the act in which Macbeth kills King Duncan. Macbeth's character change is apparent because it is obvious that he has given in to his ambition and has murdered the king. He is not entirely changed, though, because he is almost delirious after he has committed the crime. He exclaims, "Will all great Neptune's ocean wash this blood clean from my hand? No; this my hand will rather the multitudinous seas incarnadine, making the green one red." He believes that instead of the ocean cleaning his hands, his hands would turn the ocean red. Macbeth's role has changed somewhat but not entirely, since he has committed the crime but his conscience is still apparent after the murder. Lady Macbeth's role similarly changes somewhat in Act II. The reader sees a crack in her strong character when she tells Macbeth in Scene ii of Act II that she would have murdered Duncan herself if he had not resembled her father as he slept. Her boldness is still evident, though, when she calms Macbeth after the murder and believes "a little water clears us of this deed." Unlike the roles of Macbeth and Lady Macbeth, their relationship remains unchanged from Act I to II.
Thích Nh’at Hanh is a world renowned Vietnamese Zen Buddhist monk, religious figure and accomplished writer. Living Buddha, Living Christ is only one of his many famous publications. Thích Nh’at Hanh, is famous for his insights into spiritual heritage and mindfulness in the present moment. Many Americans are seeking religious understanding and personal spirituality, even if they do not practice in the traditional manner. Throughout this book Nh’at Hang encourages readers to find meaning, understanding, mindfulness, and peace in the teachings of Buddha and Christ. His main focus is to open meaningful dialogue between different traditions, cultures, and religious groups around the world, for the betterment
Whaley (2016) has contended, “Black image in comics has been one of grotesque caricature, often taking its cues from white fantasies of slavery and the minstrel stage”(p. 37). Jackie Ormes made a conscious effort to draw Black femininity. In each one of her characters exhibit realistic facial and body features. How would Jackie use her platform through the newspapers to challenge, reframe, and create a counterstory to the narratives in the comics strips and cartoons. Ormes drew her characters in her likeness, light-skin, straight short hair, small shapely physique, small nose, small lips a major contrast to the Mammy images representing Blackness. I will examine the three main comic strips Ormes drew, Torcy, Candy, and Patty Jo ‘n’ Ginger.
Lady Macbeth takes the role of the dominant partner in the beginning of the play, by acting as the real power behind the throne. For example, it is easily recognized that Macbeth and Lady Macbeth are opposite in many ways (Scott 236). He is weak, indecisive, and takes on the traditional female role of the marriage; she is strong, decisive, and takes on the traditional male role. One place in the play where Macbeth’s character is shown is Act I, Scene 5, Lines 15-17. She says, “Glamis thou art, and Cawdor, and shalt be / What thou art promis’d : yet do I fear thy nature / Is too full o’ the milk of human kindness.” This is just after Lady Macbeth receives the letter from Macbeth. It is also important to notice that when Macbeth’s first thoughts of killing Duncan appear, he is scared. After he commits the murder, Macbeth says, “To know my deed, ‘twere best not know myself ” ( 2. 2. 72 ). Knowing that he has committed such a vile act makes him uncomfortable. It will be difficult to act innocent and deal with his guilt.
Cox’s work is exactly the type of discussion that is needed to move the discourse on black women’s bodies from being regarded as part of a stereotype to being regarded as individuals with beautiful differences. This is not a ‘re-mirroring’ of the ‘un-mirrored,’ but rather a creation of a new image, void of previous misconceptions but filled with individuality. The stereotypes concerning black women’s bodies needs to be abolished, not reinvented like Hobson suggests in “Venus in the Dark: Blackness and Beauty in Popular Culture.”
In the book Guns, Gun Control, and Elections: The Politics and Policy of Firearms, Wilson discusses the complex issue of gun control and the many debates and controversies regarding the issue. Many people throughout the United States feel it is the right as a citizen in the United States to own a weapon, and the government should have no say in the matter. These people believe this because of the part of the Second Amendment that states, “The right of the people to keep and bear Arms shall not be infringed.” People who are strong advocates against gun control use this part of the Second Amendment to drive their point across. Advocates against gun control believe that preserving the freedom of a state through a militia is not the only way it should be looked at, these people believe that the amendment also implies a clause that takes into account one’s right for self-defense.
In William Shakespeare’s play, Macbeth, two main characters experience a change that alters their roles and brings out the worst in them. After Macbeth is promised greatness by three witches on a heath, Macbeth and Lady Macbeth try to achieve his prophecy. Because of their over-reaching ambition, they commit numerous murders to obtain their goal of becoming royalty. In order to cope with the guilt, Macbeth and Lady Macbeth undergo a role reversal, where they exchange characters and amount of ambition. At the beginning of Macbeth, Macbeth was hesitant.
Macbeth If it hadn’t been for the three witches, Macbeth would never have killed Duncan nor Banquo. Macbeth, also would not have been killed my Macduff. The three witches are the reason that everything happened the way the they did. In the beginning of the play, the three witches prophecized that Macbeth would become Thane of Cawdor adn the King of Scotland.
Within the pages of the play Macbeth, one can find the five distinct literary devices of symbolism, allusion, alliteration, personification, and repetition used throughout. These three devices aid the story along and help develop the plot and characters each in a different way.
Lady Macbeth is the first to strategize a way to kill Duncan. As a character foil to Macbeth she juxtaposes their possession of guilt and ruthlessness, which creates irony and excitement to the play. Originally, she is very power hungry and wants to utilize her husband’s position in status to become queen. Macbeth objects to the plan to kill Duncan because he believes Duncan is Macbeth’s kinsman, host, and an overall virtuous ruler (Act. 1 Scene. 7) and thus feels very guilty for taking advantage of Duncan’s trusting quality towards the Macbeth family. She refers to Macbeth as weak and rebukes his manhood (Act 1. Scene 7.) . As the play progresses, Lady Macbeth and Macbeth have a character role reversal of their possession of guilt and ruthlessness. The character foil is extant, however Macbeth’s ruthlessness overcomes his guilt, and Lady Macbeth’s guilt vanquishes her drive for power. In addition to an alteration in character foils, Shakespeare introduces situational irony because now Lady Macbeth succumbs to the weakness Macbeth once possessed and Macbeth is the one who is formidable and ambitious. Macbeth’s ability to transcend his guilt exemplifies his struggle for power and reinforces the theme of evil ambition because Macbeth is able to secure the throne and power only by mass
Although we can see that the two beliefs of Christianity and Pure Land Buddhism have similar beliefs, we also can see that they do differ in some major areas. I think that it is obvious to see that the Nestorians who brought Christianity to China and Japan had an influence on the Buddhist people during the sixth and seventh century. The religions have their major differences but we can see that throughout the scriptures that the main Idea of unseen faith is the central idea to the religion. Some may say that they are two very different religions but I would differ saying they have very much in common.
The relationship between Macbeth and his wife is strong. There is much trust between the two and there is also openness. However, the two butt heads and have opposing views many times. Even so, it is clear that Lady Macbeth is the dominant person in the couple. She is one of the major driving forces of Macbeth. This is shown when they are plotting the murder of Duncan. Macbeth asks her, ?If we should fail?? and she strongly replies, ?We fail! / But screw your courage to the sticking-place, / And we?ll not fail.? Whenever he is backing down she pushes him forward again. This is where a major flaw of our protagonist comes in. Macbeth cannot escape the trap of listening to his wife. He is subject to her commands and he knows it.
Abraham Lincoln: Vampire Hunter is a film which combines the fantastic with the realistic, and attempts to satisfy both people’s desire for the real story and an adventure. Opening with young Abraham Lincoln’s mother’s death, the audience becomes aware of the supernatural and the role vampires play in Antebellum America. Creatures of the night rule the South in Abraham Lincoln: Vampire Hunter and manipulate politics to sate their hunger for human blood. The story follows the young Lincoln as he trains in the ways of vampire hunting and sets out on a quest to avenge his mother’s death and decide the fate of the nation. Like any good vampire movie, nearly every scene focuses on some epic fight or action to keep the audience riveted. The movie’s
The idea of ‘one-sex’ bodies (a form of thought in Ancient Greece) began to be replaced in the 18th century with the “biological differentiation between men and women” (Mottier, 33). While a gender hierarchy remained, male and female bodies were now seen as biologically and fundamentally different. With the changes of thought during this period, a biological model of sexuality also came about. In the 19th century, the concept of ‘sexual inversion’ became popular (Mottier, 38). Homosexuals were viewed as suffering from gender disorders; they were not criminals, but abnormal and in need of a cure (Mottier, 39). What do all of these developments have to do with sexual behaviors becoming known as sexual identities?
Christianity and Buddhism are two of the most widely practiced religions, with roughly 2.7 million followers all over the world. With Christianity ranking number one in the world with almost 32% of the worlds religious followers, and Buddhism ranking number five with around 7% of the worlds religious followers. If the followers of Christianity and Buddhism compared the two religions, a few striking similarities could be acknowledged: both religions are taught through parables, both religions have similar individual code, and both religions have strong belief in spiritual leaders. Although Buddhism and Christianity have some similarities, they are ultimately different because of the different views on salvation, God, and life after death.