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Desmond collapsed down onto his bed in a fit of shivers, pulling the blanket over himself in a pathetic attempt at staying warm, despite the flush of his skin and the fever that burned like a wildfire throughout his body. He made a desperate plea for someone, anyone actually, that could get him a glass of water so he didn’t have to stand.
Three days - sick like this…
The thought of it made the shivers worse.
Ask-Reidd-JavaWakii:
Reidd walked down the streets of Manhattan, he regretted coming here somewhat, merely because of the near brain aneurysm he had when his senses were overloaded WITH PRACTICALLY FREAKING EVERYTHING.
But he got through it rather quickly and learned to ignore.
He coped.
So anyways Reidd was walking when he neared some buildings, stopping with a front leg raised something had caught his attention, a scent. A peculiar scent. A VERY good scent, edged with something akin to misery and…weakness?
'Intriguing' thought the JavaWakii.
He began to head towards where the smell originated, the apartments. Raising his tail in anticipation it wagged a little.
'This scent, it's smells ancient yet young, like an antique of sorts, but why does it smell—' he stopped to sniff the air 'Sick?'
Oddly the Reidd felt like whatever was struck with illness had to be something sentient, and being a JavaWakii didn't help since one trait his species possessed was that they tended to get focused on whatever interested them, find it, and well…do whatever came to mind when they found the object of said interest.
His antlers hummed with the different sensations the scent gave him, speeding up his pace the JavaWakii began a light run as the odor b...
... middle of paper ...
... name is as soon as you wake up boy,” he said quietly.
Lowering his head to lay over crossed paws he lazed about and dozed on the floor, then got an idea. The man appeared to be cold, so why not provide warmth? Besides it wasn’t like he was going anywhere soon and Reidd was tired from running around Manhattan.
'Dont make me regret this later.'
With that thought in mind the JavaWakii walked around to the right side of the bed and hefted himself up and onto it, choosing to lay against the man's back. It was a wonder he didn't wake up from Reidd's weight nearly denting his sleeping space.
Reidd moved a little to settle and get comfortable, of course while being mindful that he not disturb the sick creature, lest it panic and do some thing harmful. Lowering his head on a pillow the JavaWakii waited.
And fell asleep.
Now alone in the large bedroom, Amurao agitatedly crept across the floor to hide under another bed, one with a blanket draped over the side. About 45 minutes after he h...
On page 165 the author wrote, “His entire concentration now had to be on moving his feet, warming Gabriel and himself and going forward.” This quote shows us how he was determined to save him and Gabriel. It shows that he is already very cold and close to not being able to physically move forward any longer. This supports hallucination from freezing.
“There was a topmost scent of joss sticks and incense, like the fumes of some erotic smokehouse but beneath the smoke lay a deeper and much more powerful stench”(O’Brien 104). Impossible to describe, rat said it paralyzed your lungs thick and numbing like an animal's den a mix of blood and scorched hair and excrement and the sweet-sour odor of molding flesh the stink of the kill. Kileys morality is him remembering the details of his experience the smell the sight of death the gruesome reality of war.
Ralph’s head pounded lightly, and he rubbed at his eyes. He hadn’t gotten much sleep since he was rescued. How could he in such a cold, uncomforting place?
As Jack and his family start trudging through the long winter in the hotel it becomes apparent that Jack starts to develop “cabin fever.” His writer’s block causes anxiety and anger towards his wife and son. Jack also starts to develop an obsessive compulsive behavior pers...
Throughout the novels Perfume and Chronicles of a Death Foretold the authors tends to use many literary devices in order to really bring life to the work and keep the reader intrigued. Exaggeration is very apparent in both novels and almost seems excessive, but vivid at the same time. In Perfume Suskind refers to “stench” many times and based on the imagery used in the novel the context gives the word “stench” almost a positive meaning at times. For Example, when Grenouille murders the girl, the way he describes her “sweaty armpits, oily hair, and fishy genitals”, makes the sensation seem like an actual perfume to his nose. The author also uses scent to characterize in the novel. Grenouille who had to apparent sent seemed equal to one with
In the novel Perfume by Patrick Sϋskind, the protagonist Grenouille was a mysterious child, he was questioned by multiple people on account of him being without a scent. Ironically, Grenouille possessed a supernatural sense of smell. In the novel, Grenouille goes on to kill 25 young adult females. The scent these girls emit is what motivates him to carry out these murders. These murders are not out of cold blood. Grenouille uses the scent of these girls to create a mastermind perfume. Patrick Suskind uses such descriptive words that sensory imagery is inevitable.
In the novel, Perfume by Patrick Suskind,the author incorporates the idea that society may be attracted to certain individuals by a chemically active world. An individual’s scent may possibly emit different reactions to different society members. For example, the protagonist of Perfume, Grenouille starts out as an unwanted child whose smell was revolting. Suskind used this exaggeration of Grenouille’s odor to give the reader a sense of imagery, to imagine what the scent could have possibly smelled like. The author uses the protagonist’s depressing backstory (abandoned as a child, outcast to the world), to create a sense of pity from the reader, despite the fact that he is a murderer.
that faint invisible dust dry and acrid in the nostrils, we saw a long strand of iron-
...Number Five again. Nor the pungent scent of his father after he’d sneaked out to smoke a cigar, knowing they were bad for him. Asher’s sharp comments would also be welcomed. How could he have forgotten Asher, what became of him? He contemplated.
...words, appearances, emotions, or will. The persuasive power of an odor cannot be fended off, it enters into us like breath into our lungs, it fills us up, imbues us totally. There is no remedy for it“ [p.82]. Do you think it is true? Why would any odor have such power? In what ways does Grenouille use this power to his advantage?
Rainsford started out of the bedroom slowly and quietly, looking both ways to make sure it was clear to go. He started down the long hallway, being careful of his steps. He heard cries as he got closer to the end of the hallway near the stairs. He tried to see if he could see anyone from the stairs but failed to see where the cries were coming from. He started down the stairs carefully and slowly.
Scent within the novel Perfume by Patrick Suskind has been regarded as a supernatural element that transcends the physical realm and into the spiritual. In 18th Century France, Jean-Baptiste Grenouille is born with the supernatural ability to smell, while lacking his own individual odour. The power of scent is revealed to have manipulative qualities that shape the way an individual perceives someone based off odour. Suskind uses the characters of Grenouille and Madame Gaillard to convey the effect that scent has on the emotional spirituality of humans as both have a disability with their olfactory sense. Grenouille utilises the power of scent to create his own perfume which emphasizes scent possessing qualities beyond the natural world.
Pedaling my bike, I swerved left and right, dodging all sorts of trash which littered the desolate ground beneath my feet. The car was gaining ground fast; its ebony visage glaring at me like some hell-spawned demon. A cold clammy hand seemed to envelope my body. I knew I could not escape.
Perfume, which was written by Patrick Suskind, gives the reader an overwhelming, to the point of sickening, imagery of stench. The protagonist of the novel, Grenouille, becomes obsessed with finding