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Nature in literature
Use of nature in literature
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Exaggeration is commonly used in everyday life to make a story an individual may use when telling another about an event that happened to them. The so called ‘narrator’ of the event may add in more details to the story than what actually happened to attract the ‘reader’ and keep them interested. Authors may use the same tactic to pull readers in and keep them excited to read the end of the story/novel/etc. Exaggeration for the background of the story or even a Shakespearean play gives the story a entirely different meaning in general.
Perfume, which was written by Patrick Suskind, gives the reader an overwhelming, to the point of sickening, imagery of stench. The protagonist of the novel, Grenouille, becomes obsessed with finding
his own true smell. He murdered a few young, virgin women for their scent, but in his own search, he cannot seem to find his own. Throughout the entire novel, Suskind writes about Grenouille obsessive behavior of finding his own stench. At first in the novel, the stench is barely mentioned at all in this point. But, as the book progresses, the mention of the stench grows more and more, to the point the reader(s) can imagine the smell and it grows to the point it becomes repulsive. In Chronicle Of A Death Foretold, Gabriel Garcia Marquez writes about a town murder of a man who supposedly stole a young woman’s purity. Besides the fact of the exaggeration the young woman (Angela) told her brothers of how he ‘stole’ her purity, the weather contributes a huge part of the story and to the exaggeration. In Shakespearean plays, the background changes along with the weather. A few storm clouds towards the back of the actors and actresses may symbolize that an explosive fight or event may start to take place, or the story is building up to that climax. Sunshine and no clouds may represent that the play and/or story is going to become more happy. In Chronicle Of A Death Foretold and Perfume, the weather is dark and rainy, giving readers a gloomy and suspicious setting. That setting may foreshadow in the novel, that a terrible or dark event may soon occur and give the reader a feeling of suspense during the novel.
The storyteller had not witnessed the strange happenings at the school but claimed to know someone who had seen the disturbances. As a performance, the telling of this story was very matter a fact and my friend did not self-aggrandize; the performance was quick, to the point, but not particularly dramatic. The storyteller told the legend as fact and was not melodramatic about her role as storyteller.
58. According to the passage, O’Brien believes that storytelling conveys a stronger meaning than any real account. It amplifies the message one is trying to assert by engaging an audience through vivid, but fictional detail. O’Brien uses false events to represent greater emotional truths, which is best displayed through fictional accounts. This is a prevalent and recurring ideal throughout the
In Lynda Barry’s Common Scents, she considers scents a demon for many reasons. One reason being that everyone has his or her own scent preference and scent in general, yet we also judge the way that other people smell. When the woman whose house smelled like a fresh bus bathroom talking about the smells of different Asian people’s houses, Lynda notes that she was “free with her observations about the smells of others” (18). She sprays her house with disinfectant sprays and air fresheners, which to her smells better that whatever her house smelt like before, but to others, such as Lynda’s grandmother, these smells are too strong and are trying to hide the fact that not everything smells good all the time.
In the fictional story the Scarlet Letter, Nathaniel Hawthorne tells the story of a woman tormented by the townspeople for committing adultery. With fiction the author can paint a story in any way to deliver the right emotion to the audience. However, nonfiction must stay to the actual facts of the story. Typically, nonfiction stories contain eye-opening details that wouldn’t be believable if written as fiction. For example, the story of Tonya Harding and Nancy Kerrigan were 2 olympic ice skating athletes trying to win gold. Tonya Harding had someone try to break Nancy Kerrigan’s legs so that she couldn’t compete. It is unbelievable as nonfiction, but as fiction it would seem too far out there to
Why do people tend to falsify tales when in a tragic setting? Many authors of great books have credited their amazing stories to the human behavioral tendency of fabricating stories and having dreams to distract them from reality. Krik? Krak! Is a collection of such stories, in which every story is somehow linked in a not-so-obvious way.
During the period of Realism in the late 19th century, writers attempted to bring their readers into a story that they or someone they knew might experience. It was very popular as it was relatable but also brought up themes that were not commonly explored. As best said by Harriet Kramer Linkin of the Journal of Narrative Technique "Bierce plays a cat and mouse game with his readers in the tale" (Linkin 2). This is shown especially well in Ambrose Bierce's "An Occurrence at Owl Creek Bridge". In this short story, Bierce tests his readers by blurring the fine line between fiction and reality.
While telling the story the storyteller used very specific details to produce an effective presentation. He paused several times for dramatic effect, indicating that something important was going to happen. Also, he told the story confidently, rarely stuttering in a short of words. The storyteller appeared to be extremely knowledgeable on the subject because the incident happened to his older brother and due to the bridge's close proximity to his home. While listening to the story I noticed several details that seemed to be exaggerated for effect, such as the three male bodies hanging from the rafters. When reaching the climax of the story the teller did a great job in portraying the frightened expressions of the driver and passengers.
Stories, both factual and manipulated, present different things to a reader. Factual writings help readers visualize the actual moment, but may not have them feeling the same as the author felt. Manipulated writings however, are superior in the fact that emotion through writing can actually help readers see a situation for what it really is. Distortions in manipulated writing are beneficial to the reader by providing more sensory imagery, even if it costs presenting the complete truth.
In much of The Things They Carried, stories are retold time and time again. One reason for this is the idea of keeping a story’s story-truth alive. In “Good Form,” O’Brien differentiates what he calls story-truth from happening-truth. Story-truth seems to give us a better understanding of O’Brien’s sentiment in a particular story even though the story itself may not be true at all. On the other hand, happening-truth is what actually happened in the story, but may not contain as much emotional authenticity as story-truth. According to O’Brien, story-truth is therefore truer than happening-truth. Relating back to storytelling, O’Brien retells stories continuously to maintain their sentiment and emotional value. Without this continuous repetition, this sentiment fades away and the emotional value of the story is lost.
When we read any work of fiction, no matter how realistic or fabulous, as readers, we undergo a "suspension of disbelief". The fictional world creates a new set of boundaries, making possible or credible events and reactions that might not commonly occur in the "real world", but which have a logic or a plausibility to them in that fictional world. In order for this to be convincing, we trust the narrator. We take on his perspective, if not totally, then substantially. He becomes our eyes and ears in this world and we have to see him as reliable if we are to proceed with the story's development.
In conclusion, reading the poem “Smell!” by William Carlos Williams made me realized that the way my nose function can be compare to many other aspects in my life. The author tells us about the good and bad odors our nose smell. I also find this poem to be really inspirational because we can all draw many different conclusions out of this
When a narrator is deemed unreliable, there is conflict between the narrator’s presentation and the rest of the novel that makes readers suspect his sincerity and reliability. Readers often read between the lines and come to the conclusion that the narrator is either withholding the true version of the story or lacking the ability to tell the truth. There are three specific sources of unreliability according to Rimmon-Keenan they are the narrator’s limited knowledge, his or her personal involvement, and his or her questionable morals (100-101). Factors that could contribute to a narrator’s unreliability is that the narrator is young and inexperienced, old with failing memory, or has a low IQ. These are all cases of limited understanding and knowledge on the part of the narrator. When narrators are personally involved in the story, they tend to portray events or characters i...
Suskind, Patrick. Perfume, The Story of a Murderer. Trans. John E. Woods. New York: Vintage
The novel Perfume: The Story of a Murderer, by Patrick Süskind takes place in the densely populated and repugnant slums of 18th century Paris where protagonist Jean-Baptiste Grenouille resides as a lowly peasant with an incomparable sense of smell that sets him apart from the rest of the world. However, Grenouille is unaffected, and endures the hardships of brutal peasant life with an iron will, in the hopes of discovering every scent the world had to offer as his only motivation for living. He craves to be alone to further enhance his knowledge in capturing scent; Grenouille becomes so estranged and enthralled in the art of capturing fragrances that he sets out on a quest to concoct the “ultimate perfume” which leads him to commit a series of murders to capture human scent. Süskind, by way of Jean Baptiste’s obscure life and fine nose allows readers to explore the concept of alienation and the effects it has on the character development of Jean Baptiste Grenouille.
Exaggeration - “There was some confusion among the animators when Walt first asked for more realism then criticised the result because it was not exaggerated enough.” - Thomas and Johnston (1997)