In this scene, Lysander wants to rest near Hermia but she tells him to back off because they're not married yet. Lysander tries to persuade Hermia, however she's not having it. Lysander becomes a bit deceitful to Hermia when he is in the woods with her. Lysander says Lysander says “ O, take the sense, sweet, of my innocence “ ( 2. 2. 699 ). The diction “ sweet, of my innocence “ suggests that Lysander is trying to give an impression to Hermia that he didn’t mean anything naughty. Further, Lysander says “ Then by your side no bed-room me deny; For lying so, Hermia, I do not lie “ ( 2.2.705 - 706 ). Lysander is being dishonest to her in this scene. When Lysander was in front of Duke Theseus, he dared not say this to Hermia. Lysander demonstrates
his sexual want and presses her, endeavoring to entice her with his poetic words by saying, " One turf shall serve as pillow for us both, and One heart, one bed, two bosoms, and one troth" (2. 2. 42-43 ). Lysander's show of sexual desire for Hermia exhibits that their relationship is emphatically based on physical attraction. Shakespeare characterizes Lysander as a cunning character in Act 2 because of his naughty ways to persuade her so he can sleep next to her by sweet talking her into doing so. These phrases show the tone of cunning because Lysander tries to sweet-talk Hermia so he can sleep next to her, this makes us question if Lysander is honest with her or not.
Lysander tells Theseus that Demetrius "Made love to … Helena, And won her soul.” Helena says that before Demetrius looked upon Hermia, "He hail'd down oaths that he was only mine.” In an attempt to win back some of Demetrius's affection, Helena tells him of Hermia's plan to meet in the wood and elope with Lysander.
In act two scene two Lysander continues to insult Hermia. For example in the book it states “ Content with Hermia? No, I do repent…” (2.2.118-120). This shows that Lysander wants Helena’s love, but he is trying to hard to get it. In act three scene two Helena finds that both Lysander and Demetrius are “mocking” her. For example in the book it states “ ...I pray you,though you mock me, gentlemen.” (3.2.314). This shows that Helena doesn’t believe that Demetrius and Lysander “love” her. Oberon and Lysander find it impossible to control love.
Lysander calls Demetrius a?spotted and inconsistent man?, indicating Demetrius? fickleness towards women, that he is flirtatious and flawed. Demetrius is willing to go to any extent to have Hermia marry him, even allowing Hermia to be subject to a life of a nun or death, if she does not marry him. Demetrius. infatuation with Hermia brings out the tyrannical and possessive part of his character, as can be seen when he says?and, Lysander, yield thy crazed title to my certain right?
Lysander pitches in to support Hermia’s claims of purity “Demetrius, I’ll avouch it to his head..” “quote” (pp). Here, Lysander claims that Demetrius slept with Helena and is therefore a “spoiled and inconstant man” “quote” (pp). OED. EDITORS gloss “spotted” as “morally stained” “quote” (pp). The Oxford English Dictionary also defines “spotted” as “something disgraceful.” This only emphasizes the uncouth premarital and in Hermia’s line of logic, immoral relationship between Demetrius and Hermia. This moral impurity is a compromise to Hermia’s chastity and perpetuates her dedication to love that is already evident in this passage.
Egeus pushes this upon Hermia so much that Hermia needs to be "married to Demetrius or death" (Act 1 Scene 1 Line 43-44) Lysander knowing this needs to fix this problem. Egeus is not so reasonable and sticks with his word to Demetrius and will not let Lysander marry his daughter. Almost everyone is against Hermia and Lysander's relationship except for a few people. Both Hermia and Lysander will not be able to marry or else something could happen to them both. Hermia's true love is not a smooth path and almost everyone is against them being in love. Once again Hermia and Lysander get through this problem and it makes their relationship even stronger.
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
Hermia is the daughter of Egeus. She is a tiny woman that possessed sparkling eyes and a lovely voice. Hermia is very adamant about what she wants from the balance of the play. She has only eyes for Lysander and is very faithful, even when faced with the obstacles of death or the nunnery. Throughout the play Hermia emotions were confused at times. She even says "Am I not Hermia? Are you not Lysander? (Act III Scene 2 Line 292). We see at this point that she is confused and her feelings are hurt. At that very moment I think she feels like she has lost part of herself, a part that she has given to Lysander. So when Lysander returns to her, she is her self once again.
Shakespeare clearly shows that Hermia is a round and dynamic character through her relationship with Lysander, although Hermia is madly in love with Lysander, her father Egeus is completely opposed to the very idea of them being together, since she is betrothed to another man, Demetrius. Nevertheless, in one final attempt to get her father’s permission, Hermia preservers and beseeches Thesus the duke. …“Your grace, please forgive me. I don’t know what makes me think I can say this, and I don’t know if speaking my mind to such a powerful and noble person as yourself will damage my reputation for modesty. But please, tell me the worst thing that could happen to me if I refuse to marry Demetrius” (No Fear Shakespeare 3). Her plea shows that Hermia is looking for a way out of the awful predicament she has found herself in and is in desperate need of help. Clearly, it shows Hermia’s great love for Lysander and her willingness to do anything to be with him, even if that means risking everything. After Thesus’ disappointing response to her desperate plea, she continued… “I’d rather wither ...
Hermia and Helena's relationship has changed greatly after the intervention of Puck with the love potion. Once best friends, they have become each others enemies, and all for the love of Lysander and Demetrius.
Oprah Winfrey once said, “The best thing about dreams is that fleeting moment, when you are between asleep and awake, when you don't know the difference between reality and fantasy, when for just that one moment you feel with your entire soul that the dream is reality, and it really happened.” But, what actually is a dream and what do dreams really have to do with one’s everyday life? In essence, a dream is a series of mental images and emotions occurring during slumber. Dreams can also deal with one’s personal aspirations, goals, ambitions, and even one’s emotions, such as love and hardship. However, dreams can also give rise to uneasy and terrible emotions; these dreams are essentially known as nightmares. In today’s society, the concept of dreaming and dreams, in general, has been featured in a variety of different mediums, such as literature, film and even music. While the mediums of film and music are both prime examples of this concept, the medium of literature, on the other hand, contains a much more diverse set of examples pertaining to dreams and dreaming. One key example is William Shakespeare’s A Midsummer Night’s Dream. While the portrayal of dreams, in general, plays a prominent role in Shakespeare’s play, the exploration of many aspects of nature, allows readers to believe that dreams are merely connected to somewhat unconventional occurrences.
Did Shakespeare intend for the Athenian lovers to be alike, or were they meant to be dissimilar individuals? It has often been said that the Athenian Lovers in A Midsummer Night’s Dream are undifferentiated. While some might argue that they are all unique individuals, and it is true that they have some minor differences, there is no denying that Helena is extremely similar to Hermia, and Lysander is akin to Demetrius. Although the Athenian lovers possess some distinctive characteristics, they are more similar than different.
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
A Midsummer Night’s Dream, one of Shakespeare great works, is a play that seeks to address different grave societal issues with the use of humour. Shakespeare touches on different themes, though in a sarcastic, humorous and hidden manner. The comedy play depicts themes of love, problem with time, loss of individual identity, appearance versus reality, transformation amongst others. Nick Bottom, one of the Mechanicals, is the majorly used character to portray these themes in the play as he appears in almost all scenes of the play alongside other characters of the play. This working-class guy is used diversely in the play, not only to develop the play but also as ‘weaver of two different world. These are the aspects of Nick Bottom that make the play a success.
Lysander shows great respect to Hermia due to his love for her. Lysander tries to entice Hermia into sleeping with him but does respect her boundaries. He tries to unify their love by doing so. Hermia believes that her and Lysander should wait until their marriage is official. Lysander encourages her wish of waiting by saying “Amen, amen to that fair prayer, say I” (II.ii 45-70).
To start it off, in the very beginning of the play, Hermia is begging her father to allow Hermia and Lysander to be together. “Full of vexation come I, with complaint/Against my child, my daughter Hermia.— /Stand forth, Demetrius.—My noble lord, /This man hath my consent to marry her.—/Stand forth, Lysander.—And my gracious duke,/This man hath bewitch'd the bosom of my child.— /Thou, thou, Lysander” (1.1.23-29). Back then parents dictated one’s marriage, but as Lysander’s saying can be applied to throughout history, teenage disobedience is similar. Lysander and Hermia decide to run away, since Theseus,