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Character analysis a midsummer night's dream
Shakespeare's thoughts about gender roles in his plays
Shakespeare's thoughts about gender roles in his plays
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Recommended: Character analysis a midsummer night's dream
A character’s personality shows on the outside just as much as it shows on the inside. Lysander, from A Midsummer Night’s Dream is an accurate representation of how a character's’ traits can be shown in costume. Costumes can reflect how a character may be feeling or what their personalities are like. Lysander truly show his intentions and personality as a character. Lysander is known to be wealthy, impatient but remains well-mannered. His costume significantly represent his identity as his wealth, lack of patience and gentleman ways come through based on colors and symbolism found throughout. Overall, Lysander’s characteristics are clearly shown in his physical appearance.
Accessories that Lysander show his wealthy standing. Lysander often has to come to his social standing when Egeus compares him to Demetrius. Egeus wants his daughter, Hermia to marry Demetrius but Lysander is who she truly loves. Egeus states that Demetrius is higher than Lysander but Lysander states, “I am, my lord, as well derived as he,/as well possessed. My love is more than his,/My fortunes every way as fairly ranked” (I.i. 99-101). Lysander has great wealth which is presented in his
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Lysander shows great respect to Hermia due to his love for her. Lysander tries to entice Hermia into sleeping with him but does respect her boundaries. He tries to unify their love by doing so. Hermia believes that her and Lysander should wait until their marriage is official. Lysander encourages her wish of waiting by saying “Amen, amen to that fair prayer, say I” (II.ii 45-70). Lysander acts in a very well-mannered and gentleman like way by not pressuring her into doing something she is clearly uninterested in. Moreover, Lysander’s gentleman like actions are shown through his suit. The suit represents etiquette which a gentleman obtains. Overall, Lysander’s well-mannered actions are shown in his
The mood immediately changes and we discover that Hermia rather than being filled with filial love is determined to marry Lysander rather than her father’s choice for her. And so the love theme is made more complex as we have the wrathful love of her father confronted by the love of her daughter for the man who is not her fathers’ choice. The love theme is further complicated by the arrival of Helena. Here we see the platonic love of two friends.
In act two scene two Lysander continues to insult Hermia. For example in the book it states “ Content with Hermia? No, I do repent…” (2.2.118-120). This shows that Lysander wants Helena’s love, but he is trying to hard to get it. In act three scene two Helena finds that both Lysander and Demetrius are “mocking” her. For example in the book it states “ ...I pray you,though you mock me, gentlemen.” (3.2.314). This shows that Helena doesn’t believe that Demetrius and Lysander “love” her. Oberon and Lysander find it impossible to control love.
Cloris forms a hyper-masculine, godlike image of Lysander which places an immense pressure on him to live up to her expectations. Although she is simply in accordance with the ideals of men that have previously been formulated by others, her compliance with such images only creates unrealistic expectations that will likely end in disappointment. The narrator states of Cloris’ discovery, “Finding that god of her desires disarmed of all his awful fires,” (112-113) which dramatizes Lysander’s downfall. The once fearsome thing is now characterized as, “cold as flowers bathed in the morning dew,” (114) becoming an altogether feminine portrait of something that is intended to be idealized as the epitome of manliness. His premature ejaculation is the ultimate sign of his descent into a non-masculine figure and a disappointment on both ends. Both Cloris and Lysander are similarly chastised only by society’s expectations, Cloris being a woman with lust and Lysander a man without his erection, and are unable to experience guiltless or unpressured pleasure,
When Lysander is speaking to Hermia in Act I, Scene I; he is both stating a truth about the mystery of love, as while as foreshadowing the upcoming trouble in the play. Egeus has made his demands that his daughter obey him and marry Demetrius. The tension between the father and the chosen lover of his daughter has set the conflict into motion. Demetrius has left with Theseus, Hippolyta and Egeus to discuss the wedding of the Duke of the Athens. The young lovers Lysander and Hermia are left on stage and he tells her in Lines 132-134: “For aught that I could ever read, Could ever hear by tale or history, The course of true love never did run smooth.” He speaks these words to comfort Hermia, but neither has any idea of the crazy night that will come in the
She exemplifies her strengths in one occurrence by standing up to her father’s wishes concerning her wedding. Speaking to her father, Hermia proclaims, “So will I grow, so live, so die, my lord, ere I will yield my virgin patent up unto his lordship whose unwished yoke my soul consents not to give sovereignty” (I.i.81-84). Hermia demonstrates immense courage and strength by standing up to her father and threatening to pursue the occupation of a nun for the rest of her life. This persistence in marrying the love of her dreams, Lysander, shows incredible courage that resonates throughout the play. Here, Hermia exhibits boundless courage and strength and from now on, her vigor only grows stronger. Later on in the play, knowing that the rules of Athenian law of marriage did not apply outside of Athens, Hermia and Lysander snuck out of the city. As Hermia and Lysander conversed alone, Hermia demands, “Nay, good Lysander. For my sake, my dear, lie further off yet. Do not lie so near” (II.ii.47-48) when Lysander desires to draw nearer to Hermia. By this point, Hermia battled her father and contains immeasurable mental strength. At this instance, Hermia gains greater moral strength when she resisted Lysander’s inappropriate love. Displaying courage to stand up to her father and her moral strength to resist Lysander, Hermia exemplifies a strong
One strange element is why Egeus was so set on Hermia marrying Demetrius. Lysander came from as good a family as Demetrius. Both were well possessed with property and money so Egeus's power is made to seem senseless.
RF Hermia and Lysander face many hardships to be together. “Upon that day either prepare to die for disobedience to your father’s will, or else to wed
Hermia went against her father and the duke when they both told her she had to marry Demetrius or be sent to a convent or executed, instead she ran away into the woods to elope with Lysander. Lysander stayed with Hermia and ran into the woods, risking being lost and possibly death, for a chance to marry Hermia. In Shakespeare’s 29th sonnet he explains how at times he wishes he had more; more beauty, more possessions, and more power, until he thinks of this girl, after that he feels confident and content with the love and the life he possesses, and he wouldn 't trade places with anyone, including a king. this he also shows is true love, undoubting, positive and forever supporting. The risk of a fallacious love for a chance of true love, is often considered worth it, however as humans we are surrounded by love but more often than not, its platonic instead of
Staying true to one's love is so very important when one believes in their true love with every fibre of their being. Hermia and Lysander are so in love that nothing else seems to matter. They want to be together at all costs and they will not let anything get in their way, this is true especially for Hermia. In this example she is defending her true love and standing up for herself, “I do entreat Your Grace to pardon me./ I know not by what power I am made bold,/ Nor how it may concern my modesty/ In such a presence here to plead my thoughts;/ But I beseech Your Grace that I may know/ The worst that may befall me in this case/ If I refuse to wed Demetrius” (Shakespeare 1.1: 58-64). This shows that although she has no way of controlling what happens to her future she still wants to let others know of her convictions. No woman in that time period would ever attempt to defy the command of her father and the law, but in this case Hermia's true love has taken over. She wants the world to know that her and Lysander share this same true love. She is willing to sacrifice her life and become a nun or even face the ultimate finale of death in order to get what she wants at this point. Lysander also came up with an idea to temporarily get them out of this situation, “A good persuasion. Therefore, hear me, H...
Lysander calls Demetrius a?spotted and inconsistent man?, indicating Demetrius? fickleness towards women, that he is flirtatious and flawed. Demetrius is willing to go to any extent to have Hermia marry him, even allowing Hermia to be subject to a life of a nun or death, if she does not marry him. Demetrius. infatuation with Hermia brings out the tyrannical and possessive part of his character, as can be seen when he says?and, Lysander, yield thy crazed title to my certain right?
The relationship between Demetrius and Hermia is problematic, in that Demetrius is seeking the affections of Hermia, while she is in love with Lysander. However, Hermia’s father approves of Demetrius and tries to force her to marry him, but Hermia refuses because of her love for Lysander (A Midsummer Night’s Dream 1.1.22-82). Lysander points out the flaw in the situation through this comment, “You have her father 's love, Demetrius –/Let me have Hermia 's. Do you marry him,” (A Midsummer Night’s Dream 1.1.93-94). The second flawed relationship is between Lysander and Helena, as a result of an enchantment put on Lysander that made him fall in love with Helena. Helena does not want the affections of Lysander, but rather the love of Demetrius, and believes that Lysander is taunting her. In addition, this relationship creates tensions because Hermia is in love with Lysander (A Midsummer Night’s Dream 2.2.109-140). Both relationships are not desirable due to a lack of mutual admiration and the creation of non-peaceful and unsatisfying
and would make a woman was less likely to marry. By telling Lysander to ‘not lie so near’ (II.ii.43), Hermia is showing that a woman can tell a man she doesn’t want to have sex with them, and that they, men, shouldn’t force a woman to have sex with them, as for women of the time their virtue was everything. Therefore, by Hermia telling Lysander to ‘lie further off’ (II.ii.56) when they fall asleep in the forest she w...
In the first part of the play Egeus has asked the Duke of Athens, Theseus, to rule in favor of his parental rights to have his daughter Hermia marry the suitor he has chosen, Demetrius, or for her to be punished. Lysander, who is desperately in love with Hermia, pleads with Egeus and Theseus for the maiden’s hand, but Theseus’, who obviously believes that women do not have a choice in the matter of their own marriage, sides with Egeus, and tells Hermia she must either consent to marrying Demetrius, be killed, or enter a nunnery. In order to escape from the tragic dilemma facing Hermia, Lysander devises a plan for him and his love to meet the next evening and run-off to Lysander’s aunt’s home and be wed, and Hermia agrees to the plan. It is at this point in the story that the plot becomes intriguing, as the reader becomes somewhat emotionally “attached’’ to the young lovers and sympathetic of their plight. However, when the couple enters the forest, en route to Lysander’s aunt’s, it is other mischievous characters that take the story into a whole new realm of humorous entertainment...
To start off, my favorite character in A Midsummer Night’s Dream is Hermia because she is loving. At the beginning of the play, Hermia’s father is ordering her to marry a man she doesn’t love. When she hears this news, yes she is very, very troubled and sad, but she doesn’t have an emotional freak out in front of everyone. Once they leave the room, she and Lysander plan to escape so they may be married. Leaving her family and everything behind was a huge risk, but she was willing to do it for her undying love for Lysander. You could really see how much these two loved one another. In A...
The play shows how the ideal relationship is that in which the affections and the reasonable mind are both in harmony. At the start of the play, both Demetrius and Helena are clearly at fault. Demetrius has allowed his love for Helena to abate; she, by fawning on him, is guilty of doting, which exacerbates his dislike. An honourable man would stand by his promise and try to re-discover his love for Helena, and it is this which draws Lysander's taunt that Demetrius is "spotted and inconstant". In time, perhaps, Demetrius might reconsider Helena's merits, but in the brief ti...