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A trait approach to personality is primarily focused on
A trait approach to personality is primarily focused on
Essay on the trait theory of personality
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Shakespeare is a master storyteller whose characters are often complicated and surprisingly real. He reveals the amount of depth the characters possess through the drastic differences in their many traits. Shakespeare did this in attempts for people to connect with the characters on a personal level through similar personality traits. In A Midsummer Night’s Dream, playwright William Shakespeare portrays many of his characters indirectly. Hermia is depicted as a round and dynamic character. Throughout the entire story, indirect characterization is shown through the character Hermia because her thoughts and emotions are displayed for everyone to read.
Shakespeare clearly shows that Hermia is a round and dynamic character through her relationship with Lysander, although Hermia is madly in love with Lysander, her father Egeus is completely opposed to the very idea of them being together, since she is betrothed to another man, Demetrius. Nevertheless, in one final attempt to get her father’s permission, Hermia preservers and beseeches Thesus the duke. …“Your grace, please forgive me. I don’t know what makes me think I can say this, and I don’t know if speaking my mind to such a powerful and noble person as yourself will damage my reputation for modesty. But please, tell me the worst thing that could happen to me if I refuse to marry Demetrius” (No Fear Shakespeare 3). Her plea shows that Hermia is looking for a way out of the awful predicament she has found herself in and is in desperate need of help. Clearly, it shows Hermia’s great love for Lysander and her willingness to do anything to be with him, even if that means risking everything. After Thesus’ disappointing response to her desperate plea, she continued… “I’d rather wither ...
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...roughout the story, A Midsummer Night’s Dream, Shakespeare portrayed numerous examples of indirect characterization of the character Hermia by her countless display of many emotions. Correspondingly, he presented these various examples of character and emotional changes in an indirect way, so the reader could gather who she was and how she acted without directly having saying it. By Shakespeare doing this, he added to the complexity of the story by the captivating character traits of Hermia. Since there were innumerable times these emotions were shown, it is reasonable to deduce that Hermia is both a round and dynamic character.
Works Cited
Crowther, John, ed. “No Fear A Midsummer Night’s Dream.” SparkNotes.com. SparkNotes LLC. 2005. Web. 26 Nov. 2013.
Shakespeare, William. A Midsummer Night’s Dream. Clayton: Prestwick House Literary Touchstones, 2005. Print.
She exemplifies her strengths in one occurrence by standing up to her father’s wishes concerning her wedding. Speaking to her father, Hermia proclaims, “So will I grow, so live, so die, my lord, ere I will yield my virgin patent up unto his lordship whose unwished yoke my soul consents not to give sovereignty” (I.i.81-84). Hermia demonstrates immense courage and strength by standing up to her father and threatening to pursue the occupation of a nun for the rest of her life. This persistence in marrying the love of her dreams, Lysander, shows incredible courage that resonates throughout the play. Here, Hermia exhibits boundless courage and strength and from now on, her vigor only grows stronger. Later on in the play, knowing that the rules of Athenian law of marriage did not apply outside of Athens, Hermia and Lysander snuck out of the city. As Hermia and Lysander conversed alone, Hermia demands, “Nay, good Lysander. For my sake, my dear, lie further off yet. Do not lie so near” (II.ii.47-48) when Lysander desires to draw nearer to Hermia. By this point, Hermia battled her father and contains immeasurable mental strength. At this instance, Hermia gains greater moral strength when she resisted Lysander’s inappropriate love. Displaying courage to stand up to her father and her moral strength to resist Lysander, Hermia exemplifies a strong
The well known plays of Shakespeare contribute their recognition to the characters. In his plays, characters are made to imitate people. His most famous play Romeo and Juliet is a great demonstration of this. Shakespeare shows the complexities of the characters in Romeo and Juliet, such as their actions and their emotions, through juxtaposition. Juliet is conflicted about her feelings about Romeo once she hears that he had killed Tybalt.
In conclusion, in A Midsummer Night’s Dream, Shakespeare effectively uses the motifs of the seasons, the moon, and dreams to show that love, irrationality, and disobedience directly cause chaos. By calling to mind the seasons in unnatural order, describing the moon behaving strangely, and discussing the dualistic, irrational nature of dreams, Shakespeare effectively evokes a sense of chaos and disorder. Linking each of these motifs to the themes of love, irrationality, and disobedience allows Shakespeare to illustrate the disarray that is bound to result from any romance.
Staying true to one's love is so very important when one believes in their true love with every fibre of their being. Hermia and Lysander are so in love that nothing else seems to matter. They want to be together at all costs and they will not let anything get in their way, this is true especially for Hermia. In this example she is defending her true love and standing up for herself, “I do entreat Your Grace to pardon me./ I know not by what power I am made bold,/ Nor how it may concern my modesty/ In such a presence here to plead my thoughts;/ But I beseech Your Grace that I may know/ The worst that may befall me in this case/ If I refuse to wed Demetrius” (Shakespeare 1.1: 58-64). This shows that although she has no way of controlling what happens to her future she still wants to let others know of her convictions. No woman in that time period would ever attempt to defy the command of her father and the law, but in this case Hermia's true love has taken over. She wants the world to know that her and Lysander share this same true love. She is willing to sacrifice her life and become a nun or even face the ultimate finale of death in order to get what she wants at this point. Lysander also came up with an idea to temporarily get them out of this situation, “A good persuasion. Therefore, hear me, H...
Demetrius is willing to go to any extent to have Hermia marry him, even allowing Hermia to be subject to a life of a nun or death, if she does not marry him. Demetrius? infatuation with Hermia brings out the tyrannical and possessive part of his character, as can be seen when he says ?and, Lysander, yield thy crazed title to my certain right?
In A Midsummer Night's Dream, playwright William Shakespeare creates in Bottom, Oberon, and Puck unique characters that represent different aspects of him. Like Bottom, Shakespeare aspires to rise socially; Bottom has high aims and, however slightly, interacts with a queen. Through Bottom, Shakespeare mocks these pretensions within himself. Shakespeare also resembles King Oberon, controlling the magic we see on the stage. Unseen, he and Oberon pull the strings that control what the characters act and say. Finally, Shakespeare is like Puck, standing back from the other characters, acutely aware of their weaknesses and mocks them, relishing in mischief at their expense. With these three characters and some play-within-a-play enchantment, Shakespeare mocks himself and his plays as much as he does the young lovers and the mechanicals onstage. This genius playwright who is capable of writing serious dramas such as Hamlet and Julius Caesar is still able to laugh at himself just as he does at his characters. With the help of Bottom, Oberon, and Puck, Shakespeare shows us that theatre, and even life itself, are illusions that one should remember to laugh at.
Through Theseus’s speech to Hermia, Shakespeare introduces and establishes a central theme that is readily apparent throughout A Midsummer Night’s Dream and he also uses this theme to establish the central mood of the play. Theseus reveals the central theme of the play in the opening act, particularly in the lines being examined, and we see this theme throughout A Midsummer Night’s Dream. It occurs in three different situations and is carried on throughout the rest of the play. Shakespeare also uses this theme to create the mood of the play. In this way the passage spoken by Theseus becomes a pivotal point of the play. It serves as the introduction of the central theme of the play and also as the main device Shakespeare used to set of the mood. Shakespeare uses this passage as a starting point for the direction that the rest of the play will take.
William Shakespeare’s writings are famous for containing timeless, universal themes. A particular theme that is explored frequently in his writings is the relationship between men and women. A Midsummer Night’s Dream contains a multitude of couplings, which are often attributed to the fairies in the play. Each of these pairings has positive and negative aspects, however, some relationships are more ideal than others. From A Midsummer Night’s Dream the optimal pairings are Lysander and Hermia, Demetrius and Helena, and Oberon and Titania; while the less desirable pairings are Theseus and Hippolyta, Hermia and Demetrius, Lysander and Helena, and Titania and Bottom. Throughout A Midsummer
Schanzer, Ernest. "_A Midsummer-Night's Dream." 26-31 in Kenneth Muir, ed. Shakespeare: The Comedies: A Collection of Critical Essays. Englewood Cliffs: Prentice-Hall, 1965.
Hermia has been promised to Demetrius by her father; however she is unwilling to marry him as she is in love with Lysander. We are introduced to this theme when they visit Thesus, the figure of authority in the play, who makes it clear that women are not to have their own identity, but instead are to be ‘a form in wax’ (I.i.49), meaning that women are to exist without existing. Women were not allowed to gain an education, or have jobs of importance. This shows that Thesus (Duke of Athens) doesn’t believe that women show have power. However, in the forest, Hermia exerts her dominance over Lysander as she insists that he ‘lie further off’ (II.ii.43) so she can keep her virginity as she is less likely to be tempted into having sex with him. At the time a woman who had lost her virginity before she was married, especially to someone whom she was not betrothed, was a social sinner
Shakespeare's works had few females because women were not allowed to act in London in the late 1500s and early 1600s. Disregarding the standards imposed on women of his time, Shakespeare created many female characters that were strong-willed, intelligent, and daring. Hermia of A Midsummer Night's Dream is one such character. She disobeys her father, her king, and the Athenian law so that she might marry the love of her life. She discards all the luxuries of her familiar and comfortable existence for the uncertainties of a distant land in exchange for the freedom to love Lysander.
Robinson, James E. “The ritual and rhetoric of A Midsummer Night's Dream". PMLA 83.2 (1968): 380-91. Web. 25 Apr 2014.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
The entire cast of A Midsummer Night Dream was full of many, many fun and interesting characters. They kept the play alive and intriguing as they each had very separate personalities. Each person was alive and left a very vivid impression in our brains after reading through the play. It is very hard just to choose one particular favorite character as they all are amazing. In A Midsummer Night’s Dream, my personal favorite character would have to be Hermia because she is loving, virtuous, and patient.
Shakespeare, William. No Fear Shakeaspeare A Midsummer Night's Dream. Trans. John Crowther. New York, NY: Spark, 2003. Print.