Lyrical Content in Music

810 Words2 Pages
bulb-icon

Recommended: How music influences behavior

Lyrical Content in Music

With lyrical content in music becoming more graphical it is being

blamed for behaviour of impressionable teenagers. I am interested in

this because I play in a band and listen to a wide range of music. In

1999 the Woodstock festival highlighted this. The festival was

originally about peace but as the bands got heavier throughout the

night the crowd got worse. By the end of the night there was fires and

people stealing everything insight. The bands were accused of inciting

riots by the nature of their music. So from this I draw the hypothesis

that the lyrical content within some genres of music can affect

teenage behaviour.

Contexts

Redhead studied the rave subculture. A subculture is a cultural

subgroup differentiated by status, ethnic background, residence,

religion or other factors that functionally unify the group and act

collectively on each matter. Of the late 1980's Which was labelled as

the "acid house" this was because of the illegal drugs such as

Ecstasy, amphetamines and LSD which were being taken. This then meant

panic due to impressionable teenagers being drawn to this subculture

because of the way the media presented it. When especially in 1988

when raves where suffered due to police being called in to control

them. Another fact is when in 1990 when a bill was passed through

which meant a penalty fine was given to people who organised illegal

raves. It was then suggested by Redhead was that the moral panic and

increased coverage within the media meant increase in crime deviance.

With criminals moving into organising raves and also selling illegal

drugs to the teenagers in attendance. A moral panic is where increased

media coverage in a deviant act and is outlawed further appealing

itself and further calls for stronger measures against the deviants.

This shows how the media stereotypes people in a subculture and puts

the music and people in groups in a bad light.

Medved is very critical of popular genres of music with his main

focuses being "rock" and "rap" music.

Show More
Related

  • Synthesis Essay On Rap Music

    746 Words  | 2 Pages

    Music can be reflection of our life experience. Each genre of music invokes different emotions and reactions in it's listeners. Rap has become a very popular genre in today's society. Is today “Gangster rap” and rappers exploiting society, introducing drugs and instigating violence? In the mid-1980s Gangster rap came to be portray images of violence, guns, gangs, drugs, and sexism. By the 1990s rap music became a major part of the industry and topped the charts. As people begin to operate different things; different music was engendered and that contributed to the variety of music that we have today. This is one of the many things that makes America different but is astringently under looked by everyone. There are many types of different raps

    Read More

  • Summary Of Rap Poetry 101 By Adam Bradley

    1110 Words  | 3 Pages

    In Adam Bradley’s “Rap poetry 101” he shows us how rap is more than just songs being sung, it is poetry; it is something that has an empowering ability to make the familiar unfamiliar.In this chapter Bradley creates a new viewpoint too rap. Bradley shows us how rap and poetry has become a very similar piece of art that should be further appreciated. In the chapter poetry 101 Bradley describes how rap is a form of public art, and how rappers have become our greatest public poets. The importance of rap as poetry is shown throughout Bradley's book as well as the evidence behind the reasons rap is poetry.

    Read More

  • A Rhetorical Analysis Of Hip-Hop And Rap

    196 Words  | 1 Pages

    A dominant rhetorical strategy presented by the author was his use of formal tone which made his article more official. The author explains his point of view in how banning words in music such as hip-hop and rap would be beneficial using strict arguments. Also, the author detached himself from the article and did not use the first or second point of view. In addition, in paragraph 9 the author wrote “it would” as an alternative of “It’d”, in paragraph 10 “that is” as a replacement for “that’s”, and in paragraph 11 “it is” rather than “it’s”, which concludes that he used full words and did not simplify or use contractions in most of his words. He also spelled out the National Association for the Advancement of Colored People when he wrote

    Read More

  • The Great Chicago Fire

    967 Words  | 2 Pages

    People around the city went to bed, everything seemed relatively normal. Smoke dwindling into the dark night sky, the faint smell of burning wood. All normal for Chicago. Fires were a daily part of life for this wooden city. Near the time of 2 a.m. the fire didn’t seem so normal and average anymore. A mean flame was being born, it was blazing to life.

    Read More

  • Hip Hop's Song Analysis

    2066 Words  | 5 Pages

    Hip-Hop’s criticism of George W. Bush is a good example of hip-hop’s reflection of Black public opinion. The Republican candidate who already had a low approval rating of 57% amongst African-Americans received an even lower approval rating after his lackluster efforts to support Louisiana after Hurricane Katrina in 2005 (Jones, 2003; Cillizza & Sullivan 2013).

    Read More

  • The Importance Of Chicano Culture

    801 Words  | 2 Pages

    Music is a large consumption of my daily life and the artists I listen to have shaped me in some way. Listening to music is one of my most time

    Read More

  • Great Chicago Fire

    3327 Words  | 7 Pages

    For three days Chicago was filled with chaos and destruction as a wicked flame tore through the city. As it ripped through the city it left people injured and houses demolished leaving people homeless and even death. There was nothing they could do to stop it, people and firemen quaked with terror as they lied in its wake attempting to stop it. To get out of the fires burning wrath, people traveled across town to get to Lincoln Park, and they even jumped into the rivers and lakes to avoid its grasp. The Chicago Fire was the worst thing that had ever happened in Chicago's history because all of the devastation in its wake.

    Read More

  • Song and Poem Comparison

    539 Words  | 2 Pages

    A famous quote from Max De Pree states: "We cannot become what we want by remaining who we are." Whatever it be, people need to grow, make decisions, and persevere; going against the odds and obstacles that get in their way, in order to reach their potential, find their calling, and ultimately find themselves. The road is often difficult, but certainly worthwhile. Struggles, setbacks, failure and regret are often encountered. However, it is the drive for "more", or the "making of a name", whatever that may look like, that pushes people to reach for things they thought not possible. This theme is portrayed throughout Tennyson's famous "Ulysses" and Eminem's Oscar winning song, "Lose Yourself." When comparing the written work of Tennyson to the lyrics by Eminem, it becomes apparent that age, race, class, or profession mean nothing when it comes to "making a name." "Ulysses" and "Lose Yourself" exhibit characters looking for significant growth and change; something bigger and better than what their current life has offered them.

    Read More

  • What Was The Cause Of Chicago Fire In 1871

    445 Words  | 1 Pages

    July through October only had a few showers that did not contain much water, and even when it did rain, it flooded. They were going through a very long drought, and they had already had a fire the night before and the blaze destroyed four blocks. The wind wasn’t on their side either. The wind was rushing up from the south east, and the gust of wind spread the fire from building to building in a matter of seconds. The fire alarms were not helpful either, because many of them were very hard to get to. And of course back then, at that time, there were no phones! When William Lee raced to the fire alarm at Gull’s drug store the “ fire was only 15 minutes old. What followed was a series of fatal errors that set the fire free and doomed the city of Chicago to a fiery

    Read More

  • Rap Vs Poetry

    825 Words  | 2 Pages

    What is hip hop? What are some of the common stereotypes and generalizations by which hip hop is conceived? Is it a music that is for only one group of people? Does hip hop promote violence and negativity? Many people claim that it is a disgraceful, mea

    Read More

  • Hip Hop Music Vs Country Music Research Paper

    383 Words  | 1 Pages

    In conclusion, many people have different opinions on the large variety of music. There are many to choose from. Most people would greatly prefer some music over others. I am not one to judge for this subject. I like many types. I think music has the same effect on everybody. No matter the

    Read More

  • Something for Nothing: The Art of Rap

    1041 Words  | 3 Pages

    The influence of Hip-Hop has never been as great as it is in this day and age. Often dismissed by a majority of America as simply a fad, hip hop has become a global phenomenon and has arguably been the most popular form of music for the past three decades. Hip-Hop has influenced art, language, fashion, culture, and sports. This music has been used to teach elementary level children, it has been taught in undergraduate universities and serves as a bridge for hundreds of philanthropies. The influence of Hip-Hop has also been felt in films. These films range from fictional works, documentaries, and autobiographies. A film known as, Something from Nothing by famous rapper Ice T sheds light on elements within Hip-Hop that have enabled the genre to reach millions of people.

    Read More

  • Musical Expression and Musical Meaning in Context

    3436 Words  | 7 Pages

    There is a growing body of work in the philosophy of music and musical aesthetics that has considered the various ways that music can be meaningful: music as representational (that is, musical depictions of persons, places, processes, or events); musical as quasi-linguistic reference (as when a musical figure underscores the presence of a character in a film or opera), and most especially, music as emotionally expressive. Here I will focus on the last topic, for I believe it will be useful for researchers in music perception and cognition to avail themselves of the distinctions that aestheticians have worked out regarding the musical expression of emotion.

    Read More

  • What is Typical of Lyrical Ballads

    2331 Words  | 5 Pages

    What is Typical of Lyrical Ballads The group title of the set of poems written by Wordsworth and Coleridge presents an interesting starting point of analysis. The phrase ‘Lyrical Ballads’ is a paradox as the genres of ‘lyrics’ and ‘ballads’ can be defined as in opposition to each other. A ‘lyric’ is ‘a poem about feeling… addressed to the reader in a manner of private and intimate conversation’. A ‘ballad’ is ‘a narrative poem from an anonymous point of view, often relating to characters from public or historical events, such as war.’ Therefore the two genres are combined under the title ‘Lyrical Ballads’, signifying an unexpected and unusual style from Wordsworth and Coleridge.

    Read More

  • Music Lyrics and Gender Roles

    1298 Words  | 3 Pages

    Common expectations seem to indicate gender roles on every individual. The males will play their part in being masculine while the females act an as object. There are several ways one can see how gender roles are played. A way is through hip-hop and rap music in the black community. Joan Morgan, an African American feminist and hip-hop and rap music fan, shows us how gender roles are being played in her community through music. Since Morgan is a feminist, she voices her opinion on the way black men treat black women in her article, “From Fly-Girls to Bitches and Hos.” Morgan states her argument that black men write lyrics ranting about black women to give a self-reflection. The males feel oppressed and express it through music. There are many reasons a male can feel oppressed, whereas one reason is becoming masculine. Michael Kimmel, a sociologist professor at Stony Brook University and the author of “‘Bros Before Hos’: The Guy Code” states that guys tries their best to show that they are manly. To clarify on how the men portray their oppression is to sing of misogyny and self-hatred in disguised hatred toward women. Men expressing their oppression through music tie the guy code of acting masculine and Morgan’s view of men feeling oppressed. Morgan describes black men express their oppression by objectifying black women sexually in music. Jean Kilbourne, the author of “‘Two Ways a Woman Can Get Hurt’: Advertising and Violence” and an activist on advertisement based on public health problems and violence against women agrees with Morgan on women being sexually identified. Kilbourne and Morgan connect to Kimmel by showing how males are seen to be masculine and females are soft and emotional. Morgan’s claims, in “From Fly-Girls to Bi...

    Read More

More about Lyrical Content in Music

Open Document