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Luhrmann's Movie Version of Shakespeare's Romeo and Juliet
All hopeless romantics get dreamy-eyed and sigh whenever the balcony scene from Shakespeare's Romeo and Juliet comes up in conversation. Juliet stands on her balcony, innocently murmuring about her meeting with Romeo while the very subject of her musings eagerly climbs the garden wall and trellis leading up to the object of his love, Juliet. Anyone viewing Luhrmann's Romeo + Juliet will be sadly disappointed at first to see that the movie doesn't follow the traditional balcony scene. Instead the clandestine meeting and swearing of mutual love takes place in a swimming pool at the Capulet's mansion. For all that the setting differs, Romeo + Juliet does use traditional Shakespearean themes and ideas even if they appear in a somewhat untraditional fashion.
Luhrmann doesn't want to turn his audience off to his new interpretation so he employs comedy to distract the audience from their preconceptions. Luhrmann does use the balcony, but in a comedic way that makes an easy transition for the audience from the conventional balcony to Romeo and Juliet swimming in a pool. Romeo acts like a monumental klutz after ascending the Capulet's garden wall. While looking up to see Juliet's window, he trips the surveillance lights, knocks over a few things, and generally makes a racket. This is not the lithe and graceful Romeo the audience usually thinks of as seen in Zefferelli's version. After climbing the trellis to the balcony, Romeo and the audience expect to see beautiful Juliet through her bedroom curtains at the top of the trellis, but both Romeo and the audience are caught off guard when instead of beautiful Juliet, the plain-faced Nurse appears and almost causes Romeo to f...
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...l is omitted because Luhrmann wants to keep the "intense, impatient, threatening, explosive" feeling Goldman states Romeo and Juliet has on stage.
Changing a balcony to a swimming pool seems an awkward echo to a classic play. With a little bit of comedy and brilliant usage of symbolism, Luhrmann makes it work. In no way are the themes or intent of the balcony scene in Shakespeare's Romeo and Juliet lost. The audience still sees the passionate love between Romeo and Juliet. Due to all the differences updating the play for his film, Luhrmann was smart to change the balcony scene. The traditional scene would have seemed inconsistent with the rest of the film. Despite the omissions of text and change of staging, the audience is still in for a powerful and moving scene.
Works Cited:
Shakespeare, William. Romeo and Juliet. New York: Washington Square Press, 1995.
Baz Luhrmann's Production of William Shakespeare's "Romeo and Julie in Baz Luhrmann's production of William Shakespeare's "Romeo and Juliet", our expectations are swept aside and a modern film appears. When I sit down to watch one of Shakespeare's plays, I expect to see medieval clothes in a rural setting with plenty of poor people. I also expect the words and acting to blend together harmoniously. Instead Baz Luhrmann chose to set the opening scene at a beachside, gas. station.
However, the largest thing changed was the fate. In the end, when Romeo was about to die, Juliet wakes up but doesn’t have time to stop Romeo from taking the poison; whereas the King production, Romeo dies before Juliet wakes up. The purpose of Juliet to wake up before Romeo dies is to engage the audience and leave the audience with a sense of pity for the two lovers. In this scene, Romeo, crying, says “The doors of breath, seal with a righteous kiss…” From the quote, fate was highlighted due to the reason that Romeo says that he will seal the doors of breath, meaning that he will kill himself; yet, after he has said this, Juliet’s hand moves, but Romeo did not see. What engages the audience more is the dramatic irony, when the audience knows that Juliet is alive but Romeo doesn’t. This is the major method that the Luhrmann production recontextualises the
In conclusion, Lurhmann uses a lot of modern filming techniques to make Romeo and Juliet appeal to a contemporary audience. By relating certain aspects to situations in modern society, it makes the audience understand the ideas behind the original play and he simplifies the complicated old English of Shakespeare by adding exciting and dynamic visuals. Lurhmann tried to create a modern version of Romeo and Juliet and he was completely successful in his aims. Lurhmann defied all odds by making his film appeal to a modern audience and not only is this film very clever, it is a must see for any film lovers.
Zeffirelli’s ultimate goal for his version of Romeo and Juliet was to capture Shakespeare’s original intentions for the play while targeting the teenage audience of his generation. Luhrmann’s intentions were different however; he changed the way an audience looks at Shakespeare’s masterpiece by modernising the props, costumes, and sets. Obviously, to match film time quotas Zefirelli and Luhrmann has both cut many lines out of the play.
In the 1968 version of Romeo and Juliet, the balcony scene differs from the balcony scene in the 2013 version of Romeo and Juliet. One of the differences is the language they use; in the 2013 version the language is “modernized”, making it easier for people today to understand the film. However, some of the changes have happened because during the era the film was filmed, some technologies available to Hollywood directors weren’t available to the directors in the 1960’s. However, the directors did change some elements of the film, like the language of the film, the sound elements and the physical elements of the film.
music changes to show that she is sad. We then get a close up of
William Shakespeare's "The Tragedy of Romeo and Juliet," set in 16th century Verona, Italy shares differences with Baz Luhrmann's "Romeo + Juliet," set in modern day Verona Beach. These stories contain the same characters and conflict, however major and minor discrepancies are galore in the story lines of both formats of William Shakespeare's creation. Some major inconsistencies occur, such as Mercutio dying at a beach, portrayed as a hero, instead of being at a bar, looking like a fool, Friar Lawrence's letter is successfully sent to Romeo by mail carriers, however he does not have the opportunity to read it, unlike in the play version, where Romeo does not get the letter from Friar John, and is told the news by Balthazar, and nobody being at Juliet's tomb to stop Romeo from reaching Juliet, unlike in the play, Paris was there to pay his respects to Juliet. In addition to the major inconsistencies, minor ones are included throughout, such as Romeo and Juliet first seeing each other through a fish tank, then kissing in the elevator, not the dance, the famous balcony scene occurring in a pool, not on an actual balcony, and Juliet pointing a gun at Friar after she points it to herself, threatening to commit suicide. These inconsistencies probably occurred in the play to add a modern and entertaining twist to the Shakespearean classic, leading to the same denouement in both versions of "The Tragedy of Romeo and Juliet."
Luhrmann modernised Romeo and Juliet through regular amendments of the props and costumes. In updating these aspects of the film, Luhrmann makes the play more relevant to our everyday modern environment. The actors in Luhrmann’s version carry guns instead of swords. Luhrmann, in an act of ingenious brand the guns with titles such as “Sword,” thus, enabling the original Shakespearean language to be preserved. Costumes differ dramatically between both versions of the film. In Luhrmann’s depiction of the motion picture, the Montagues have buzz cuts and pink hair whereas, the Capulets’ dress in vests and mainly dark clothes. All of these adjustments to the original play contribute to the popularity of the fil...
How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet William Shakespeare’s best loved tragedy, Romeo and Juliet, has been portrayed in theatres and on film in many different ways. But none have been quite like Baz Luhrmann’s imaginative and unconventional adaptation. He has brought aspects of the plays Elizabethan origins and transfused them with a modern day background and created, what can only be described as a masterpiece. I believe that his use of Props, iconography costumes and the settings he has chosen has helped him to make this film such a great success. The settings of each scene have been specifically chosen to create a desired affect.
Interpretation of the Balcony Scene by Baz Luhrmann and Franco Zeffirelli of William Shakespeare's Romeo and Juliet. “Romeo and Juliet” is a famous love story written by William Shakespeare. The. Two interpretations were made of this text into a film by the two directors, Baz Luhrmann (1996) and Franco Zeffirelli (1968). The films use different types of media to portray the characters and the overall context of Shakespeare’s play.
Romeo, heartbroken over his "love" Rosaline, and Juliet, an innocent girl. The two meet by fate, and instantly fall in love. This is where their lives started to go down, even though for them, they thought it was going to be the best thing ever! They split away from each other for the first time, but soon meet afterwards in the orchard, where Juliet's balcony is located. This scene is famously known as "The Balcony Scene". They speak to each other of love, kiss, and then finally- marriage is brought up. This makes everything even worse for them. Skipping a couple of scenes now, Romeo and Juliet are married now (Yay!), Mercutio is killed by Tybalt, and Tybalt is killed by Romeo. This puts their marriage in danger, because Romeo is
As I reflect on this autobiography project, I feel that I found some reasons for my thoughts and behaviors. I do not follow many of the strict values like religion; I seem to follow the path of the males in the family. My adjustment to blindness was both helped and hindered from both my parents. My father encouraged me to explore and not to be discouraged by failure or defeat, while my mother kept strongly encouraging me to improve my life. As I eventually get married and start my own family, I will understand the importance of expressed emotions and how my upbringing influenced my roles in the present and future families.
Riviere, A. Assistive Technology: Meeting the Needs of Adults with Learning Disabilities. Washington, DC: NALLD, 1996. (ED 401 686)
Assistive technology is often used by individuals with a learning disability. A learning disability “describes a neurobiological disorder in which a person’s brain works or is structured differently” (Lee1). A person’s abilities can be severely affected from a learning disability. They may listen differently, talk differently, write, spell, organize, and work with school subjects in a different way. Learning disabilities also affect people’s individual and personal lives to a great extent. According to the National Institutes of Health, one in seven children has a learning disability. The disability manifests itself when the child shows difficulty in reading, writing, spelling, and conversing with others. The added time they need to process information may make them seem less intelligent then others around them, but this is not the case. Individuals with learning disabilities are just as smart as anyone else; they just need to learn in a different way. The earlier a learning disability is noticed and detected, the earlier a child may be able to learn how to deal with or compensate for it (Lee 1). This is where assistive technology comes into play.
The major difference of camera angles is in the significant scene—the balcony scene. In the 1968 version, the director retains the balcony scene in its movie. It uses low angle to show Romeo’s vision, how he looks up to the balcony on the tree. And it uses high angle to show Juliet’s vision, how she looks down to the tree on the balcony. The use of low angle and high angle emphasize the distant between Romeo and Juliet. Besides, it also indirectly shows that Juliet is from a wealthy family and Romeo is socially inferior towards her. However, in the 1996 version, the director replaces the balcony scene with a swimming pool scene. Romeo and Juliet talk to each other in the same level of vision. The use of eye level implies that they are equal in terms of social