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Essays on beethoven
Ludwig van Beethoven's inspiring story
Essays on beethoven
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When you look at the world and all the people on it as a whole, you see that there are very few influential people whose actions or opinions strongly influence the course of events. Ludwig Van Beethoven, a German musician, is one of those very few. He was an extraordinary musician that lived through hardship and had the horrific fate of deafness, any musician’s worst nightmare. Beethoven left a wall standing in history that captured the art of sounds and worked it beyond imagination into music so fragile and pure yet onerous, unable to be matched by any succeeding composer. His determination to push music forward, go beyond the thinkable, and make it his own, has made a huge impact on all music forever going forward. Beethoven had a reason or explanation for everything he ever did. He was born in Bonn, Germany in 1770 and grew up around numerous musicians, including many musicians of which were in his very own family. Beethoven’s father, Johann, earned money from his career in singing, so when Johann picked up heavy drinking he practically ruined his voice, therefore less money came in. Johann turned the disappointment in himself into high expectations for his son Ludwig. He wanted Beethoven to be a child prodigy, a second Mozart, yet he would not let Ludwig to express himself and play the music in his own style; he was only allowed to play it exactly how it was written with no adjustments at all. Whenever he would try to play something that wasn’t written straight from a book his father would punish him, so Beethoven was overjoyed when he started working with first mentor, Christian Neefe. Beethoven had hoped to study along-side of Mozart, one whom of which he admired. He briefly worked with him in 1787 when he visited Vienna, G... ... middle of paper ... .... “Beethoven, Ludwig Van.” Benet’s Reader’s Encyclopedia (1996): 89. Literary Reference Center. Web. 8 Dec. 2013 Carew-Miller, Anna and Vitali Kanstantinov. “BEETHOVEN..(Cover Story).” Beethoven (2013): N. History Reference Center. Web. 25 Nov. 2013. Great Neck, Publishing. “Ludwig Van Beethoven.” Monkeyshines On Music & Great Musicians (2001): 58. History Reference Center. Web. 25 Nov. 2013. Hart, Michael H. “Ludwig Van Beethoven.” The 100: A Ranking of the Most Influential Persons in History. New York: Citadel Press, 1978. Print. “Ludwig Van Beethoven (1770-1827).” Ludwig Van Beethoven (1770-1827). N. p., n.d. Web. 26 Nov. 2013. “The Era of Beethoven.” The Era of Beethoven. N. p., n.d. Web. 24 Nov. 2013
TitleAuthor/ EditorPublisherDate James Galways’ Music in TimeWilliam MannMichael Beazley Publishers1982 The Concise Oxford History of MusicGerald AbrahamOxford University Press1979 Music in Western CivilizationPaul Henry LangW. W. Norton and Company1941 The Ultimate Encyclopaedia of Classical MusicRobert AinsleyCarlton Books Limited1995 The Cambridge Music GuideStanley SadieCambridge University Press1985 School text: Western European Orchestral MusicMary AllenHamilton Girls’ High School1999 History of MusicRoy BennettCambridge University Press1982 Classical Music for DummiesDavid PogueIDG Books Worldwide,Inc1997
What struck me as odd throughout my research, aside from many eerie coincidences in the progression of their lives, was how many times the subject of Ludwig van Beethoven appeared in my research, as he was Wagner's first real musical inspiration and various references are made to him. I was able to make many parallels between the life of Nietzsche and Beethoven, and it is in my opinion that the similarities between these two men are even more profound than the parallels between Wagner and Neitzsche. As academic interest in the comparison between these two men is buried beneath an overwhelming amount of material relating Nietzsche and more directly related historical characte...
Beethoven, I believe, was ahead of his time. To me, he is the greatest composer of all time. His music is not just sounds of music played together in harmony, but a way of life. The music he created for the world is not just to listen to it, but grabs onto the emotion he was setting up. Beethoven's unordinary style cannot ever be copied by any composer or music artist.
I attended Beethoven’s Ninth Symphony on October 14, at the Bass Performance Hall in Fort Worth. The Fort Worth Symphony Orchestra, conducted by Miguel Harth-Bedoya and Southwestern Seminary Oratorio Chorus, directed by C. David Keith, performed it. Ludwig Van Beethoven composed the work. He composed it between 1811-1824. Beethoven composed the work in D minor, Op. 125 (“Choral”). His Ninth Symphony was his last symphony to compose. It was preceded by eight other symphonies. I was attracted to this work because it was the first symphony to include a choral. I found it astonishing that Beethoven was completely deaf when he finished this work.
As a youth, Shostakovich believed that he was to be the successor to Beethoven's throne as the compositional genuis. It is safe to assume that no composer until Shostakovich had been so central to the history of his time, or had so consistently sought to symphonically express the sufferings and aspirations of his contemporaries as had Beethoven. Dmitri S...
When one considers the history of classical music, often images of Vienna, Prague, and other European cities come to mind. Centuries of European musical achievement and development have implanted in society the idea that classical music is an inherently European creation. Considering the accomplishments of countless composers such as J.S. Bach, Ludwig van Beethoven, and Antonin Dvorak, this preconception is certainly not unfounded. However, Leonard Bernstein's rise to international fame proved that one cannot neglect American composers in a discussion of the development of Western music. Combining elements of a vast array of musical styles, Bernstein's unique compositions reached a wide variety of audiences and often bridged gaps between distinct musical genres. Through his long conducting career, profoundly influential compositional output, and televised music lectures, Leonard Bernstein left a lasting legacy which came to define American music in the 20th century.
Wolfgang Amadeus Mozart and Ludwig van Beethoven are two of the greatest composers ever to write music. Both men lived in the early 18th and 19th century, but their music and influences are still felt today. The men faced similar experiences, yet they both lead very different lives. All together the pieces that these men composed amounts to over 300 published, and unpublished works of art. The people of their time period often had mixed feelings about these men, some “complained that Mozart’s music presented them with too many ideas and that his melodies moved from one to the next faster than audiences could follow, yet the ideas themselves seem effortless and natural, clear and unforced.” (Bonds 210-211) Beethoven’s criticisms ranged from ‘genius’ to grim dislike. Mozart and Beethoven were influenced by things going on around them such as: love, nature, and the Enlightenment.
Classical music can be best summed by Mr. Dan Romano who said, “Music is the hardest kind of art. It doesn't hang up on a wall and wait to be stared at and enjoyed by passersby. It's communication. Its hours and hours being put into a work of art that may only last, in reality, for a few moments...but if done well and truly appreciated, it lasts in our hearts forever. That's art, speaking with your heart to the hearts of others.” Starting at a young age Johann Sebastian Bach and Ludwig van Beethoven have done just that with their musical compositions. Both musical composers changed the world of music and captivated the hearts of many. Their love of composing shared many similar traits, though their musical styles were much different.
Here, Beethoven takes melodic expression to a new level: The appoggiatura in bars, 14 and 16 create a harmonic tension over a diminished 7th chord that creates “the highly expressive progression used by nineteenth-...
The German composer Ludwig van Beethoven, born in 1770, transformed music and revolutionized the history of music as a whole during his lifetime. As William Kinderman writes in his book, Beethoven, “His restless, open vision of the work of art reflects a modern and essentially cosmopolitan aesthetic attitude” (Kinderman). Born in Bonn, Germany, Beethoven was a visionary. He further expanded what his early contemporaries, Mozart and Haydn, had produced by escalating the scope of sonata, concerto, quartet, and the symphony. Beethoven was a radical composer who did not like to do what everyone else was doing; he pushed his limits to create the extraordinary. People argue that Beethoven was the composer that transitioned music from the Classical
"The Era of Beethoven." The Era of Beethoven. N.p., n.d. Web. 03 Apr. 2014. .
Specific traits pervading Beethoven’s style and increasingly developed over time, converge in this piece to make a strong assertion that Beethoven actively participated in turning to Romanticism
Salome, Frank. (2205). Jazz and its Impact on European Classical Music. Journal of Popular Culture, 38(4), pg. 732. Retrieved from
Ludwig van Beethoven, was one of the most influential composers of classical music and one of the most famous musicians to live. His work has been played for at least a century, still hard to comprehend to this day. Mozart said it himself, “Keep your eyes on him; some day he will give the world something to talk about.” (Morris 2005) This quote may or may not be accurate.
Classical music was established by many great composers, but only one has been known as the “greatest composer”of the Classical time; Ludwig van Beethoven is a legendary figure who for many is considered