For my final, I have chosen prompt number 5 with the composer and pianist Ludwig van Beethoven in mind. Beethoven’s dedication to music through his life has been massive, from his father encouraging him to Beethoven continuing to make music even after being permanently deaf. Ludwig van Beethoven was by far one of the best musical geniuses of his time, From his first piece of music “9 Variations in C Minor for piano on a march” to his last piece “String Quartet No. 14”. Ludwig van Beethoven’s major output consists of 9 symphonies, 7 concertos (5 for piano), 17 string quartets, 32 piano sonatas, 10 sonatas for violin and piano, 5 sonatas for cello and piano, an opera, 2 masses, several overtures, and numerous sets of piano variations. He has traditionally been referred to as the “bridge to romanticism,” and his output is …show more content…
With all the materials needed to make music, Beethoven had no reason to stop making music and with a clear head, could make music for others. Ludwig van Beethoven thought outside of the box, when he had become deaf, not only did he overcome it his deafness but Beethoven used it to his advantage, with no distracting sounds to slow him down, Beethoven was able to use his head as if it was an empty music sheet paper that he combined with the sounds of every instrument that he had known and with that mixture, Beethoven created master pieces that have survived throughout the ages and without a doubt will continue on even after we are long dead and gone. Taking one of Beethoven’s works for example is the famous and very popular “Fur Elise”, a simple yet a very enjoyable song for the piano, but was not published for forty years after Ludwig van Beethoven had died, the Fact that some of his songs can become popular after being dead is proof that Beethoven’s songs will stand the test of
The Beethoven Symphony #9 in D minor is being announced during the 4th movement of the symphony. Typically, in symphonies, the 4th movements take part in the term of Allegro, which means it is played quickly or fast. However, in Beethoven Symphony, the 4th movement opens with a flurry sound and then is introduced by an instrumental recitative. A recitative is a style of music alternating between speaking and singing words on the same note. In a recitative, the music lines are not repeated even though formally composed songs do.
Beethoven’s early life was one out of a sad story book. For being one of the most well-known musicians one would think that sometime during Beethovens childhood he was influenced and inspired to play music; This was not the case. His father was indeed a musician but he was more interested in drinking than he was playing music. When his father saw the smallest sliver of music interest in Beethoven he immediately put him into vigorous musical training in hopes he would be the next Mozart; his training included organ, viola, and piano. This tainted how young Beethoven saw music and the memories that music brought. Nevertheless Beethoven continued to do what he knew and by thirteen he was composing his own music and assisting his teacher, Christian Neefe. Connections began to form during this time with different aristocrats and families who stuck with him and became lifelong friends. At 17 Beethoven, with the help of his friends, traveled to Vienna, the music capitol of the world, to further his knowledge and connection...
Beethoven was a pioneer of his time. During the classical period most composers were at the hands of monarchs. Composers had to create whatever the monarchs wanted, they really did it have a choice in what they wrote. Beethoven on the other hand was not reliant on patrons of the arts. Beethoven created and sold what he made, not what some aristocrat told him to make. These traits of Beethoven make it possible for him to be classified in both the classical and romantic music periods.
Luke 6:45 states, “For out of the abundance of the heart the mouth speaks.” This is very true of Ludwig van Beethoven because what he believed affected his music. Beethoven was an extremely famous composer who helped transition the Classical era into the Romantic era. Composing from age 12 until his death in 1827, his music reflected his character. Although he is often considered a musical genius, which he is, his lack of God, and his lack of a spiritual life centered in Christ, affected his music, his view of life, and how he was remembered.
..., D. (1993). Music and the Mind. MENC, Retrieved August 25, 2003 from MENC, Academic Achievement and Music database.
Beethoven, I believe, was ahead of his time. To me, he is the greatest composer of all time. His music is not just sounds of music played together in harmony, but a way of life. The music he created for the world is not just to listen to it, but grabs onto the emotion he was setting up. Beethoven's unordinary style cannot ever be copied by any composer or music artist.
Beethoven was a man with a great amount of talent and influence in his world which does set him apart somewhat from others. He also had a great deal of pain in his life which sets him apart from very few others in this world.
...cal and romantic eras. He is one of the most well-known composers of all time. By the last decade of his life, Beethoven was almost completely deaf. He gave up conducing and peforming for audiences, and instead took to composing.
On March 26, 1827, Beethoven passed away. His autopsy revealed that his cause of death was due to post-hepatitic cirrhosis of the liver. His deafness was believed to be caused by contracting typhus in the summer of 1796. In his will that he had wrote a couple days before he passed, he left his estate to his nephew Karl. Ludwig Van Beethoven is considered to be one of the greatest composers of all time. The fact that he was composing such beautiful music pieces while was deaf made him a genius.
Classical music can be best summed by Mr. Dan Romano who said, “Music is the hardest kind of art. It doesn't hang up on a wall and wait to be stared at and enjoyed by passersby. It's communication. Its hours and hours being put into a work of art that may only last, in reality, for a few moments...but if done well and truly appreciated, it lasts in our hearts forever. That's art, speaking with your heart to the hearts of others.” Starting at a young age Johann Sebastian Bach and Ludwig van Beethoven have done just that with their musical compositions. Both musical composers changed the world of music and captivated the hearts of many. Their love of composing shared many similar traits, though their musical styles were much different.
It is clear that Beethoven’s stands as being significant in development of the string quartet to a massive extent in creativity and innovation. His early quartets show great influence of those from the Classical period and with his own, has influenced his contemporaries and later composers. The quartets published later in his life show even greater imagination and use of expression. It is also through similar uses of texture, harmony, rhythm and counterpoint that composers of the Romantic period and the 20th century wrote their own string quartets. Beethoven’s however prove a huge advancement in how string quartets are written and the intensity of emotions that they portray.
Joseph Haydn and Ludwig van Beethoven. Two composers who marked the beginning and the end of the Classical Period respectively. By analysing the last piano sonata of Haydn (Piano Sonata No. 62 in E-flat major (Hob. XVI:52)) and the first and last piano sonatas of Beethoven (Piano Sonata No. 1 in F minor Op. 2, No.1, Piano Sonata No. 32 in C minor Op. 111), this essay will study the development of Beethoven’s composition style and how this conformed or didn’t conform to the Classical style. The concepts of pitch and expressive techniques will be focused on, with a broader breakdown on how these two concepts affect many of the other concepts of music. To make things simpler, this essay will analyse only the first movements of each of the sonatas mentioned.
Ludwig van Beethoven was born in Bonn, Germany in 1770. His works are traditionally divided into three periods. In his early period, he focused on imitating classical style, although his personal characteristics of darker pieces, motivic development, and larger forms are already evident or foreshadowed. In his middle period, he is beginning to go deaf, and has realized that he cannot reverse the trend. His works express struggle and triumph. He stretches forms, with development sections becoming the bulk of his works. He is breaking from tradition and laying the groundwork for the romantic style period. In his late period, he breaks almost completely with classical forms, but ironically starts to study and use baroque forms and counterpoint. He is almost completely deaf, and his works become much more introspective with massive amounts of contrast between sections, ideas, and movements. He dies in Vienna in 1827.
Ludwig van Beethoven is who everyone thinks of first when someone asks if you know any composer from classical music. Beethoven changed the sound of music in the early 1800’s from bland and meaningless, to exciting and heartfelt. You felt Beethoven’s pain through his music. Was Beethoven’s deafness to blame for his spark of genius that changed the course of classicism, to romanticism? Was it not for his lonesome solitude, and lack of hearing that drove him to create the masterpieces that are still resonating through current times?