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Renaissance period and the role of women
Renaissance period and the role of women
Women during the Renaissance era
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Lucrezia Tornabuoni and her husband Piero the Gouty share a series of letters between the 28th of March and the 3rd of April 1467. The letters between her and husband display the power, the control, and the say she had in the Medici. Women’s opinions typically did not matter, but Lucrezia opinion and voice was highly respected and appreciated. She wanted a marriage for her son Lorenzo that would bring more opportunities and wealth to the Medici family. Despite Lorenzo loving someone else, Lucrezia went through with finding a better wife for her son. She chose Clarice Orsini for her son, because she came from a family of many important people, and had connections to the Catholic Church. This marriage for the Medici was beneficial for them, and …show more content…
strengthened their power in Florence and through out Italy. Lucrezia relieves her stubborn side of her personality in some of the letters to her husband Piero regarding Clarice.
Her letters that describe Clarice Orsini illustrate her persistent and observant personality. It also shows that she was power hunger, in comparison to Contessina who was passive and satisfied with her husband’s accomplishments. Where as Lucrezia, took it upon herself to establish more power in the Medici rather then her husband. For example, she states” On Thursday morning on my way to St. Peter’s, I had the chance to meet Maddaleana Orsini, the cardinal sister, who was with her fifteen, going on sixteen year old daughter” (Lucrezia Tornabuoni). Lucrezia was persistent in meeting Clarice; she took advantage of the chance to meet and analyze Clarice, and see if she was in fact a good fit for her son. She had one goal in Rome, which was to find a wife for her son. Lucrezia did not waste any time in getting what she came for. In the letters to Piero, in detailed way she describes Clarice, so he can have an idea of his son’s potential wife. She was described as girl who was “ sweet in manner, not however as refined as ours, but she is very modest and could soon be led to adopt our ways…” (Lucrezia Tornabuoni). She
goes on to describe almost every aspect of Clarice from her personality to her physical features. No detail is left unsaid in her letter to her husband. For example she states, “ We could not see her bosom because of it is the custom to cover it up entirely” (Lucrezia Tornabuoni). As an intellectual, she does mention if Clarice posses brains or is cultivated like her self, which is surprising. This shows Lucrezia’s close minded side of her personality. For a modern woman like Lucrezia, she is subjected to renaissance and fifteen century thinking, which is that the most important thing women can do is bear children and continue the linage (Cardini, 16). Her letters relieve that she mainly picks Clarice because of her appearance, and her family connection to the church. Despite being a forward thinker, Lucrezia
Giovanni then refused to marry her in a public wedding because his social status would be greatly hurt to marry some one in the working class of Florence. This is another example of why today¹s society is so much different from how it was when they lived. Another strange thing about their society is the open humiliation that people were subjected to. It was said that Lusanna first husband was called a ³cuckold ³ to his face. People who were said to earn money in a dirty fashion often had blood or paint thrown on their steps.
Barbara Strozzi never married, but, by 1651, she had four children, three reputedly fathered by Giovanni Paolo Vidman, a friend of her father. Strozzi’s last published volume appeared in 1664. The following year she produced a group of songs for Carlo II, Duke of Mantua. Thereafter, little is known of her life. She remained in Venice until May 1677, when she moved to Padua, where, after a short illness, she died in November at the age of 58. (Schwartz, Davis.
A. What is Talia’s purpose in writing this letter? Do you believe she achieves her purpose
Calixta was not happy with her marriage. During the 19th century, marriage was more like a duty that must be done by all women. Women grew up
One of the big objectives for the play was establishing the story and what was happening within it. Casina is sizeable play with a lot of characters, working on multiple levels to get what they want. Which meant that our group had to condense the whole story into a 7-8 minute performance. To do this, we had to choose a central character for our version of the story and try to shape our performance around just their view. We chose the wife, Cleostrata, because our group liked the level of agency that she was able to have within the story.
The story of Lucretia begins with men boasting about their wives, trying to determine who is the best of them all. It is clear to them that Lucretia is the winner when she is found “hard at work by lamplight upon her spinning” (Livy, 100). She then moves on to be a gracious host to all of these men, again showing success in her womanly duties. Later that night one of the visitors, Sextus Tarquinis, comes into her room, and forces himself upon her, telling her that if she does not comply he will make it look like she had an affair with on of the servants (Livy, 101). She yields to him because she does not want it to seem as if she had an affair and n...
Although the ‘Legend’ of the Wicked Italian Queen is limited by its personal malicious nature, it is credible in its demonstration of Catherine’s ambition f...
Starting with the story of Lucretia, the information gathered on what women of that time lived like is basically summed up to the fact that the women were responsible for their duties around the house and being the caretaker of the children. Cornelia’s life was not drastically different in the respect that she was the caretaker of her children and took responsibility for the domestic tasks that were assigned to the women of Rome. Her guidance she provided to her two sons is what sets her apart from Lucretia; Cornelia showed that even though women have little to no direct political involvement, there were still ways for women to influence political decisions. Fulvia and her political career differ the most from the other two influential women of the Roman Republic. She pushed the boundaries of women’s rights further than either Lucretia or Cornelia ever had. She was practically the manager of her husband’s political affairs, thus opening the door of politics to the other women of
Men saw marriage as a way to get rich; love didn’t even enter the equation. Padua is a rich area and therefore many suitors fled there in the hope of becoming wealthy. “I come to wive it wealthily in Padua,” says Petruchio. He asks outright, “Then tell me – if I get your daughter’s love, what dowry shall I have with her to wife?” (Page 37, act 2 scene 1, line 119-120) The husbands were given a dowry by the father of the daughter when they became married. Women didn’t have any say in who they chose to marry; instead the decision was given to the father. If a daughter was not married then they were looked shoddily upon within the society. In this era every woman was to be married otherwise they were frowned upon within the community. Further more without Katherina getting married, Bianca would also never marry. Within a family the eldest daughter must be married off first and in this play turned out to be a bonus. “Her father keeps from all access of suitors and will not promise her to any man until her elder sister first be wed.” This is the main an...
Leonce does not appreciate this. The reader sees how he assumes what she should be doing from this quote on page 57: "Mr.Pontellier" had been a rather courteous husband so long as he met a certain tacit. submissiveness of his wife. But her new and unexpected line of conduct completely bewildered him. . Then her absolute disregard for her duties as a wife angered him."
The story had not been acceptable to the society that the woman appears to be in charge the role of a homemaker. She was busy sewing and taking care of house chores while Bobinot and Bibi were at the store. At that time, marriage could be a trap or a stockade when the woman was expected to be obedient in all forms, and they were not expected to express their displeasure in marriage. That situations were described on Calixta’s and Clarisse’s case. Chopin wrote in the story that Clarisse felt ‘the first free breath since her marriage.’ Readers can understand through this line that Clarisse may have felt indisposed to return home, and maybe she was uncomfortable within her marriage; therefore, during her vacation, she is able to breathe free without Alcee on her side. It is possible that these characters were created by Kate Chopin’s own experiences when she had suffered many difficulties in her whole life. Chopin had no choice for being an independent widow to take care her husband’s business and their children as well after his death, so she decided to raise her voice for all woman of that time by writing stories about how the women feel suppressed and restricted spiritually to their marriage. To express her desire of freedom and expect an open-minded view from general society, Chopin is
women not of even of her own calibre. Today she talked to a man not of
The Medici Family was one of the most powerful families of Renaissance Florence. They were a banking family. The first Medici bank, started by Giovanni di Becci de’ Medici, was a small scale business run in the bathroom. The bank grew through Giovanni’s extraordinary salesmanship and financial caution (PBS: Godfathers of the Renaissance). He gave out loans to those who they believed would help the bank persevere and thrive. Known as patrons of the arts, the Medici family funded and encouraged art by Botticelli, Brunelleschi, and Michelangelo. Consequential members of the family such as Giovanni de’ Medici, Cosimo de’ Medici, Lorenzo de’ Medici, and Ferdinando I de’ Medici helped to increase the affluence of Florence during the Renaissance.
The story begins with the duchess getting married secretively. The Duchess asks Cariola to watch a secret engagement between her and Antonio. She then states, “Good dear soul, Leave me, but place thy self behind the arras, For I am going into the wilderness, Where I shall find nor path nor friendly clue to be my guide (Webster 1.3.64-68). So, why did the Duchess marry secretively? Why would such a powerful woman want to hide her marriage from the rest of her people? It is easy to assume that she did this to keep Antonio, her love, safe. Her brothers made many threats to her and her husband if she was to remarry, so it is plausible that she would want to hide her marriage. The power difference between her and Antonio was also something to conside...
From the expansion days of Ancient Rome to the fall of the Roman Empire, women have always succumbed to living subjacent to the status of their omnipotent and dominant male figures. After leaving her childhood home and the rule of her father, a young Roman girl would then be coerced into the dominion of her husband, often taking a plethora of roles, ranging from lover, caretaker, and best friend. It is often lightheartedly stated that, “Behind every great man is an even greater woman,” and William Shakespeare exemplifies this concept beautifully in Julius Caesar, in which he effectively used the spouses of the two main characters to add more depth, drama, and literary elements to the play, bringing it to life. Although the only two female characters in Julius Caesar, Portia and Calpurnia do not play a pivotal role in the overall plot of the story, their presence is vital in illuminating and developing the characters of their husbands, Brutus and Caesar. What they reveal about their husbands leads the reader to infer that Portia is the more admirable and redeeming character.