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Overview of greek mythology
Overview of greek mythology
Overview of greek mythology
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Casina: A Review When we came together with ideas for what text we wanted to use to inspire our performance, we ended up with about 10 ideas. Fairy tales, Edgar Allen Poe, Dr. Seuss, and urban legends had all been thrown out as ideas, but the play we chose was is a much lesser known greek play named, Casina. Casina, looking through one lens, is a comedy about two men fighting over a woman. Through a different lens, Casina is a power struggle between husband and wife and seeing which of the two will win over the other. One of the big objectives for the play was establishing the story and what was happening within it. Casina is sizeable play with a lot of characters, working on multiple levels to get what they want. Which meant that our group had to condense the whole story into a 7-8 minute performance. To do this, we had to choose a central character for our version of the story and try to shape our performance around just their view. We chose the wife, Cleostrata, because our group liked the level of agency that she was able to have within the story.
Once we chose her as the focal point, we had to
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I was not the director of the play, so I had to negotiate a lot with the people around me and find the most effective way to present my ideas to the group without overstepping my boundaries. Also, when I was giving notes, I was continually pushing and pulling away from being a bossy backseat driver. I had a lot of note but did not want to micro-manage everyone. I tended to pose my notes as questions but sometimes the lack of authoritativeness meant no one actually listened to my notes. For instance, before we even started rehearsing I hinted that the “puppets controlling puppets” part of the middle scene might be clunky but no one listened until you gave us that note on run-through day. My directness is something i need to work
The play that was chosen to be read for the actor’s analysis was, “The Norwegians” which was written by C. Denby Swanson. As there is no specific style for this play, it is known to be categorized as a contemporary comedy as well as a character driven play.
The play Sisters, by Wendy Lill, is set in 20th century Nova Scotia at an Indian Residential School. The play focuses on a hopeful 17-year-old farm girl named Mary who was dating Louis at the time. Along with the present Mary who is currently in interrogation with, the duty counsel, Stein. She has been accused of torching down the Residential School, the place where she worked for fifteen years. There are various factors contributing to the impulsive reasoning behind Sister Mary’s act of burning down the Residential School such as, the actual truth to why she committed the sin, the contrast relationships with others that reflected upon her actions, and the overall punishment she should receive.
Many thematic issues are found in modern plays from classic myths in the book Nine Muses by Wim Coleman. Long ago, when life was full of mysteries, myths, or explanations, helped people make sense of a perplexing world. Myths also explain deeper questions. Such as, how did the world itself come to be? How did life begin? How were human beings created and why? And why is there suffering and death in the world? People of ancient cultures all over the world puzzled over such questions, and they created stories to answer them. One of the main thematic issues in Nine Muses is the tragic effect of engaging in actions which are forbidden. Some plays which express this thematic issue are “Pandora”, “Phaeton and the Sun Chariot”, and “Eros and Psyche”.
Olive, David. "Possibilities of Performance: New Ways of Teaching Dramatic Literature." Links & Letters 2 (1995): 9-17. UAB Digital Repository of Documents. Web. 30 Mar. 2012.
Since this is a review and its based on my opinion, I would have to say this was one of the worst plays I've ever seen in my life. I wasn't entertained by the play at all. The only good parts were the good-looking girls in the play. I like the main character Marisol based only on her looks. She played on ok job of acting. I realize she had a lot of lines to memorize which she had down, but she just didn't get to me. I think the costumes were ok. They had nothing special, or out of the ordinary except for the angel's wings, which were pretty nice. I didn't like the lighting or the scenery. I didn't know where the scene was supposed to be at some points.
Written in 1962-3, Play depicts three characters, a man (M), and two women (W1 and W2) trapped in urns with only their heads showing. These characters each present their own version of a love triangle, which once occurred between them. It becomes clear during the play that the characters, once tortured by each other, are now tortured by their situation. A spotlight acts as a "unique inquisitor," compelling each to speak when it shines on them, and to stop when it goes out. As this assault continues, the characters become increasingly maddened by the light, and increasingly desperate to make it stop. The play repeats itself, providing the audience with a sense that these characters have been saying the same words for an eternity, and will continue to do so until the light decides they can stop. Beckett demonstrates how "A style of living, theatrically communicable, is used to express a state of mind."
In Shakespeare’s “Othello”, the role of women is deeply emphasized; the significant characters of the play Othello, Iago, and Casio, each have a lady that stands behind him. These women each have commitment to remain faithful and respect their husband's needs, especially Desdemona and Emilia.
The theme of the play has to do with the way that life is an endless cycle. You're born, you have some happy times, you have some bad times, and then you die. As the years pass by, everything seems to change. But all in all there is little change. The sun always rises in the early morning, and sets in the evening. The seasons always rotate like they always have. The birds are always chirping. And there is always somebody that has life a little bit worse than your own.
In The Tragedy of Julius Caesar, women did not have strong roles. The roles of women are not common in the play, and their appearances are very limited. In fact, there are only two female roles in the play; the subservient Calphurnia, wife of Caesar, and the daring wife of Brutus, Portia. These two contrasting characters bring an element of foreshadowing to most of the notable events that occur during the play. One example of Calphurnia being used to foreshadow events is when she tells Caesar to “not go forth today; call it my fear” (2.2.50), indicting that she believes something dreadful will happen to Caesar. Calphurnia has also seen many omens that she believes are indicators of Julius Caesar’s death.
Play is such an important part of the learning and growing, especially for children. Children engage in many different types of play, but the play I saw the most when I observe the children of my daycare is sociodramatic play. The book Understanding Dramatic Play by Judith Kase-Polisini defines sociodramatic play as “both players must tacitly or openly agree to act out the same drama” (Kase-Polisini 40). This shows that children play with each other and make their worlds together as equal creators. Children also work together without argument. There is also some personal play involved in their sociodramatic play. The children involved in the play worked to make a family having dinner, which is great example of how this will prepare them for
Schmitz, Johanna. (Oedipus lecture and Sophocles) "Theater 111: The Dramatic Experience." Peck Hall 1406. Edwardsville, IL. 22 Sep. 2011. Lecture.
Bianca, Desdemona, and Emilia, the three main women from the play, attest to the struggle of male dominance and the issues of societal stereotypes of the classification and limitation of female roles. At the surface, the powerful women seem timid, loving, and willing to care and aid their freelance husbands. However, when explored in a deeper sense, the females can be described as able, having a sense of self, and have attributes that qualify them as much more than housewives, maidens, and objects; Bianca, Desdemona, and Emilia are described as individuals that allow part of themselves to be shared with men that underappreciate their abilities and profounder
Othello would appear to have a beauty about it which is hard to match. Helen Gardner in “Othello: A Tragedy of Beauty and Fortune” touches on this beauty which enables this play to stand above the other tragedies of the Bard:
Greek Drama is different from our contemporary experience at the movies or the theater because of the size and scale of these events. But not only that, the purpose and the setup of these events are much different too. Although there are some slight comparisons, these two experiences are immensely different.
Greek and Elizabethan theatre, while similar in some respects, had a few large differences. The Greeks believed in a certain unity of theme, which was prevalent throughout the production. Greek plays were often drawn from myth or of historical significance, so it seems that only ki...