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Theories on Sylvia Plath's poems
Sylvia Plath's life reflected in her poems
Symbolism in sylvia plath poetry
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Recommended: Theories on Sylvia Plath's poems
William Congreve, a play writer wrote, “Heaven has no rage, like love to hatred turned, Nor Hell a fury, like a woman scorned” (459 Congreve). The feeling of betrayal and enraged love as described in Congreve’s mighty words, is cohesive between both Sylvia Plath’s, “Mad Girl’s Love Song”, and, “Hate Poem” by Julie Sheehan. Similarities that coexist between the two poems are: theme, imagery, and repetition. Love can be beautiful and bright, it can also be dark and depressing, as exemplified in both Plath’s and Sheehan’s writing.
Love that is filled with hatred and other powerful mixed emotion coincides in the theme of both Sylvia Plath’s, “Mad Girl’s Love Song”, and, “Hate Poem” by Julie Sheehan. Plath’s title a “Mad Girl’s Love Song” hints that the work is about an angry adolescent girl who is heartbroken. The title’s message entails feelings enraged with vengeance, remorse, and, hatred after a heart retching break up. As the poem story unfolds, a woman’s immense pain surfaces. The subject of the poem expresses a specific event, “I shut my eyes and all the world drops dead. / I dreamed that you bewitched me into bed/ And sung me moon-struck, kissed me quite insane” (Plath). The first line of the quote builds towards the impending outcome that would forever change her personal outlook of life, “I dreamed that you bewitched me into bed”; the loss of virginity. Regardless woman or man, an individual’s virginity is a precious and valuable aspect of human life. From this passage, the reader can assume that Plath was tricked, as clued by the word “bewitched”, in giving her innocence to an undeserving man. Feeling broken and unfaithful she wishes, “I should have loved a thunderbird instead; / At least when the
spring comes they r...
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...her significant other. With specific detail hate is contributed to the equation, for the woman even the subtly of a keychain sends a message of broken love and impenetrable hate.
Hate is a primary emotion of a manifestation of anger. Love’s hate can be cruel, evil, deceiving, even heartbreaking. Poets Sylvia Plath and Julie Sheehan describe the wages of love’s deception by creating works involving theme, imagery and repetition to prove love is not a fair game.
Works Cited
Congreve, William, Alex Charles Ewald, and Thomas Babington Macaulay Macaulay. William Congreve. London: T.F. Unwin, 1903. 459. Print.
Cray, Dan. "God vs Science." Time Magazine 05 Nov. 2006: 1-10. Web. 30 Aug. 2011. .
Kennedy, X. J., and Dana Gioia. An Introduction to Poetry. New York: Longman, 2002. Print.
Within playwright William Shakespeare’s fantastic work The Merchant of Venice, the character Iago cries out, “O, beware, my lord, of jealousy; it is the green ey’d monster” (Enotes). Jealousy is justly called a beast, and it is a hideous creature that is illuminated in William Golding’s novel The Lord of the Flies, and by Woman Warrior, the memoir of Maxine Hong Kingston. Through the use of the literary elements of plots, characters, symbols, and additional plots, both pieces illustrate how, by torturing people and driving them to rash decisions, jealousy is the most destructive emotion.
In her poem entitled “The Poet with His Face in His Hands,” Mary Oliver utilizes the voice of her work’s speaker to dismiss and belittle those poets who focus on their own misery in their writings. Although the poem models itself a scolding, Oliver wrote the work as a poem with the purpose of delivering an argument against the usage of depressing, personal subject matters for poetry. Oliver’s intention is to dissuade her fellow poets from promoting misery and personal mistakes in their works, and she accomplishes this task through her speaker’s diction and tone, the imagery, setting, and mood created within the content of the poem itself, and the incorporation of such persuasive structures as enjambment and juxtaposition to bolster the poem’s
When we think about the force that holds the world together and what makes humans different from animals, one answer comes to our minds - that humans can love. Love is a state of mind that cannot be defined easily but can be experienced by everyone. Love is very complicated. In fact it is so complicated that a person in love may be misunderstood to be acting in an extremely foolish manner by other people. The complexity of love is displayed in Rostand’s masterpiece drama Cyrano de Bergerac. This is accomplished by two characters that love the same woman and in the course neither one achieves love in utter perfection.
An important element that is displayed in both love and hate is motivation. An example of this is portrayed in “A Note on My Son’s Face,” as the author states, “I wanted that face to die, to be reborn in the face of a white child” (35,36). This line displays a level of prejudice towards what is hers. Derricotte battles intense feelings of wanting a white looking child amongst a world where not being grateful for what she has is seen as hatred towards her son. She looks at the face of her black child and is filled with animosity for what he looks like and what he will become. This is where the motivational factor comes into play, and where the lines of love and hate really become blurred. Does she hate her child because of how he looks? or Does she love her child because she wants him to become better than what he is destined for? She is motivated by love to want him to become better than what she believes is possible for him, yet she displays hate in the sense that she is hurting the child for what he is, and also for what he has no control over. According to Rempel this grandmother is displaying both intense feelings of love and hate. Loving what is hers, but hating what it will become. Therefore, this poem supports the theory that love and hate are
Allison, Barrows, Blake, et al. eds. The Norton Anthology Of Poetry . 3rd Shorter ed. New York: Norton, 1983. 211.
Throughout Romeo and Juliet, love and hate are combined. However, even though they are combined, love still remains the principal theme in the play. Although in the play, the theme of hatred can be just as important and sometimes it intensifies the theme of love. For example, Romeo and Juliet’s love wouldn’t have been so extreme and powerful unless there was the hatred between the Montague’s and Capulet’s. We observe this from the very beginning of the prologue.
I have always been of the belief that in order to truly love, hate must exist within the core of the relationship. Nowhere in modern fiction is this dictum examined more accurately than in the novel by James Cain, Mildred Pierce. Looking at the concept in a familial context, James Cain has created two well-developed characters, Mildred Pierce and her daughter, Veda, that not only emphasizes the nature of mother-daughter relationships, but looks at how love and hate permeates the very essence of the relationship. The Irish poet Thomas Moore once described the fascination of these violently fluctuating emotions, “When I loved you, I can’t but allow/ I had many an exquisite minute/ But the scorn that I feel for you now/ Hath even more luxury in it” (Tresidder 57).
Throughout history, the powers of love and hate have constantly been engaged in a battle for superiority. Time and time again, love has proven to be stronger than hate, and has been able to overcome all of the obstacles that have stood in the way from it reaching its goal. On certain occasions, though, hate has been a viable foe and defeated love when they have clashed. In the novel A Tale of Two Cities, Charles Dickens presents several different power struggles between love and hate.
Ferguson, Margaret W., Salter, Mary J., and Stallworthy, Jon. The Norton Anthology of Poetry. fifth ed. N.p.: W.W. Norton, 2005. 2120-2121. 2 Print.
A Mad Girl’s Love Song In Sylvia Plath’s poem “A Mad Girl’s Love Song”, it is hard to determine whether the speaker is mad or going mad. Plath, along with all women in this time period, were defined by their relationship to a man. When a woman was abandoned by her beloved, it was Earth-shattering, as it still can be for many women today. Before the reader even gets into the poem itself, the speaker is already described as “mad” and this word has multiple connotations.
Ultimately`, William Shakespeare shows in many different ways throughout the play, ‘Romeo and Juliet’, that love is the more powerful force than hate. The readers see how the characters continuously forgive one another, even when the conditions are tough. The friendships between specific characters display a loving bond that cannot be broken with hate. Shakespeare demonstrates that Romeo and Juliet’s love can overpower the hate of many events in the play. He shows that their love can even overpower the death of one of their own family members. Romeo and Juliet’s love brings friendship between their feuding families. This story is a true example of how love can conquer all.
“You know we are made up of love and hate but both of them are balanced on a razor blade.”-Ed Sheeran “What Do I Know?”. In the poem “Little”Sister, Vina Berger uses the rhythm of iambic pentameter and many metaphors to describe the fine line between love and hate. “Little”Sister paints a picture of Berger’s strong emotions at her younger sister in an articulate yet figurative manner. It shows that the line between love and hate is so fine that sometimes the people that we destest the most are also the people we adore the most. This point is particularly illustrated in line(s) 9 and 10 when Berger describes how she loves and hates her sister's sense of humor at the same time “It enrages me that your sense of humor; Smacks a reluctant smile
a look for oneself inside” as observed from the life of the elderly woman in the sonnet (153). Moreover, as the woman looks into the lake, she commemorates her attractive and pleasant figure as a young girl. As time passes, the inevitability of old age knocks on the door of the woman, readily waiting to change the sterling, rapturous lady perceived by many. One’s appearance can change; it is up to an individual to embrace it or reject it. Plath employs a shift to accentuate a change in time.
Overall, the imagery that Plath creates is framed by her diction and is used to convey her emotions toward all relationships and probably even her own marriage to Ted Hughes, who had rude, disorderly habits. Even the structure of the poem is strict in appearance as each stanza ends with a period and consists of exactly six lines. In addition, the persona of the poem is very detached and realistic, so much that it is hard to distinguish between her and Plath, herself. However, Plath insinuates that the woman actually wants love deep down, but finds the complexity and unpredictability of love to be frightening. As a result, she settles for solitude as a defense against her underlying fear.
Parini, Jay. Editor. The Columbia Anthology of American Poetry. New York: Columba University Press, 1995.