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Analysis of Hamlet's character
Characterization within the hamlet
Analysis of Hamlet's character
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“There is no evil angel but Love.” While that specific quote is from one of William
Shakespeare’s plays A Midsummer Night’s Dream, love has been the evil mastermind behind
several, if not all, of Shakespeare’s infamous tragedies. Take Hamlet for example; the tragedy of
Hamlet would not be a tragedy if it were not for anguished love. Feeling, seeing, hearing, and
ultimately experiencing love can have multiple effects on a person, or many people for that
matter—even one’s not directly involved. Love is a seemingly altruistic emotion. Not everyone
has a friendly encounter with love because of its deceivingly ability to bring out the foulest of
evils in everyone. How, though, can something so delight be so ultimately evil? One could only
begin to comprehend this puzzling question by, first, understanding the true meaning of evil and
the multiple conceptions of it, then, making the connection between love and evil.
Phillip Cole, a well-known philosopher, has four major conceptions of evil. The first
being the “monstrous” conception of evil; “according to which the agent who freely chooses to
pursue human suffering for its own sake thereby becomes, or perhaps already is, a creature
distinct from normal human beings, a monster” (Garrard, McNaughton 4). The monstrous
conception of evil is displayed in act two, scene two of Hamlet. Hamlet begins to exert insults
upon Polonius. After consistently draining Polonius of all of his logic, Hamlet proceeds to guilt
trip Polonius in saying “You can’t take anything from me that I care less about—except my life,
except my life, except my life” (Crowther, 9). Even though the topic of love seems far from the
center of their conversation, if the love that both Poloniu...
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...e in Hamlet.
Evil, whatever the conception, must have some motivation of some sort. Evil always
requires some previous occurrence to emerge from the depths of the human soul. Love,
undoubtedly, does just that. In today’s society as well as in the literary works of the great
William Shakespeare, love is all-powerful in many ways. It can bring out the worst in a person
just as easily, if not easier, as it can bring out the absolute best in a person. Love is a “one
extreme or the other” type of emotion. In conclusion, love an evil appear to be complete
opposites but, when looked into deeply, people will be able to see one does not exist without the
other.
Works Cited
Garrard, Eve. Speak No Evil?.Midwest: Wiley Periodicals, Inc., 2012: 1-8, web 28 February 2014
Crowther, John, ed. “No Fear Hamlet.” SparkNotes.com. SparkNotes LLC. 2005. Web. 5 Mar.2014.
When love is in attendance it brings care, faith, affection and intimacy. This is proved true in the spectacular play A Midsummer Night's Dream written by William Shakespeare. This play displays the facts about lust, hatred, jealousy and their roles in something powerfully desirable. It is entitled love. Love is present everywhere, in every form, in every condition and even when one least expects it.
The lines that define good and evil are not written in black and white; these lines tend to blur allowing good and evil to intermingle with each another in a single human being.
verses evil, the monster is meant to be evil but we as the reader feel
Is love controlled by human beings who love one another or is love controlled by a higher power? There are many people who believe that a higher power has control over love. An example of a higher power would be a cupid, a flying angel-type creature who is supposed to shoot arrows at people to make them fall in love. There are other people who reject the idea that a higher power controls love and that the people who experience love can control it. In the novel, "A Midsummer Night's Dream", by William Shakespeare, several examples of love's association with a higher power are presented. With the use of examples from the above novel, this essay will discuss the evidence that love is associated with a higher power. Examples like: Thesius arranging a marriage between himself and Hippolyta, Egeus choosing who Hermia should marry and the fairies who have the ability to control love in the Enchanted Forest.
...f the situation before he enters it, while Polonius and Ophelia must try to understand events as, or after they happen.
Love can be quite chaotic at times. As much as poets and songwriters promote the idea of idyllic romantic love, the experience in reality is often fraught with emotional turmoil. When people are in love, they tend to make poor decisions, from disobeying authority figures to making rash, poorly thought-out choices. In the play A Midsummer Night’s Dream, Shakespeare uses various motifs to illustrate how love, irrationality, and disobedience are thematically linked to disorder.
well-known plays. There isn’t any shortage of revenge in Hamlet, and so that is the theme
...never truly know another’s inner nature. If Hamlet’s scenario is not convincing enough, an examination of the situations of Polonius— whose attempts to see into Hamlet’s interior based on Hamlet’s actions get him killed— and Claudius— who also falls prey to the belief that his soul is impenetrable and dies as a result of it— may be helpful. As Hamlet demonstrates, there exist certain moral principles beyond human control, and sometimes, as in Hamlet’s case, they are better left unchallenged.
Since the dawn of modern civilization the terms good and evil have been used to describe the world and the various things within it. Things ranging from the concepts of the Devil, to the kid the cut in front you in the lunch line in the third grade, evil can be defined in many ways, however, evil is generally defined as something that goes against a single set of moral principles that society has defined. This is not true because evil is something that an individual perceives that they believe will cause them harm and goes against their individual moral beliefs, not some universal concept accepted by everyone.
...is inaction. The tragic hero walks a very lonely role, and this seclusion probably deserves a mention in literature's eternal search for the roots of his torment. With words more sage than he realizes, Polonius condenses Hamlet's entire struggle into a single poignant idea: "The origin and commencement of his grief / Sprung from neglected love" (3.1, 180-181). Polonius and Laertes derail Ophelia's tenderness, and Claudius' persuasion steals the heart of Gertrude. A unanimous lack of mourning scoffs at Hamlet's deep esteem for his fallen father and even the companionship of his childhood friends succumbs to Claudius' menacing demands. The end result is a huge gulf between ally and adversary, a gulf that ultimately plummeted Hamlet to the depths of psychological torment.
Ultimately`, William Shakespeare shows in many different ways throughout the play, ‘Romeo and Juliet’, that love is the more powerful force than hate. The readers see how the characters continuously forgive one another, even when the conditions are tough. The friendships between specific characters display a loving bond that cannot be broken with hate. Shakespeare demonstrates that Romeo and Juliet’s love can overpower the hate of many events in the play. He shows that their love can even overpower the death of one of their own family members. Romeo and Juliet’s love brings friendship between their feuding families. This story is a true example of how love can conquer all.
In the end, their many forms of madness get the best of them, and results in their own deaths whether by another, or by their own hand. One example of Hamlet’s madness is how he mocks Polonius. He would not do so normally because Polonius is older than he is so he would normally treat him with a certain amount of respect which he does not do following the sighting of the ghost of Old Hamlet. The Ghost tells Hamlet of his murder, and to test the truth of what he is told, Hamlet puts on “an antic disposition”. Hamlet manages to convince Polonius that he is inconsiderate of others, knowing that with seeing this odd change in behavior, Polonius will go to the king to tell him of it....
As any romantic will assert, love is by far the most powerful force known to human hearts and minds. This sentiment is espoused throughout history, almost to the point of cliché. Everyone has heard the optimistic statement, “love conquers all,” and The Beatles are certain, however idyllic it may be, that “all you need is love.” Humanity is convinced that love is unique within human emotion, unequalled in its power to both lift the spirit up in throws of ecstasy, and cast it down in utter despair.
In the passage from Act 1, Scene 2 through the use of language and dramatic effect Shakespeare explores and expands the character of Hamlet, also enforcing themes such as gender and desire.
Throughout the events which unfold in A Midsummer Night’s Dream, Shakespeare delivers several messages on love. Through this play, one of the significant ideas he suggests is that love is blind, often defying logic and overriding other emotions and priorities. Helena loves Demetrius unconditionally and pursues him despite knowing that he loathes her; conflict arises between Helena and Hermia, childhood best friends, over Demetrius and Lysander; and because she is in love, Queen Titania is able to see beauty and virtue in the ass-headed Nick Bottom.