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Love in literature essay
Love in literature essay
Love in literature essay
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Love and Time in Rossetti's Poems
It is evident that themes of love and time are frequently referred to
in several of Rossetti’s poems and I believe that she treats these
themes in a variety of ways. Regarding love, Rossetti explores the
disappointment and betrayal caused by love, her love of God as though
part of an intimate relationship and the temptation that love causes
young women to abandon the traditional rules. Using seasonal imagery,
Rossetti relates to time contradicting herself as she often implies
that we should take time to enjoy and observe life whilst she also
states that she is unable to be satisfied with earthly life and it is
death that will provide the ultimate fulfilment.
Aware of the inevitable that seasons will always change and can never
be controlled, Rossetti uses the motif of life cycles in order to
demonstrate that we should be satisfied with all that God provided us
with on earth. “Life nursed in its grave by death”, In ‘Spring’
Rossetti implies a significant image that death is the protector of
life and nurtures new growing life. Supporting this in ‘Bitter for
sweet’, Rossetti stimulates us not to rush through life but observe
more and slow down, “Its sun and perfumes and sweet flowers”.
Demonstrating that rapid changes in life take place and as humans we
never notice these Rossetti chose to present this poem in only 8
lines, however in this she progresses through 4 months. This conveys
that cycles are to be anticipated and using a passage of time through
seasons she is able to symbolise the journey through life, “And even
autumn closes”.
Looking back at her life in regret in ‘Another Spring’ she confesses
“If I might see another Spring/ I’d listen to the daylight birds”...
... middle of paper ...
...ing to look
forward to as she believes that death will enable her a truly
satisfying life. To conclude, I believe that Rossetti treats the theme
of time by creating a parallel to the inevitability of seasons
emphasizing that with all good comes bad and that however hard you try
to control life, it never stands still and you will never be able to
turn back in time. Presenting her warnings about love and her doubts
that she will ever find happiness, Rossetti treats the theme of love
as a challenge as she states that if you are able to find love on
earth, you are lucky and therefore able to enjoy your time on earth.
However if like Rossetti you are unable to find your perfect partner,
you may resolve into finding your faith in God as inevitably no one
will ever match up to him and he is responsible for our happiness
whether we find it on earth or by death.
Kim Addonizio's poetry highlights the microscopic detail into the mortality of the human condition, rebellion, and love. Her themes ranged from sexual sensation to rock n roll rebellion, which was all delivered in a witty format. Addonizio’s poetic meter is delivered in a syncopated blues rhythmic measure comparable to that of the lyrics of the classic blues artists like Skip James where a continuing series of musical notes are overlapped by a repetition of lines that gradually or minorly change through progression. This style is most notable through her fixed form poetry, such as sonnets. So it is only natural that her lyrical poetry is complimented well in accordance of the blues band playing as she simultaneously reads. Addonizio's physique,
Critics of Tim O'Brien's Going After Cacciato have examined its narrative technique (see Raymond) and its position in literature as metafiction (see Herzog). Still other critics have commented on the motif of time (see McWilliams) and the theme and structure (see Vannatta). On the last point, critics find the structure of the novel is fragmented to reveal the nature of the United States' involvement in Vietnam. Unfortunately, this fragmentation makes the novel appear structurally weak. Critics have found no unifying element to the parts to affirm the sense of wholeness readers feel after completing O'Brien's novel. Nevertheless, the reader senses that the seemingly random construction of the novel serves to underscore the random nature of the Vietnam war. However, to lightly dismiss O'Brien's organization as simply fragmentary does great disservice to this American author. A critical examination of a traditional element found in American Literature since its inception--the symbolic use of Nature--unifies Going After Cacciato and places the work firmly in the Romantic tradition. Just as Romanticists have always relied upon Nature to unify and add substantial depth to their novels so, too, has O'Brien. Specifically, a different element of Nature appears in each of the sections of the novel. The novel divides into three distinct parts: the observation post chapters, the recollected history chapters, and the chasing Cacciato chapters. In the observation post chapters, Nature is represented by the sea. In the recollected history chapters, Nature is represented by the land and the fresh water. In the chasing Cacciato chapters, Nature becomes ...
but she seems to be a person who would only marry for love and not for
“Your task is not to seek for love, but merely to seek to find all the barriers within yourself that you have built against it.”
Attitudes Towards Love in Pre-1900 and 1990's Poetry “The Despairing Lover” written by William Walsh was written pre 1900 whilst the second poem “I Wouldn’t Thank you for a Valentine” by Liz Lockhead was written in the 1990’s. These poems are almost a century apart. Attitude towards love changes over time and these poems represent this. I Wouldn’t Thank you for a Valentine is about how people think about Valentine’s Day in the 1990’s, while The Despairing Lover is showing what people think and how important they see love in the 1990’s.
In the "Widower's Tango", the relationship between Pablo Neruda and Josie fell apart due to jealousy, distrust, anger, mental abuse, the threat of death, Neruda's infatuation. Pablo Neruda was deeply in love with a woman named Josie, who reciprocated his affection, and they became lovers. Despite their feelings for one another, the bond between them was broken. Josie was too in love with Neruda. She was clingy and worried that Neruda would leave her; however, her fears would be founded, for Neruda only saw her as a passing fancy.
There are many different themes that can be used to make a poem both successful and memorable. Such is that of the universal theme of love. This theme can be developed throughout a poem through an authors use of form and content. “She Walks in Beauty,” by George Gordon, Lord Byron, is a poem that contains an intriguing form with captivating content. Lord Byron, a nineteenth-century poet, writes this poem through the use of similes and metaphors to describe a beautiful woman. His patterns and rhyme scheme enthrall the reader into the poem. Another poem with the theme of love is John Keats' “La Belle Dame sans Merci,” meaning “the beautiful lady without mercy.” Keats, another nineteenth-century writer, uses progression and compelling language throughout this poem to engage the reader. While both of these poems revolve around the theme of love, they are incongruous to each other in many ways.
A seemingly innocent poem about two sisters’ encounters with goblin men, Christina Rossetti’s “Goblin Market” is a tale of seduction and lust. Behind the lattice of the classic mortal entrapment and escapement from fairyland, “Goblin Market” explores Laura’s desire for heterosexual knowledge, the goblin men’s desire for mortal flesh, and Laura and Lizzie’s desire for homosexual eroticism.
The Range of Feelings Associated with Love in Catullus and Lesbia' Poems Of Catullus’s poems, the Lesbia poems are the most memorable, particularly as they contain such a wide range of feelings and emotions. Whilst we do not know what order the poems were written in, it is tempting to arrange them in a progression from constant love, to confusion and despair and finally hatred. Poem 87 appears to be at the beginning of the relationship between Catullus and Lesbia. The symmetry of the couplets beginning “nulla” and ending with “mea est” emphasizes the idea that no one loves Lesbia as much as Catullus. The placement of “nulla” at the beginning of the
Christina Rossetti was a pivotal key in the foundations of the Pre-Raphaelite movement, which can be seen, throughout her poetry. Rossetti, as a follower of the Pre-Raphaelite’s, endorsed ideas of unrequited love, acceptance of human mortality and redemption. These ideals both endorsed and challenged the Victorian morals of her era as Victorian morality was focused on repression, class structures, and religion often conflicting with the sexual desire and questioning nature of Rossetti’s poems. The poem Echo is a reflection of Rossetti’s view on the romance and grief in her life through her unwavering faith in religion that will reunite her with her love. Through her desire of a recreation of love in the poem, it is both accepted and challenged through her religious beliefs as the purity of distance in
Love plays an important role in most physical and emotional relationships. Love is a word that can prove difficult to define or even compare to other emotions. This is due to the diversity of meaning and the complexity of the emotion itself. Everyone has been in love at least once before and has gotten a taste of all the good and bad things that come with it. Christina Rossetti’s “Song” presents some of the good parts of love while Philip Larkin’s “Talking in Bed” shows us some of the bad parts of love. Larkin’s poem presents a failing relationship where communication has failed between a couple and things are getting more and more difficult. Rossetti’s poem presents a wholly different view on love; it is told from the viewpoint of someone talking to his or her lover about what said lover should do after the speaker dies. The love between them seems better, more powerful and good. The two poems also present wholly different attitudes towards “The End,” whether that is the end of life or the end of the relationship. Larkin presents the end as something dark and sad, difficult to cope with. Rossetti, on the other hand, talks about the end as just another beginning, a chance to start over in a new world. Finally, the two poems represent remembrance in different ways. Larkin’s presents memory as something extremely important while Rossetti implies that it does not matter whether we remember or not.
Both, the poem “Reluctance” by Robert Frost and “Time Does Not Bring Relief” by Edna St. Vincent Millay, revolved around the theme of lost love. Each poet used a similar array of poetic devices to express this theme. Visual imagery was one of the illustrative poetic devices used in the compositions. Another poetic device incorporated by both poets in order to convey the mood of the poems was personification. And by the same token, metaphors were also used to help express the gist of both poems. Ergo, similar poetic devices were used in both poems to communicate the theme of grieving the loss of a loved one.
they’d advertise – you know (line 2-4)”! She found a person just like her and is excited about being in a couple with a nobody too. But you can also see she is a little scared of how powerful the society is over people. For example, the celebrities Kim Kardashian and Nicki Manji and two people who influence the body standard on girls in the todays world. These women have gotten plastic surgery on their body to get more fame and because of that many other women are doing the same because they think their body isn’t up to the society standard.
Wordsworth's Poetry A lot of literature has been written about motherhood. Wordsworth is a well known English poet who mentions motherhood and female strength in several of his poems, including the Mad Mother, The Thorn, and The Complaint of a Forsaken Indian Woman. This leads some critics to assume that these poems reflect Wordsworth's view of females. Wordsworth portrays women as dependent on motherhood for happiness, yet he also emphasizes female strength.
Robert Browning’s poem, ‘Andrea del Sarto’ presents the reader with his views on the painter’s life, an artist who has lost faith in the Parnassian ideal of living for art, and now has to use art as a living. The poem looks at the darker side of the painter when he was older, and expresses a lot about Browning as well, and how he thought his work was perceived, and the context of his life and times. The poem covers many ideas and themes, which not only create a powerful poem, but also create commentary from Browning’s prerogative of his own situation. The poem epitomizes Browning’s work, looking at a real figure in history, from Browning’s own perspective, in a real state of affairs. Although ‘Del Sarto’ might have been regarded as ‘The Faultless painter’ in his time, on the inside he had to repress a struggle. As historian Vasari pointed out, a ‘certain timidity of spirit’ that stopped him from gaining true recognition as one of the greats alongside ‘Leonard, Rafael, Agnolo’. This could be said to express Browning’s view of audience, since his wife was much more successful than him. In this essay I will be looking at the poem, and how it relates to Browning and the time it was written in.