A Tale of Love and Darkness is a movie directed by Natalie Portman and based on a book written by Amos Oz. Oz, who changed his name from Klausner to Oz upon joining the Kibbutz Hulda at age 14, wrote this book in 2002 as an autobiographical account of a portion of his childhood. The book has received numerous awards, including the National Jewish Book Award, the JQ Wingate Prize, and the Koret Jewish Book Award. The movie, released in 2016, is Portman’s directorial debut. In an article in Business Insider, she shared that she had just picked the book to read, and as she read the book, she began envisioning how it would be as a movie. She believes that vision can be credited to the excellent writing of Amos Oz and also to her personal background; …show more content…
In one scene in particular, Amos is gathering bottles while under gunfire but seems unconcerned by the gunfire. While this may seem odd to viewers without any experience in warfare, those who have been in combat situations recognize what is happening. Simply put, not all gunfire is the same, and those who have experienced enough of these situations understand this. The more armed conflict that people, including children, have seen, the better feel they have for the sound of imminent danger versus the sound of gunfire that is out of personal range. This scene clearly indicates that Jerusalem, at this point in Amos’s life, had been under fire enough that he understood that this fire wasn’t a threat and that he could carry out his business without undue …show more content…
This was an extremely personal war for Amos. His father joined the National Guard, Amos himself was in constant search of things that could help the war effort (empty bottles, sand bags, and scrounged food), and his family opened up their homes to people who were left homeless by the war. As with all wars, tragedy ensued, with women, including a close friend of Fania’s, being shot dead in the streets. Another scene, so casual yet chilling, shows an innocent child, playing with a ball, shot and killed. Throughout this section of the movie, real-life footage is interspersed, giving a clear and vivid picture of Jerusalem in 1947. The horror and grief felt by all is focused in Fania, who begins having intense migraines and falls into an intense depression which eventually results in her death by overdose. In “A Tale of Love and Darkness,” Fania, Arieh, and Amos serve as more than just real people; this is more than just a simple autobiographical story. They also serve as symbols for how individuals (and groups of individuals) saw the creation of the independent Jewish nation of
A story of a young boy and his father as they are stolen from their home in Transylvania and taken through the most brutal event in human history describes the setting. This boy not only survived the tragedy, but went on to produce literature, in order to better educate society on the truth of the Holocaust. In Night, the author, Elie Wiesel, uses imagery, diction, and foreshadowing to describe and define the inhumanity he experienced during the Holocaust.
When people lose their dignity, they also lose a part of the very thing that makes them human. Despair, hopelessness, fear and apathy are all ways a human can lose their humanity. The eyes provide a window onto the soul, and thus a view on the person’s mental state. The eyes also function in reverse, as a symbolic gesture of control over someone. All of this is present in Night, by Elie Wiesel, an account of human tragedy, human cruelty, human dignity, and the loss thereof.
At the outset, an insightful reader needs to draft the general boundaries of allegory and symbolism in the story. To put it most simple, the problem of distinguishing between good and evil undergoes a discussion. It is not difficult to notice that the Grandmother stands for good and the Misfit for evil. But such a division would be a sweeping and superficial generalisation, for both the characters epitomize good and evil traits. Moral evaluation is a very complex process and it is not the human who is to decide on that. There are rather various degrees of goodness and evil, both interwoven, also in their religiousness. Th...
In Song of Solomon, through many different types of love, Ruth's incestuous love, Milkman and Hagar's romantic love, and Guitar's love for his race, Toni Morrison demonstrates not only the readiness with which love will turn into a devastating and destructive force, but also the immediacy with which it will do so. Morrison tackles the amorphous and resilient human emotion of love not to glorify the joyous feelings it can effect but to warn readers of love's volatile nature. Simultaneously, however, she gives the reader a clear sense of what love is not. Morrison explicitly states that true love is not destructive. In essence, she illustrates that if "love" is destructive, it is most likely, a mutation of love, something impure, because love is all that is pure and true.
"Through love, through hope, and faith's transcendent dower, we feel that we are greater than we know."- William Wordsworth. As stated in this quote, when we have something to hope for, and someone showing us love, we are capable of many things. In the movie Life is Beautiful and the book Night love and hope are the only things that keep the characters alive. This is shown through Elie and his father's relationship when his father reminds him of his fundamental feelings of love, compassion, and devotion to his family. Then Elie and his father look out for each other in hope to make it out the concentration camp alive. Love and hope are also shown in the movie Life is Beautiful when Guido and his son were taken to the concentration camp. Here, Guido's love for his son Josh, kept him alive. Dora, Guido's wife, shows persistent hope which ultimately leads to being reunited with Joshua. In both stories the hope that of rescue and the love that for each other gets the main characters through terrible times.
There are many different themes in, “Love Medicine” a book written by Louise Erdrich. Some of which are poverty, family, racism, and religion. The one that I am going to write about, is love. Love is one of the most prominent themes in this book. It conveys a mother’s love for her children, a wife’s love for her husband, and a son’s love for the ones whom he perceives his parents to be. This is but to name a few examples of love found in the book by Ms. Erdrich. However, there is also the lack of love that this work of literature portrays. There is mistreatment and betrayal, which are examples that are opposite of love.
In the memoir, Night, author Elie Wiesel portrays the dehumanization of individuals and its lasting result in a loss of faith in God. Throughout the Holocaust, Jews were doggedly treated with disrespect and inhumanity. As more cruelty was bestowed upon them, the lower their flame of hope and faith became as they began turning on each other and focused on self preservation over family and friends. The flame within them never completely died, but rather stayed kindling throughout the journey until finally it stood flickering and idle at the eventual halt of this seemingly never-ending nightmare. Elie depicts the perpetuation of violence that crops up with the Jews by teaching of the loss in belief of a higher power from devout to doubt they endure.
Harry Mulisch, through his novel The Assault, conveys the Nazi Occupation in the Netherlands in 1945 giving full emphasis on the impact to people’s lives. Anton Steinwijk, the protagonist of the novel, experiences traumatic experience when the military assaulted and killed his whole family. His wish to leave what has happened to him in the past is influenced largely by his devastation and undesirable perception of the war from what he has experienced. Additionally, people around Anton also encourage him to expect a peaceful future, away from the war. Light and darkness symbolizes Anton's perception of the war and volcano ashes representing trails of his past, which influences how Anton reacts at times of trouble and when approached with information of the past.
It can be argued that the theme of light VS darkness is used to good
... horrors of war such as, his parents who still view war as glamorous and idealistic. War takes a heavy toll on soldiers who fight in it and in these dangerous moments anybody would have gone insane. It takes a very special type of soldier to be able to handle both the psychological and physical challenges that a soldier has to face in everyday battle. A soldier such as this must be capable of handling the sight of a mutilated comrade and not immediately chatter to pieces. The author conveys this message in his extreme use of words with negative connotation such as shells, typhus, dysentery, and trenches. In this portion of the novel a great deal of emphasis is placed on the word death which is repeated several times and standing on its own it holds a great deal of negative connotations. Therefore, due to the severity of the situation and the extensive use of words with negative connotations the overall tone of the novel appeared to be very depressing or serious. This selection also demonstrates just how mythical the character of war that many individuals who have not experienced the tragedy of battle believe to be true by illustrating just how appalling and grim war is in reality.
Since symbolism first began to be used in the English language, Light has always represented a theme of hope and optimism. The phrase “Light at the end of the tunnel” best encompasses this, implying an opportunity or relief after difficulty or chaos. In the same way, Darkness has represented confusion or despair. James Joyce expands on the traditional connotations of Light and Darkness in his short story “Araby”. The narrative follows a young boy on his futile quest to find love with a girl much older than himself whom he hardly knows. Joyce uses Light to represent not only hope, but unrealistic idealism and illusion. In the same way, Darkness, in addition to despair, represents the reality and truth in the narrator's predicament. Joyce uses Light and Darkness as a symbol for the clash between fantasy and reality that takes place within the narrator.
Color is used very effectively as a tool of symbolism in Heart of Darkness. Colors, especially black and white, are used to symbolize evil (black) and good (white). Other colors are also used, although less often than black and white. Throughout the story, people are thought to have white souls or black souls depending on their innate “goodness” or “badness” or the role they are fulfilling at the time. The color of a person’s soul is often contrasted to the color of their skin. A black- souled, white-skinned person is thought to be evil and dishonest. “I met a white man in such an unexpected elegance of getup…” (Conrad p.21). This demonstrates how a white man was not expected to be a good person. Elegance of dress was unexpected because the man was white. In comparison, a white-souled, black-skinned person is thought to be truthful and full of integrity. “An athletic black belonging to some coast tribe and educated by my poor predecessor….thought all the world of himself.” (Conrad p.45). People are described as black with hatred regardless of skin color. This is further evidence of black being used synonymously with evil. Black isn’t just used to describe evil people. “Often far away, I thought of these two, guarding the door of Darkness, knitting black wool as for a warm pall…” (Conrad p. 14.) The symbolism of black wool at the door of Darkness is clearly pointing to evil, and further supports black as evil. Heath 2 Colors other than black and white are used to describe moods and attitudes past the basic good and evil. Red signifies industry. “There was a vast amount of red - good to see at any time because one knows that some real work is done in there.” (Conrad p.13). Yellow is seen as a cowardly color. “I was going into the yellow. Dead in the center.” (Conrad p.13). Pale denotes Death. It is also used this way in the Bible, “the Pale horse and his rider Death”, Revelations 6:8. “She came forward, all in black, with a pale head, floating towards me in the dusk. She was in mourning. It was more than a year since his death…” (Conrad p. 72-73). The use of color is effective in the story for a variety of reasons. First, it is easy to understand.
President Roosevelt once observed, “The only thing we have to fear is fear itself.” Nevertheless, people need fear, people love fear and people fear fear for multiple reasons. It fuels society and its decisions in ways that people do not realize. In fact, fear is one of the strongest and most influential emotions people experience. One’s perspective of fear might be vastly different from another, since it provides a unique experience for each human being. Nonetheless, fear, the emotion of darkness, is a weapon that cannot only be used against people by others, but be an obstacle one faces within one’s self.
The Dark Romantics or Gothic Fiction was part of the Romanticism Movement that emphasized the use of primitive, medieval, wild and mysterious elements including supernatural events and horrifying situations. The Dark Romantics took place in the eighteen hundreds and started as a reaction to the Transcendentalists, but did not entirely embrace the ideas of Transcendentalism. The Dark Romantic works were less optimistic than the transcendental works that believed that knowledge could be arrived at not just through the senses, but also through intuition and contemplation of the internal spirit. The Romantics took on a shadowy approach to the fantastical with the use of creepy symbols, horrific themes, and psychological effects of guilt and sin.
Thrown into circumstances not yet prepared for, Yehuda, his older sister Lala, and his mother, overcame many life threatening situations after Yehuda’s father was executed. Prior to the war, Nir’s father was a well-to-do business man, who provided greatly for his family. They were often seen as a true symbol of the Jewish wealth in Poland. This symbol became a target in 1939 as German, anti-Jewish, Nazi’s invaded Poland to start the beginning of World War II. “Going from a well-to-do family to refugees in the matter on a couple days was a disturbing change” (Nir 14). These changes would become the norm as the family was moved into a new apartment, sharing it with a German official. A week after the war started, a group of Nazi’s raided Jewish homes, taking Jewish men. Yehuda’s father said goodbye, naïve to what was happening. Yeahuda secretly followed the Nazi’s and watched as the hand-cuffed men, his own father and uncle among them, were shot down in the woods outside the city. Stunned, and unable to comprehend, Nir retrieved back to his home to share the news with his mother and sister. “My Mother became the backbone of the family; A role she would maintain throughout much of the war. I sensed an attitude of determination in her; an attitude that would help us to make quick decisions, decisions that our lives depended on” (Nir 12). As things got