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Mother to son literary devices
Literary essays mother daughter relationship
Mother to son literary devices
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In the poem “Terminal Resemblance,” author, Louise Glück talks about her younger self and the complicated relationship with her father. Her father tells her that he will die soon and she does not know how to take it. Glück is not close with her father and never was before, even though he was always present in her life. When the father tries to connect with his daughter in the last conversation they have the speaker feels awkward because her father has never tried to have an emotional connection with her before so she focuses on her surroundings and notices how much life has changed while she was away. The speaker tries to focus on anything other than her father to avoid the fact that the father she was never close to is about to die.
Well known essayist, Ted Kooser, in his essay, Hands, describes the dramatic changes in his life pertaining to a strong connection with his father. Kooser’s purpose is to impress upon the readers that the strong bonds formed with important people in one’s life will carry on no matter whether if they are still with you or not. He adopts a sentimental tone to convey that he is mourning the struggles of someone special in his life.
In the poem ¨My Father¨ by Scott Hightower, the author describes a rather unstable relationship with his now deceased father. Scott describes his father as a mix of both amazing and atrocious traits. The father is described as someone who constantly contradicts himself through his actions. He is never in between but either loving and heroic or cold and passive. The relationship between Scott and his father is shown to be always changing depending on the father’s mood towards him. He sees his father as the reason he now does certain things he finds bad. But at the end of it all, he owes a great deal to his father. Scott expresses that despite his flaws, his father helped shape the man he is today. Hightower uses certain diction, style, and imagery to
Before showing herself to the reader offhandedly, Trethewey uses her own complex emotions to establish intimacy with the audience, as if you experience her emotions as raw as she writes them. In her poem, “After Your Death,” Trethawey seems to walk you
The poem is written in the father’s point of view; this gives insight of the father’s character and
Loss. Grief. Mourning. Anger. Disbelief. Emotions are in abundance when a loved one passes away. People need to find a way to cope with the situations and often need to express themselves by writing their feelings down in order to get them out. This is exactly what Paul Monette does in his book of poetry title “Love Alone” in remembrance of his companion Rog. Through writing his poetry Monette describes his emotions and the events that occurred during Rog’s battle with AIDS. By Monette’s transitioning through different emotions, the reader begins to understand the pain the author is dealt. Touching upon Kubler-Ross’ five stages of death including denial, anger, bargaining, depression and acceptance, Monette transitions to Rog’s decline in health. Using different fonts and no punctuation, the lines are interpreted by the reader using instincts to know when to begin and end a sentence. Evident in the poems “The Very Same”, “The Half-life”, and “Current Status”, Monette gives a description of loss that makes the reader tingle.
As humans, the journey through life means forming emotional attachments to each other. The first type of attachment we form is with our family. Eventually, people grow older and form emotional attachments to individuals outside the family, as friends. Then later in life, the possibility of developing romantic relationships can arise. However, each person at some point must face the reality that the people they have bonded with will depart this world. Similarly, one must also deal with the new assortment of emotions that follow after a passing or separation. In Lydia Davis’s poem “Head, Heart”, she depicts a conversation between a head and a grief-stricken heart, which represents the internal conflict between logic and emotion following a separation
...e associated this with the rotting corpse of their child. She sees her husband as unfeeling and unemotional about their child. Since she will not communicate with him, she cannot understand how he could just bury their child and not give it a second thought.
At a glance, the poem seems simplistic – a detailed observance of nature followed by an invitation to wash a “dear friend’s” hair. Yet this short poem highlights Bishop’s best poetic qualities, including her deliberate choice in diction, and her emotional restraint. Bishop progresses along with the reader to unfold the feelings of both sadness and joy involved in loving a person that will eventually age and pass away. The poem focuses on the intersection of love and death, an intersection that goes beyond gender and sexuality to make a far-reaching statement about the nature of being
Born in Livermore Falls, Maine, Louise Bogan 's early life was tainted by turbulence and instability. Her mother was liable to to erratic and often violent behavior and would sometimes abandon her family, at times to take part in illicit affairs. By age eight, Bogan had become what she once described as "the semblance of a girl, in which some desires and illusions had been early assassinated: shot dead." Throughout the 1920s and 1930s, Bogan experienced severe depression, for which she endured psychoanalysis and was voluntarily institutionalized more than once. Louise Bogan’s well-known reserve about the details of her personal life extended to her poetry. She said that she had written down her experience in detail, leaving out only the coarse
In a familial manner, “Poem At Thirty-Nine" brings out the subject of love as a bond between a father and a daughter.
The poets’ explorations of the feeling of loss extends much further than the ephemeral. It is a continuous feeling which transcends the physical, embodying itself equally in the facets of identity, life, and trust. Plath, a confessional poet, uses her poetry as a cathartic medium to convey her personal loss. This lends a very personal tone to her poetry, while Frost writes from an observational perspective, often taking on the persona of a being experiencing loss. The poets use families and the belittlement of women to align the reader with the many facets of loss.
...e person is lost. This is a much more dismal view of loss and absence then in poems 67 and 1036. It does, however, demonstrate that loss is just a part of life. It is inevitable, but that does not mean it is necessary to fear it.
...cognizes to his daughter that “…sometimes I’ve gone/ into my purple world/ and lost you,”(48-50). With this fact he recognizes what his father in “Letters” could not—that it is allowed to be open with your family, that they understand because they have “purple moods” too. In any poem about family life these two discourses will exist, and with a reading of “Daughter” under the reader’s belt it gives “Letters” a new and interesting perspective.
Approaching a topic as broad as loss can be a simple step; however, translating one's own attitude and perspective of the common experience can be a complex idea to communicate without a clear and organized transition between thoughts. Bishop's ability to craft this poem about such a variable and poignant concept with the lucidity and emphasis with which she does is evident in her unique use of language and structure.
In the poem “Casualty” the speaker is mourning a death of a close friend and is struggling