With a shock of dyed red hair, statement glasses, and colourful sweaters, Lorna Jean Crozier dresses as eccentric as she writes. Although she never considered writing as a career when she was young, at 68 she has authored 15 books. Crozier has lived everywhere from Victoria to Toronto, but to me, her poetry shows that her heart has never left the Saskatchewan Prairies where she was born. Her works often showcase her interests, including cats, gardening, and sex--sometimes rolled together.
Her poetry is greatly informed by her childhood in hockey town Swift Current, Saskatchewan, with that environmental aesthetic often forming the backdrop to her stories of poverty, alcoholism, and the natural world. As a prairie girl myself, it’s easy for
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In her eyes, cucumbers are pesky perverts with an anal fetish, carrots are passionate but worried lovers, peas are prudish, and onions are entirely self obsessed. The poems are at once funny and relatable, covering various ways sex is seen by people in society in a way that’s not alienating or deliberately button-pushing. It’s simple truth through a lens of good humor, a signature trait of her …show more content…
After joining the faculty in 1991, she has gone on to teach writing workshops across the country. Before being hired by the University of Victoria, Lorna Crozier taught creative writing at the Saskatchewan Summer School of the Arts and the Banff School of Fine Arts, and worked for the Regina Public Library, Douglas College, the University of Lethbridge, the Cypress Hills Community College, and the University of Toronto as a writer-in-residence. Furthermore, she has done many readings for charitable organizations, including PEERS (a group dedicated to helping get prostitutes off the street) and the Society for the Prevention of Cruelty to
Christine De Pizan’s work in The Book of The City of Ladies pioneers a new genre of feminist literature that exposes a time period from the perspective of its female population. Due to this, De Pizan justifiably earns the title of a revolutionary author. However, to say that De Pizan revolutionized the conditions of women in the medieval ages and onward is an overstatement. In her book, De Pizan critiques sexist arguments in order to defend women against misogyny. The change that De Pizan presented in medieval culture was gradual because she was attempting to amend people’s perspectives on women rather than offer any institutional rectifications. She worked to establish that women can be just as mighty as men, and thus, they are not innately inferior. However, her goal was not to ensure that women have equal access to exercise and pursue their virtuous roles. Therefore, if observed
Linda Bove was born November 30 1945 in Garfield, New Jersey with to two parents who were also deaf. Growing up deaf herself, she used ASL her whole life. In the beginning, she went to St. Joseph School for the Deaf in Bronx, New York. Later, in 1963 she was fortunate to graduate from Marie Katzenbach School for the Deaf in Trenton New Jersey where she was surrounded by her pears which helped place the foundation for her success. Upon completion of Marie Katzenbach School, Linda later attended Gallaudet University and received her Bachelor’s degree in library science. While attending Gallaudet she was in several plays including The Threepenny Opera and Spoon River Anthology. After graduation she attended a summer school program at the National
Influenced by the style of “plainspoken English” utilized by Phillip Larkin (“Deborah Garrison”), Deborah Garrison writes what she knows, with seemingly simple language, and incorporating aspects of her life into her poetry. As a working mother, the narrator of Garrison’s, “Sestina for the Working Mother” provides insight for the readers regarding inner thoughts and emotions she experiences in her everyday life. Performing the daily circus act of balancing work and motherhood, she, daydreams of how life might be and struggles with guilt, before ultimately realizing her chosen path is what it right for her and her family.
This quote describes how Louise Halfe uses all four common elements of native literature in her writings. I have chosen to discuss two of the elements she frequently uses, Spirituality and Orality in relation to three of her poems: My Ledders, She Told Me and The Heat of my Grandmothers.
Kort, Carol. A to Z of American Women Writers. New York: Infobase Publishing, 2007. Print.
Sex is more than just a physical act. It's a beautiful way to express love. When people have sex just to fulfill a physical need, as the poet believes sex outside of love-based relationship only harms and cheapens sex. In the beginning of the poem, Olds brilliantly describe the beauty of sex, and then in the second half of the poem, she continues reference to the cold and aloneness which clearly shows her opinions about causal sex. Through this poem, Sharon Olds, has expressed her complete disrespect for those who would participate in casual sex.
Connie Fife is a Saskatchewan, Cree poet who writes using her unique perspective, telling of her personal experiences and upbringing. This perspective is revealed to her audience through the poems “This is not a Metaphor”, “I Have Become so Many Mountains”, and “She Who Remembers” all of which present a direct relationship to her traditional background and culture (Rosen-Garten, Goldrick-Jones 1010). To show the relationship of her experiences through her poetry, Fife uses the form of dramatic monologue, as well as modern language and literal writing to display themes about racism presenting her traditional viewpoint to her audience.
Like Esther, Joan Gilling grew up in the same small town; she also won the writing competition and was sent to New York to work for the same magazine. Joan was also very conscious about how the world identified her as an individual. She didn’t want to conform to what society sa...
Flannery O’Connor was a unique writer whose personal life was as unusual as her short stories. From her zealous and strict Catholic faith, to her love of peacocks, she is possibly the most interesting female writers of the 20th century. It takes a bold writer to put religion into their writing and it takes and even bolder one to be a female writer and put religion into their writing. Not only was Flannery O’Connor a bold writer, she set the bar for the writers of her present time and of the future. Her battle with lupus tested her faith and her diligence toward writing on numerous occasions and although in the end it took her life, the life of her work continues to live on.
Barnstone, Aliki, and Willis Barnstone. A book of women poets. New York: Schocken Books, 1980. Print.
The third decade of the twentieth century brought on more explicit writers than ever before, but none were as expressive as Anne Sexton. Her style of writing, her works, the image that she created, and the crazy life that she led are all prime examples of this. Known as one of the most “confessional” poets of her time, Anne Sexton was also one of the most criticized. She was known to use images of incest, adultery, and madness to reveal the depths of her deeply troubled life, which often brought on much controversy. Despite this, Anne went on to win many awards and go down as one of the best poets of all time.
...d as NOW's magazine favorite 4 years in a row (Atwood 1). She has been writing since the age of five. She wrote comics and plays and even poetry. Her first published story came out when she was nineteen years old. Canadians adore good literature and she was always encouraged to write. Ms. Atwood has many publications in different genres. She has poetry, novels, and collections of short stories such as, Wilderness Tips.
turn out to be, and it is true, this passage does reflect on the real
Irene Sharaff is a successful costume designer who has designed for many different movies and Broadway productions. She also worked designing costumes for the American Ballet Theatre, the New York City Ballet, and the Ballet Russe de Monte Carlo. She was born in Boston on January 23, 1993. Her career in costume design ran from 1928 to 1981 making it 53 years. She died August 10, 1993 due to congestive heart failure. She studied at the New York School of Fine and Applied Arts, the Art Students League of New York, and also in Paris at the Academie de la Grande Chaumiere. She first worked as a fashion illustrator and costume design assistant, before she made her debut on Broadway as the costume designer in the production of Alice in Wonderland.
Margaret Atwood is an acclaimed poet, novelist, and short story writer. With such a variety of works in different types of writing, it is difficult to grasp every aspect of Atwood's purpose of writing. A comparative analysis of Rape Fantasies reveals the Atwood's writing is varied in many ways yet soundly consistent especially when comparing a particular set of writing such as a group of her other short stories. Atwood's background plays a large part in her writing. Atwood was born in Ottawa, Canada in 1913. Her father was an entomologist, so she spent much of her childhood in the wilderness and other various urban places around Canada. Throughout her life, she lived in numerous Canadian residences as well as several towns in the United States. She has also lived in England, France, Italy and Germany. With this extensive background, Atwood displays a vast knowledge of the world around her, although large portions of her writing are based on Canadian settings. As a young girl, she started reading many books and even writing poems and comics. After deciding that she wanted to become a writer, Atwood attended the University of Toronto and earned her bachelor's degree in 1961. Following this, she went on to receiver her master's degree from Harvard University.