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Byron as Romantic poet
Explaining byrons darkness poem
Explaining byrons darkness poem
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Throughout my research on Lord Byron, one thing has remained consistent-his selfishness. Lord Byron repeatedly had affairs, caused scandals, and was the subject of political turmoil. As a Romantic author, Lord Byron lived in the moment and lived for himself; however, he often went a step too far going from living for “the self” to selfishness. Using sublime theory as an analytical lens, readers will see and feel the driving force behind Byron’s poems “She walks in beauty” and “When we two parted.” Thesis: Lord Byron’s poetry “She walks in beauty” and “When we two parted,” reveals a refreshing interpretation of the Romantic idea of “the self”-an initiative that Byron takes further by pushing his writing to the limits of selfishness; while plagued …show more content…
In addition, two affairs are focused on in particular- Lady Caroline Lamb and his sister, Augusta Leigh. This article proves Byron’s selfish on his way to the “ideal self.” Longinus. Longinus on the Sublime. Project Gutenberg. Trans. H. L. Havell. Project Gutenberg. 10 March 2006. Web. 14 Nov. 2015. This source further explains the concept of the sublime. What makes this particular interesting is the author’s various “sources” of sublimity. He uses these sources to determine whether each piece is sublime or not. The sources are “great thoughts, strong emotions, certain figures of thought and speech, noble diction, and dignified word arrangement" (Longinus). Byron’s work fits within these parameters, in addition to the more advanced ideals of sublime theory. Needler, Howard. "'She Walks in Beauty' and the Theory of the Sublime." Byron Journal 38.1 (2010): 19-27. Humanities International Complete. Web. 18 Oct. 2015. Needler suggests that Byron's “She Walks in Beauty” reflects the theory of the sublime only in the first half of the poem. This presents contrasting ideas within the poem as half calls natural forces to mind, while the other half focuses on the sublime. Using this article to reveal the sublime undertones of Byron’s work may give new meaning to his poetry and give readers different thoughts on the
This essay is anchored on the goal of looking closer and scrutinizing the said poem. It is divided into subheadings for the discussion of the analysis of each of the poem’s stanzas.
Everett, Nicholas From The Oxford Companion to Twentieth-century Poetry in English. Ed. Ian Hamiltong. Oxford: Oxford University Press, 1994. Copyright 1994 by Oxford University Press.
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
We have spent a good deal of this semester concentrating on the sublime. We have asked what (in nature) is sublime, how is the sublime described and how do different writers interpret the sublime. A sublime experience is recognizable by key words such as 'awe', 'astonishment' and 'terror', feelings of insignificance, fractured syntax and the general inability to describe what is being experienced. Perception and interpretation of the sublime are directly linked to personal circumstance and suffering, to spiritual beliefs and even expectation (consider Wordsworth's disappointment at Mont Blanc). It has become evident that there is a transition space between what a traveler experiences and what he writes; a place wherein words often fail but the experience is intensified, even understood by the traveler. This space, as I have understood it, is the imagination. In his quest for spiritual identity Thomas Merton offers the above quotation to illustrate what he calls 'interpenetration' between the self and the world. As travel writers engage nature through their imagination, Merton's description of the 'inner ground' is an appropriate one for the Romantic conception of the imagination. ...
Although these poems are both centered around the theme of love, they each contain a different meaning. Lord Byron's “She Walks in Beauty” is dedicated to conveying love through the use of metaphors. Keats' poem, “La Belle Dame sans Merci,” on the other hand, tells a story about how love can be deceiving. Despite their differences, these poems have similarities as well. They each have three parts that progress a story along through the use of literary techniques. Each poem was also written in the early 1800's. These poems both implicate the reader to make a connection to everyday life by relating possible experiences of love.
The poets integrated ?metaphysical conceits? as focal parts of these poems. Along with these, they used effective language as a basis for their convincing arguments, they included subjects of periodical importance (e.g. ?courtship? and ?religion?), and use very clever structures that are manipulated in order to make the poem read in the desired way. The very clear indication of the theme in question was strongly aided by the way in which the personas portrayed the emotions they felt and the way they showed their attitudes towards the subject. Considering all these factors, the poets made critical arguments to the mistresses in order to alter their views, thus changing their minds, on denying the poets the sex that they desired so strongly.
What can be said about the sublime? Class discussion led to the definition of sublime as the element found in travel literature that is unexplainable. It is that part of travel literature where the writer is in awe of his or her surroundings, where nature can be dangerous or where nature reminds a human being of their mortality. The term "sublime" has been applied to travel texts studied in class and it is hard not to compare the sublime from texts earlier in the term to the texts in the later part of the term. Two texts that can be compared in terms of the sublime are A Tour in Switzerland by Helen Williams and History of a Six Weeks' Tour by Mary Shelley and Percy Bysshe Shelley. There are similarities and differences found in both texts concerning individual perspectives of travel and the sublime. The main focus of this commentary will be comparing and contrasting the perspectives of Williams and Shelley within their respective texts, the language of the sublime and the descriptions of the sublime.
Lord Byron had a variety of achievements during his time. Among these various achievements, he had a very significant and profound impact on the nineteenth century and it’s “conception of archetypal Romantic Sensibility. (Snyder 40). “What fascinates nineteenth century audiences about Byron was not simply the larger than life character of the man transmuted into...
Wilson, Ben. "She Walks in Beauty by Byron: Analysis, Theme & Interpretation." Education-Portal.com. Portal Education, 2002. Web. 28 Feb. 2014.
Shelley, Percy. "A Defense Against Poetry." Ed. Duncan Wu. Romanticism: An Anthology. Vol. 4. Oxford, UK: Blackwell, 2012. 1233-247. Print.
Byron (George Gordon, Lord Byron), Don Juan, ed. Leslie A. Marchand. Boston: Houghton Mifflin, 1958.
Thorslev, Peter L., Jr. The Byronic Hero: Types and Prototypes. Minneapolis: University of Minnesota Press. 1962. Print.
Some of Byron’s greatest poems are all drawn from his life and his experiences. Many of them involve Byron’s numerous dysfunctional love affairs and his attempts to find more in his life other than lust, through his adventures. Without the inspiration Byron gathered from his unusual and flamboyant life, it is possible that Byron would not be such a notable leader in the Romantic Movement, as many see him today.
responses to Malthius and Burke.? Studies of Romanticism, Fall 2001 v40 i3 p345(25). April 15, 2004
Williams, E. Audra and Aubrey, eds. Pastoral Poetry and An Essay on Criticism. New Haven: Yale University Press, 1961.