Lord Byron vs. Caroline Lamb
Throughout his poem, Don Juan Lord Byron is poking fun at other poets, critics, and society. He places himself in a position of elevation, which Caroline Lamb then mocks in her rebuttal poem, A New Canto. Lamb was distraught when Byron broke off their love affair. She was obsessed and stalked him.
The dedication segment of Don Juan is directed towards Robert Southey, and Byron takes the opportunity to make fun of the “Lakers,” or the lake poets in regards to their political stance. (see poem) He also does not leave out mention of the “bluestockings” which Lamb was a part of. (see poem) Once Byron embarks on his first canto, his initial statement makes fun of the traditional epic style. Instead of following suit and beginning in medias res, he proclaims to begin with the birth of his hero and tell about his education and parents for the first canto. The romantic interlude with Julia is also covered in this canto; it is what inevitably causes Don Juan to flee and take board on a ship. In accordance with his mocking of the traditional epic, instead of the hero telling his story, Byron is the narrator. It is as if he is the one sitting around a table telling the story.
A common technique of Byron in this piece is to insert himself within the story and speak directly to the reader (see poem). He includes many tangents, on which he either makes a sneering, yet humorous comment (see poem), or adds in his own experiences or feelings about the topic at hand (see poem). Many times these tangents seem unrelated to the text, (line 1700ish) and only serve as a chance for Byron to say his piece on something he finds interesting or relevant in placing himself as distinct from the rest (line 697). These lines of humor are made more apparent through the rhythmic nature of his rhymes, and the placement of the individual lines (line 320-2). He tends to follow up a serious event or thought by a more trivial and light comment, making the first serious thing seem less heavy (line 752).
Byron introduces many different forms of femininity through the different female characters in the poem. His mother is very good at math and a very learned person in general. (link) This was not the typical form of femininity that was always seen, because an education was hard to come by for some women.
The informal language and intimacy of the poem are two techniques the poet uses to convey his message to his audience. He speaks openly and simply, as if he is talking to a close friend. The language is full of slang, two-word sentences, and rambling thoughts; all of which are aspects of conversations between two people who know each other well. The fact that none of the lines ryhme adds to the idea of an ordinary conversation, because most people do not speak in verse. The tone of the poem is rambling and gives the impression that the speaker is thinking and jumping from one thought to the next very quickly.
“Lord Byron.” Gale Contextual Encyclopedia of World Literature. Vol. 1. Detroit: Gale, 2009: 269-272. Student Resources in Context. Web. 25 Mar. 2014.
...ousy, just as you’ve always been jealous of any woman I’ve ever shown interest in,” complains Alex to his mother. It is Alex’s mother who conceives the idea to potion Alicia and it is his mother with whom he argues for the keys to the closets.
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I do not know how without being culpably particular I can give my Reader a more exact notion of the style in which I wished these poems to be written, than by informing him that I have at all times endeavored to look steadily at my subject; consequently, I hope that there is in these Poems little falsehood of description, and my ideas are expressed in language fitted to their respective importance. Something I must have gained by this practice, as it is friendly to one property of all good poetry, namely, good sense; but it has necessarily cut me off from a large portion of phrases and figures of speech which from father to son have long been regarded as the common inheritance of Poets.
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Lord Byron had a variety of achievements during his time. Among these various achievements, he had a very significant and profound impact on the nineteenth century and it’s “conception of archetypal Romantic Sensibility. (Snyder 40). “What fascinates nineteenth century audiences about Byron was not simply the larger than life character of the man transmuted into...
The ironic use of rhyme and meter, or the lack thereof, is one of the devices Larkin uses to emphasize his need to break out of industrial society. The typical rhyme scheme is not followed, but instead an ironic rhyme scheme is used in the sonnet in the form of abab cdcd efg efg. Larkin writes this poem as a sonnet but at the same time diverges from what a typical sonnet is supposed to be. He is commenting on society’s inclination to form restrictions on those within it. By writing out of the accepted form of a sonnet, his writing becomes more natural because of a lack of constraints due to following certain rules and fitting a certain form. He breaks free and writes as he pleases and does not conform to society. Just as with the rhyme, ...
The construction of the poem is in regular four-line stanzas, of which the first two stanzas provide the exposition, setting the scene; the next three stanzas encompass the major action; and the final two stanzas present the poet's reflection on the meaning of her experience.
Lord Byron's chief masterpiece is probably the comic epic Don Juan, which occupied its author from 1818 until nearly the end of his life (Trueblood 14-15). The sheer length of the poem is in itself impressive; its seventeen cantos take Juan through a variety of adventures, including the famous affair with Donna Julia, the sojourn with Haidee, experiences in Turkey and later in Russia as a slave, and finally episodes in England among high society (Boyd 22-30). Remarkably, however, Don Juan as Byron left it is obviously unfinished. Further, the poem was not published in an absolutely complete form until nearly eighty years after Byron's death (Steffan III 562). The unfinished state of Don Juan and the circumstances which led to it inevitably encourage speculation: how would Byron have ended his poem?
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In Don Juan, George Gordon, Lord Byron, diverges from his name-sake characterization with an un-Byronic hero, Don Juan. The poem has been viewed as nihilistic and immoral. Actually there is plenty present in the first canto to show morality and hope for humanity. The poem should be viewed as the author intended: "a satire on abuses of the present state of Society, an not an eulogy on vice..." (Bostetter 9). Don Juan is a satire and therefore the morals present are shown in an ironic way. If fact, he wrote in such an obvious ironic fashion that it is hard to imagine the message was lost on many. His ironic theme is based on what people think and what they actually do. In effect it is the masks people wear in public view and carelessly toss away in private. Hence he shows the immorality in society through their hypocrisy.
Lastly the medulla oblongata where nerve centers vital the body survival has control over circulation of blood by regulating the heart beat and arterial blood pressure. The last part of the nervous system would be the spinal cord which extends from the base of the medulla oblongata to the junction between the first and second lumbar vertebrate. Its functions are to conduct sensory impulses from the rest of the body to the brain and send impulses from the brain to the body. (fleming-Mcphillips, 2011)
Thorslev, Peter L., Jr. The Byronic Hero: Types and Prototypes. Minneapolis: University of Minnesota Press. 1962. Print.
Firstly he uses a sharp contrast in his tone. This is particularly evident in his poem 'September 1913'. He starts by attacking the greedy uncultured people of Ireland, especially the shopkeepers who “add the halfpence to the pence”. He uses adjectives such as “greasy” and “shivering” to help portray his feelings of disgust and vexation. This gives the stanza a reproachful tone. At the end of the stanza he introduces the refrain: