Looking At The Aesthetics Of The Horror Genre

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Aesthetics of horror Looking at the horror genre, it is noticeable one of the most favoured genres of film worldwide and it continues to grow as more and more horror films come out each year. Many people are drawn to horror and seem to get some sort of satisfaction from the appeal of this genre. There has been the question of what draws an audience to this genre, and the answer can be straight forward, we crave disclosure of the things we do not know and the things that may never be real in our lifetime or ever. Horror is also a different take on the art of film and many different messages can be portrayed in many different ways within this genre such as a serial killer or a demon, this can arise the interest of the audience as a horror film …show more content…

(https://blogs.uoregon.edu/conor/2015/05/10/aesthetics-of-horror-research/, accessed 29 March 2018). So looking at the horror genre as a whole, we see that the aesthetics is generally very dark and the colours used within horror films are very plain and also generally dark, this can also be affected by the sub-genre, for example taking a slasher horror into consideration, brighter colours can be used, especially red , because of all the blood involved within this sub-genre. The tone is also brighter since most directors involved with this sub-genre of horror want the audience to see every gruesome detail in the violence that is taking place as this will get a emotional response from the audience. With the Babadook we see that it is very dark throughout most of the film, and the film is filled with white, grey and black as these colours contrast, but still leave a mainly darker look than what other colours would. These colours work exceptionally well, because the film is about a book, with white pages and black text and that includes drawings within the book that are …show more content…

The shots also develop from slow paced and smooth to very fast paced with quick cuts and more jump cuts which makes the tension and emotion rise within the audience increasingly throughout the film, which a good horror should do, because a film that does not engage an audience emotionally is a failed film and this especially matters with horror as it has to be a very emotive genre (R, Mckee.

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