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Edward scissorhands analytical essay
Essay about edward scissorhands
Tim burton's cinematic style
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Burton
Imagine being stuck up in an old rundown castle that nobody has been in for years, secluded from society your whole life. Unfortunately, the only person you’ve ever know has recently passed away. The worst part of the whole ordeal is that your hands aren’t even hands but just scissors. Furthermore soon a women you’ve never seen, of course she’s the only women you’ve ever seen intrudes into your home and in the same fashion she takes you out with her to meet her family and neighbors. This whole experience is so new and you’re seeing things you’ve never seen before like bright colors, shapes, and people of all sizes in such as small period of time. You, Edward from Tim Burton’s Edward Scissorhands start to become weary of the life of seclusion
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you’ve lived. Tim Burton’s dark, mysterious, and sometimes humorous style is best conveyed by his use of colors, lighting, & music in his films Edward Scissorhands, Beetlejuice, and Corps Bride Burton is excellent at using color to create feelings about a setting or character while at the same time he can use dark gray colors to highlight characters emotions.
Burton widely used these techniques in one of his films, Edward Scissorhands, Edwards’s cloths are all black and he is notably pale. Edward could be seen as being gothic whereas the environment around him are colorful, bright, and alive. When Edward and Peg arrive at Peg’s house for the first time you can see that Edward stands out significantly from the houses and the other people around him. This makes the reader feel that Edwards been secluded from the Excitement and emotions of the outside world. In another one of Burton’s films, Corpse Bride, Burton uses a lot of greyness in the first portion of the film for instance the opening scene of the film has no color but grey and darker shades of grey. Burton, by using only grey color creates a sense of perpetual loneliness or a sense that there is no happiness in the world that the characters live in. Overall Burton’s use of color supports the darker part of his style by frequently using out of place colors that are typically darker colors in this case In Edward Scissorhands Edward having gothic like cloths compared to the bright surroundings is a great example of his dark use of
color. Another film technique Burton uses is lighting but mainly low-key lighting. Low-key lighting is usually used to create a dark and suspenseful setting and portray the unknown for example in Edward Scissorhands towards the beginning of the film where peg had entered the mansion and proceeded to walk upstairs where Edward was hiding from to him this mysterious women but Burton put him in a dark corner so Peg wouldn’t know what or who he was until he was close to her. The low-key lighting used in this scene was meant to build suspense and induce fear in the viewer since from what you could see looked it appeared that Edward was going to hurt Peg. Another example of Burton’s use of Lighting comes from his film Beetlejuice. When Beetlejuice is trying to scare away the new occupants of the home he turn into a large snake with his head as its head. After Beetlejuice drops the father he goes for the daughter and there is a close up, eye level shot up with low-key lighting of his cartoon like snake head. This use of lighting helps Intensify the scene and make it suspenseful for the viewer because they don’t know whether or not Beetlejuice is going to harm her. Low-key lighting is ultimately one of Burton’s essentials when it comes to his style in fact Low-key lighting is used is most if not all of Burtons films. His style really wouldn’t be dark if his use of lighting was different. One technique that Burton uses is his films that is less noticed because it blends into the scene is his use of fast paced music or sounds. Typically Burton’s use of music and sound intensifies a scene or emphasizes chaos. A good example of his use of music and sound is in Edward Scissorhands when Edward is breaking in to Tim’s house and is trapped. Leading up to Edward being locked into the house there is relatively fast paced music and when The alarm system activates there is a loud alarm sound that goes with it and this is intended to intensify the scene and cause the viewer to hope that Edward finds a way out or ends up ok. One more way that Burton uses music and sound is in the movie Beetlejuice when they are all around the table and they start to sing and dance the song Day-O. Unlike most of Burton’s techniques this one is mainly meant to be humorous but still chaotic. It mixes his dark style with a bit of humor. Music and sound are one of the most important things in a film. Without it the film would be boring and confusing. Music is also essential to create suspense in a dark film like most of Burton’s films such as Beetlejuice. Burton isn’t like most big time film directors in the way that he uses lighting, color, and music that add to his dark and humorous sense of style in films like Beetlejuice, Corpse Bride, and Edward Scissorhands. Tim Burton uses a lot of odd techniques like stop motion when the film is a motion picture.
An example of juxtaposition in Edward Scissorhands was the dark, evil mansion and the colorful neighborhood. Another is Kim’s white dress and Ed’s Black outfit. Jim was the opposite of Ed because he was evil and cunning and Ed is nice and innocent. All these examples show how Tim Burton used Juxtaposition to show the differences of people and
In the movie Edward Scissorhands, the dark and shadowy castle looks like something out of a horror movie. This is one of Tim Burton’s lighting techniques to make everything look grotesque and ominous. When Charlie’s house was being shown in Charlie and the Chocolate Factory, the house looked dark and hopeless. Charlie’s family doesn’t look sad at all though, in fact they are happy because even though they live in the worst house in the town, they have a home and a meal every night and they are one big happy
stunning visual style to consider the forces that threaten human agency. In the case of the charac- ter Raymond Shaw, he becomes brainwashed and easily controlled by his enemies and his own mother, who forces him into an being an unwitting murderer. Set during the Cold War, the film includes realistic representations of government paranoia, embedded into a fictional communist plot of memory implantation and brainwashing soldiers. Made clear to the audience in one of the most disturbing and entertaining scenes of the film, the American soldiers are unknowingly psy- chologically reprogramed into subservient robots with no control over their actions. If human agency
Not a single individual is able to watch a Burton film without noticing the lighting effects and how it significantly contributes to the tone and mood of the entire film. In the movie Edward Scissorhands, one might be overwhelmed with the burst of extravagant colors in the scenery. Indeed this cinematic technique, high key, wholly influences the viewers perception and impression of the town. One can conclude that even though flamboyancy pervades the town, iniquity lurks in all directions and hypocrisy governs the minds of its inhabitants. Irony is harnessed in this film. How can an effulgent town harbor wickedness and Edward with a chilling and gothic complexion radiate innocence and righteousness? Burton uses these opposing conceptions brought about by the contrast of lighting to convey the message that materialism has been ingrained in the mentality of society (at least in the neighborhood in which Burton lived in the past), thus yearning for th...
The director Tim Burton uses colors to create a happy mood during the scenes in the movie Edward Scissorhands. He portrays the neighborhood and all the people that live there in bright pastel colors which gives off a happy feeling. These bright colors give off the impression that everything is picture-perfect and everyone is content. The whole neighborhood is unchanging and routine. Throughout the movie Burton shows the men have left for work at the same time every day and everything is a lively color. When Edward arrives, he is dressed in all black and is
In the film "What's Eating Gilbert Grape?" directed by Lasse Hallstrom in 1993, one of the main ideas is that of struggle and hardship. This idea is significant to the film because it relates to each character in a different way, making the storyline more interesting. Three different techniques used by Lasse Hallstrom to illustrate the idea of struggle and hardship include Gilberts voice over, the extra close-ups of Bonnie as she climbs the stairs and the double up of dialogue, where Mrs Carver is talking to Gilbert, and Mr Carver is heard tying to entertain their children in background.
Lighting and color are used to prove the distinction between individuals. In Edward Scissorhands, low key lighting was used to show the illusion of Edward being in isolation. Through this isolation, Edward did not know his place in society. Isolation created Edward to be displayed as a misfit compared to the rest of society. Burton conveys the fact Edward is a misfit by creating a sense of eeriness which shows he is darker coloring while the rest of society seems brighter. To try to fit into society, Edward tried to satisfy everyone’s desires. However through this trial, he could not help but being himself even if that caused society to frown upon him. Even though society frowned
The horror genre of film captives the frightfulness of individual fear, horror is the only genre that is meant captive the terror of the audience. The horror- the genre has been around well over one hundred- years there has been an extension of different types of horror and how the audience perceives horror. Many would even argue that horror films often reflect the fear of society in that certain time period. The evolution of horror reflects the evolution of society’s fear.
Julie Taymor’s film adaptation of Shakespeare’s Titus Andronicus has many theatrical elements that aid in creating an interpretation of the written play. One of the most prominent elements that Taymor uses is color. Taymor uses color to develop Shakespeare’s characters. Many times throughout the film, color is used to represent a character’s mood or their hidden agenda during a scene. We also see color used to represent good versus evil. The three colors that are most widely used during the movie to show symbolism and imagery are black, white, and red. While there are some references to color in the written text of Titus Andronicus, Taymor’s use of color allows the viewers to see a more clear representation of mood, tone, and character. The colors may be used in costume or in setting. Regardless of how they are used each color plays a large role in distinguishing the tone that is being set for a scene or character.
In the film ‘Into the Wild’ directed by Sean Penn, there are some scenes in the movie and enable us to understand how it was developed. I found one important scene in the movie, this is the scene in which Chris’ feels that his journey was almost end, the director uses some camera shots, dialogues and some soundtracks for us to see and understand the scene in this movie.
However, they have also put him in an artistic cage according to his viewers. They hear his name and they immediately associate his work with only the Gothic, only the creepy and dark. They see his twisted figures, his gloomy color schemes, his emphasis on death and then label him as an artist only able of applying the Gothic. In a way they are correct; he does employ dark and creepy details, however, he is a multifaceted artist capable of much more than the macabre. As he stresses the Gothic characteristics, he likewise applies modernistic techniques and an array of vivid colors. All of which contrasts sharply with features of the Gothic genre. Burton’s iconic dark palettes and color schemes allow him to give color meaning. In the Nightmare before Christmas he does this by creating a juxtaposition between the kaleidoscope colors of Christmas land and the Grayscale Halloween land. Both holiday realms, containing a leader and their own niche, embrace their own color palette. These contrasting hues coincide with the beliefs and tone of the holiday. Bright reds and greens highlight the joy of gift giving and being around those you love. In contrast murky blacks, cold dark colors, and the occasional orange emphasize the rapturous glee of fear and
With every film, there are purposely intended details which are used that may seem unnecessary or irrelevant, but are vital components of the diegesis. For most, it can be helpful to re-watch a movie to get a better understanding for what is going on. To appreciate and completely comprehend a film to its full extent, one must look to identify the five principles of form. When analyzing the plot of Get Out, these principles must be addressed because of the significant details that captivate this entire story. When considering how the aspects of function, similarity and repetition, development, difference and variation, and unity/disunity shape the film, viewers can get a grip for why the director uses certain tactics to compose each scene for
'Shawshank Redemption' directed by Frank Darabont is a compelling film about the life of one of its prisoners, Andy. many film techniques were used through out the film as a clever way of conveying main themes. This essay is going to examine how Darabont used camera angles and colour effectively in this film to portray the idea of power.
Unremarkable is a film about a typical day after death, what's curious is how remarkable we all find it. Unremarkable starts the way a film should; drawing you in and keeping you captivated. We watch as a distraught woman climbs out of her car and falls to the ground in the middle of a parking lot. Her death is discovered by a stranger only moments later.
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