Loneliness And Isolation In Haruki Murakami's Short Story

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This essay will compare and contrast the theme of loneliness and isolation in Haruki Murakami’s series of short stories from Blind Willow, Sleeping Woman with Ludmilla Petrushevskaya’s short stories from There Once Lived a Woman Who Tried to Kill Her Neighbor’s Baby. Loneliness is the negative feeling associated with undesired isolation, and isolation is the forced or desired state of being distant from others. Murakami and Petrushevskaya’s stories connect to the theme of loneliness and isolation because loved ones are torn apart due to social norms in Japan during the past few decades, and political circumstances of Russia during the Soviet Era. The separation of loved ones forces characters to embody the overarching theme of loneliness and …show more content…

Although some of these norms are not discussed much or even acknowledge, they are highly relevant to Japanese culture. Some of these norms include high rates suicide (which is generally tolerated), and family separation caused by personal obligations within the strict collectivist culture. Murakami echoes these issues throughout his short stories, by creating characters that are emotionally distant from their loved ones to reflect Japanese cultural norms. The stories in turn feel ill and stagnate, and create disconnect between the reader and characters—much like the disconnection between the characters between one another. His characters feel lonely and isolated from one another as they lose friends, lovers and family to death, or they do not bond with their loved …show more content…

This ties into the strict expectations for men in Japanese collectivism culture, as men are often times too busy with their careers to engage with family bonding. Tony Takitani’s father emulations this notion as he is living his life as a Jazz musician, separate from his child’s. Fathers work getting in the way of family relationships became especially prominent after the Japanese recession in the 1989 (White 90). Throughout the 90s, men will still expected to financially support their families. In order to do so, many of the jobs available required fathers to do business work away from home—physically separating them from their families since it is the father’s social responsibility to financially support (91-92). The men’s families could not move with him due to logistics, such as not wanting to interfere with children’s schooling or other aspects of their situated lives at home (92). Merry White notes in her book, Perfectly Japanese: Making Families in an Era of Upheaval, that “[t]he intensity of the [split] . . . household is said to be dangerous to both parties. The isolation of the husband is pathological for him as well, perhaps triggering stress-related illness and even death. The requirement to split the family destabilizes it: the system arranges, the system disarranges” (92). Murakami emulates this notion of “split” and “destabilized” families

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