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Gender Roles in Fairy Tales
Gender and roles of women in literature
Gender and roles of women in literature
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Recommended: Gender Roles in Fairy Tales
The way society views women has changed drastically over the centuries. We see it through history books, but what about fairytales that have been around for centuries? After reading the three very different versions of “Little Red Riding Hood” it will be very hard for me to look at the story the same. Growing up, I always thought the theme of the story was to not talk to strangers when going to visit your granny in the woods. However, the three authors of these stories have very different themes, but at the same time I saw a blatant difference in each piece how woman were viewed at the time the story was written. The first version I read, Little Red Riding Hood, written by Charles Perrault, is probably the oldest version of the story. Written …show more content…
She is instructed to bring her grandmother cake by her mother, on her way to her grandmother she encounters a malicious wolf, who is the antagonist of the story. She tells the wolf her entire plan to visit her grandmother, this told me the pretty little girl is very dumb to tell a wolf she has never met her travel plans which could very well put her in harm’s way. The wolf beats Little Red to her grandmothers and eats the old woman up before the girl gets there. The wolf then disguises himself as Grandmother and waits in bed for Little Red to arrive. When Little Red finally makes her way to the cottage, she believes the wolf is her grandmother, and climbs into bed with the beast. After stating what big arms, eyes, legs, ears, and teeth her “grandmother” had, she realizes who she actually is in bed with. The wolf then eats her up. The theme for the first story is that “One …show more content…
The setting pf this story is a wintry, northern country where the most dangerous wolves live. Anyone who enters the woods is in danger of the wolves. The narrator tells a few stories about the wolves, some of which are actually werewolves. Some are cheating husbands that lurk as wolves, once killed, the dead wolf bodies transform back into the human forms. Then the story begins with a young girl who wears a red cloak who is traveling in the woods to visit her grandmother. The child is very strong-willed, and lives a very sheltered life. She feels protected by the “invisible pentacle of her own virginity,” and does not fear the dangerous woods. The child hears the howling of the wolves, and then a beautiful young huntsman appears. She is taken back the man, and they begin talking on the way to her grandmother’s. The huntsman tells the girl he knows a shortcut to her grandmother’s, they challenge each other as to who can arrive to the cottage first. The huntsman insists that if he wins, Little Red must kiss him. The huntsman arrives at Grandmother’s first, she is in bed. When the huntsman enters, he strips naked transforms into a wolf and eats the grandmother. Knowing Little Red will arrive any minute he puts on Grandmother’s clothes and climbs into bed. When Little Red arrives she is disappointed the huntsman didn’t arrive first. She then notices the hair in the fireplace and what
The grandmother always would tell the grandson different stories about the land, the people, pretty much everything in the world. But one day she told him about the Deer Woman, because she thinks that he is becoming a fine hunter. She told him that his grandfather told her the story of the Deer Woman, how she would appear to lone hunter and welcome them into her lodge which would be alone lodge with warm furs and robes and a fire going. They would go in there and she would take their souls, some would have families that they forget about because they go looking for the Deer Woman but they never find her, because the Deer Woman took their souls they forget who they are forgetting about their families. The grandmother tells him not to go into the lodge that he was to turn back from where he came from and keep walking away. One day the Young Hunter was out with a couple other hunter they were hunting for the tribe, well he was out by himself and he ran into the Deer woman. She welcomed him, the hunters almost went into the lodge, but he remembers what his grandmother
Jake, Lucy’s neighbor was a well-educated kid. He was 15 years old and lives in an old timber house with his parents. Jake’s father was a farmer and had lived in the area since he was a lad. The area seemed to be haunted since creepy tales about all sorts of beasts was told. People even claimed that they were awakened some nights by a howling. Mostly people believed that it was a feral dog but Jakes father incised that it was a wolf, a ghost wolf. He was sure since he had seen a wolf in the forest when he was in Jake’s age, but none believed him. He kept telling his son about the wolf and Jake wanted to find out the truth. Lucy knew about Jake’s curiosity, at the same time as she decided to escape from her unbearable father. So she lied to get Jake by her side on the endless escape from the futureless community. She said that she knew where the wolf’s lair was. Jake got even more curious and joined her wolf hunting-adventure.
And, “suddenly, he was [the boy’s] father again.” The boy sticks up to his father rather than just hiding, which is a change in by itself, but he also is able to reconnect with his father who seemed “as though he had never had a drink in his life.” It is after this one-sided brawl, that the audience learns the little boy in the legend who is left behind with the father is the narrator’s father. The legend narrates that upon being enclosed by the wolves, Aanakwad threw her daughter to them to save herself, which the boy witnesses; not knowing what is was from a distance. The narrator proposes a new idea at the end.
In “The Company of Wolves” Carter employs conventions of gender construction and didacticism, which help establish a fairy tale space (Koske 323). Carter presents a world in which fairy tale notions of gender are upheld. In her paper, “In Olden Times, When Wishing was Having: Classic and Contemporary Fairy Tales”, Joyce Carol Oates explains that the girls and women in fairy tales “are the uncontested property of men”. Carter alludes to this male dominated reality in her tale (99). When the girl, Carter’s Red Riding Hood, insists on venturing into the woods, the narrator says that “[h]er father might forbid her, if he were home, but he is away in the forest, gathering wood, and her mother cannot deny her” (1224). There is perhaps no gendered element to a parent preventing his child from wandering into the wilderness, b...
Unlike the early versions, this tale is told in first person from the bridegroom’s perspective, named “Mister Fox” in reference to Jacobs, only covering the events of the storytelling incident featured at the end of both early variations, this time told not by the bride but by another woman. Thus, rather than see the supposed heroine’s visit, only her story occurs. Quickly, the heroine is established as the suspicious one, described with horror imagery, like with “meat on her bones,” and uncertainty, as in “[she] smiles crooked.” When he asks for her story, she tells a tale a pregnant maiden in gruesome terms with period “blood stopped flowing” and “belly swole beyond disgusting” and describes her suitor suspiciously like the early bridegrooms, with a “sly” smile. As part of her story in lines 43-48, she sings a version of “The Fox” folk song, its original versions connoting deceit. Then, she recounts the bridegroom character’s trap to murder his intended, digging a hole under a tree to bury her in, while she watches, hidden in the tree. This plot and a later segment (lines 71-78) are lifted from two other English “Robber Bridegroom” variants, James Orchard Halliwell-Phillipps’ “The Oxford Student” and Sidney Oldall Addy’s “The Girl Who Got Up the Tree.” She explains that when the woman’s baby is born, it has a fox paw, not a human hand. After
In her transformation of the well-known fable "Little Red Riding Hood," Angela Carter plays upon the reader's familiarity. By echoing elements of the allegory intended to scare and thus caution young girls, she evokes preconceptions and stereotypes about gender roles. In the traditional tale, Red sticks to "the path," but needs to be rescued from the threatening wolf by a hunter or "woodsman." Carter retells the story with a modern perspective on women. By using fantasy metaphorically and hyperbolically, she can poignantly convey her unorthodox and underlying messages.
Folktales are a way to represent situations analyzing different prospects about gender, through the stories that contribute with the reality of the culture in which they develop while these provide ideas about the behavior and roles of a specific sex building a culture of womanhood, manhood and childhood. This is what the stories of Little Red Riding Hood of Charles Perrault (1697) and Little Red-Cap of the Grimm Brothers (1812) show. This essay will describe some ideas about gender in different ways. First, the use of symbolic characters allows getting general ideas about the environment in the society rather than individuals. Second, it is possible to identify ideas about gender from the plot from the applied vocabulary providing a better understanding of the actions. Finally, the narrative perspective of the tales analyzes deeply the status of the characters referring to the thoughts among the society.
“The Company of Wolves” by Angela Carter is a feminist and gruesome retelling of the fairy tale “Little Red Riding-Hood”. The story involves a werewolf, who represents a sexual predator. The werewolf is used as a symbol for both danger and desire. It also involves a young girl who does not fall victim to the fear of the wolf that she is surrounded by. She embraces her newfound sexual power and serves as symbol of sexual desire/power and female strength.
The fairytale Little Red Riding Hood by Charles Perrault is a story that recounts the adventure of the protagonist Little Red Riding Hood as she fulfills her mother’s wishes to bring a package to her ill grandmother. Perrault’s short story conveys influential life themes on the idea of male predation on adolescent women who fall victim to male deception. Perrault successfully portrays these themes through his use of rhetorical devices such as personifying the actions of the antagonist Wolf predator as he preys on the protagonist Little Red. Perrault illuminates the central theme of upholding sexual purity and being aware of eminent threats in society in his work. Roald Dahl’s poem, Little Red Riding Hood and the Wolf, is an adaptation to
...the young girl prior to meeting the wolf, how the young girl strays from the ideals of femininity once she meets the wolf, and last, what is inherently not feminine as represented by the wolf and his masculine characteristics. The wolf does not naturalize masculine characteristics within the reader because he still acts somewhat like a wolf, he is used as a tool to further naturalize the ideals of femininity, by standing in stark contrast to them.
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
“Little Red Cap” quickly became a household tale among children and adults, due to the imperative lessons that it directs to children and their parents'. Behind the initial story lies a message which, ”Cautions young girls to mind their mothers and not stray from the path to wander in the forbidden woods” (Rholetter). The forest represents any unfamiliar place that children can easily become lost within, while the path to grandmother’s house can represent a place the child is accustomed to. As soon as Little Red Cap begins her journey, she is confronted by a wolf. When they first meet, the wolf acts as a polite gentleman would towards any young lady which earns Little Red Cap’s trust instantly, "Little Red Cap, just where does your grandmother live? said the Wolf. Little Red Cap eagerly replied, Her house is a good quarter hour from here in the woods, under the three large oak trees. There's a hedge of hazel bushes there. You must know the place”(Grimm). This portrays children being subjected to the danger of strangers acting as friends to others for their own personal gains. The Brothers Grimm version of “
A Comparison of Little Red Riding Hood by Charles Perrault and Little Red Cap by the Brothers Grimm
To begin with right off the bat she made the mistake of trusting strangers when she told the Wolf where she was going and what she was doing. She then made it even worse by being so naive that she agreed to “race” the wolf to grandmother’s house but being an innocent child got side tracked by picking flowers and gathering nuts. Due to her previous mistakes the wolf had already gotten to the grandmother. Little red continued to not trust her gut instinct when she suspected that the wolf was in the house when it said “Little Red Riding Hood was afraid at first when she heard the gruff voice of the wolf, but thinking that her grandmother must have caught cold”. She allows her childhood naivety to take over and ignore the obvious fact that the wolf was impersonating her grandmother.
The Reddleman safely returns Thomasin Yeobright, to her aunt, Mrs. Yeobright. Thomasin Yeobright was to be married to Damon Wildeve that day. Mrs. Yeobright takes Thomasin with her to see Wildeve at the inn he owns, to ask for an explanation of why the two did not get married yet. The heath folk, after the bonfire, come to congratulate the supposed newlyweds. After a while, Wildeve gets rid of them and then goes off to see Eustacia Vye. Eustacia Vye watches for Wildeve and sets up a signal fire near her grandfather’s house. Wildeve, who was once her lover, finally arrives.