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Gender roles in fairy tales
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Objectification of women in fairytales
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An archetype provides a window into a society’s attitudes and values.
Critically assess how representations of archetypes provide insight into a society’s attitudes and values.
Fairy tales are both entertaining for readers as well as being didactic in nature, providing insight in changes in archetypes which reflect values at the time of publication. As aspects of fairy tales have evolved to appease society’s more contemporary views, values have shifted from obedience to empowerment. This idea is explored in Charles Perrault’s Little Red Riding Hood (LRRH) first published in 1697, the Brothers Grimm folktale of Little Red Cap (LRC) which was published in 1853 as well as Roald Dahl’s modern appropriation tale Little Red Riding Hood and the Wolf
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However, prior to the onset of the suffragette movement in the late 19th century women were considered to be more objects who were heavily dependent on men. This is conveyed in both Perrault and the Grimm’s tales, who depict the heroine to suit society’s opinion of females. Perrault refers to LRRH as a “poor child who had no idea”, which suggests that due to her being female she is automatically vulnerable and naïve, requiring a man for protection. Furthermore, LRRH’s act of “having a good time chasing nuts and butterflies” metaphorically implies that she was straying from the pathway expected of a girl and will be punished for this disobedience. A psychoanalytical reading of this text would reveal there were two core reasons for LRRH’s eventual death and vulnerability. These were the lack of connection with her mother, who failed to explain the dangers of the woods as well as the absence of a strong father figure. France during the 17th century was part of the Age of Seduction era, whereby sex was a powerful force, women relied on the protection of a man. Women in this period were not valued for their rationality or wisdom, but were prized by their virginity and
Ownership is a symbol of control. As human beings, we tend to put labels on things, believing that everything must belong to someone or something. This issue of ownership does not exclude the world of fairy tales. Fairy tales, much like birds, follow no rules and are free, but can be over ruled by potential superiors. In Donald Haase’s essay entitled, “Yours, Mine, or Ours?” and Lawrence R. Sipe’s case study, “Talking back and taking over: Young children’s expressive engagement during storybook read-alouds”, both scholars claim that children holds the baton of ownership over fairy tales. Although Haase and Sipe lay out an appealing theory and practice for children’s literacy, a story like “The Juniper Tree” by the Grimms brothers suggest skepticism
Tatar, Maria. "Jacob and Wilhelm Grimm, ‘Little Red Riding Hood’" The Annotated Classic Fairy Tales. New York: W. W. Norton &, 2002. 17-27 371-373. Print.
“I've told her and I've told her: daughter, you have to teach that child the facts of life before it's too late” (Hopkinson 1). These are the first three lines of Nalo Hopkinson's fairy tale “Riding the Red”, a modern adaptation of Charles Perrault's “Little Red Riding Hood”. Perrault provided a moral to his fairy tales, the one from this one is to prevent girls from men's nature. In Hopkinson's adaptation, the goal remains the same: through the grandmother biographic narration, the author advances a revisited but still effective moral: beware of wolfs even though they seem innocent.
Certain characters, symbols, and behavioral patterns are copied throughout all forms of storytelling. We may not always realize it, but all stories contain these universal templates that we recognize as archetypes. Similarly, most stories incorporate plots and ideas in relation to the hero’s cycle and the “Allegory of the Cave”. Two fairy tales that show common archetypes and relate to the hero’s cycle are “Little Brier-Rose” by Jacob and Wilhelm Grimm and “The Rough-Face Girl” by Algonquin Indians. Each fairy tale shares an important moral lesson with the reader, but the lesson provided in “The Rough-Face Girl” is better for it emphasizes inner beauty and being able to see the beauty in the world around her while in “Little Brier-Rose”,
Folktales are a way to represent situations analyzing different prospects about gender, through the stories that contribute with the reality of the culture in which they develop while these provide ideas about the behavior and roles of a specific sex building a culture of womanhood, manhood and childhood. This is what the stories of Little Red Riding Hood of Charles Perrault (1697) and Little Red-Cap of the Grimm Brothers (1812) show. This essay will describe some ideas about gender in different ways. First, the use of symbolic characters allows getting general ideas about the environment in the society rather than individuals. Second, it is possible to identify ideas about gender from the plot from the applied vocabulary providing a better understanding of the actions. Finally, the narrative perspective of the tales analyzes deeply the status of the characters referring to the thoughts among the society.
During the 19th century, Grimm’s fairytales were strongly disapproved of due to harsh, gruesome details and plots. One American educator from 1885 stated, “The folktales mirror all too loyally the entire medieval worldview and culture with all its stark prejudice, its crudeness and barbarities.” As childre...
Fairytales are known to be told to children as a way to persuade the kids to behave according to the different morals each tale has to bring. Both fairytales are about Little Red Riding Hood from two different authors that make their own version to it to express what they actually think about it. Brothers Grimm is the author who created the original story about Little Red and its purpose was to teach kids to always stay on the right path. James Finn Garner is the other author that made the politically correct version of the fairytale of LRRH and his purpose was to teach his audience to challenge stereotypes from our society. He is stating not only to persuade individuals to challenge gender construct but to stop the stereotypical comments from speciesist people.
In most fairy tales, the main character are children. Since these tales were originally created to teach children a lesson, they created characters that are close to themselves. In Little Red Riding Hood, Gustave Dore depicted Little Red as a normal young girl in the 17th century, she looks innocent, healthy, and most importantly she looks a human child. They represent life, youth, future, happiness, and unrelenting trust.
In a society unbridled with double standards and set views about women, one may wonder the origins of such beliefs. It might come as a surprise that these ideals and standards are embedded and have been for centuries in the beloved fairy tales we enjoyed reading as kids. In her analytical essay, “To Spin a Yarn: The Female Voice in Folklore and Fairy Tales”, Karen Rowe argues that fairy tales present “cultural norms which exalt passivity, dependency, and self-sacrifice as a female’s cardinal virtues.” Rowe presents an excellent point, which can be supported by versions of the cult classics, “Cinderella” and “Snow White”. Charles Perrault’s “ The Little Glass Slipper” and the Brothers Grimm’s “ Snow White” exemplify the beliefs that females are supposed to be docile, dependent on the male persona and willing to sacrifice themselves. In many cases, when strong female characters are presented they are always contradicting in these characteristics, thus labeled as villainous. Such is the case of the Cinderella’s stepsisters in Perrault’s “Cinderella” and the stepmother in the Brothers Grimm’s “Snow White.” These female characters face judgment and disapproval when they commit the same acts as male characters. With such messages rooted in our beloved fairy tales it is no wonder that society is rampant with these ideals about women and disapprove of women when they try to break free of this mold.
Folktales such as the “Little Red Riding Hood” by Charles Perrault and “The Grandmothers Tale” told by Louis and François Briffault tell us how appearance and symbolism of different settings develop meanings about innocence and maturity. In the “Little Red Riding Hood” by Perrault conveys to us the meaning behind the red hood worn by the little girl, and how that captures the interest of sexual predators. Perrault also expresses how the little red riding hood was not mature enough to resist the approach of the wolf leading to her demise. “The Grandmother’s Tale” shows us how maturation influences the decisions made by the little girl through the use of symbolism.
Throughout literature, authors employ a variety of strategies to highlight the central message being conveyed to the audience. Analyzing pieces of literature through the gender critics lens accentuates what the author believes to be masculine or feminine and that society and culture determines the gender responsibility of an individual. In the classic fairytale Little Red Riding Hood, the gender strategies appear through the typical fragile women of the mother and the grandmother, the heartless and clever male wolf, and the naïve and vulnerable girl as little red riding hood.
A Comparison of Little Red Riding Hood by Charles Perrault and Little Red Cap by the Brothers Grimm
Because she is a sweet little girl, the fairytale is giving us messages that we should help our elders and we should be kind. When we hear queer, we do not say “Little Red Riding Hood” off the bat. In the articles from scholars there is a focus on different parts of “Little Red Riding Hood”, messages and how versions are seen as queer in the fairytale. In the article "A Wolf's Queer Invitation: David Kaplan's Little Red Riding Hood and Queer Possibility" by Jennifer Orme, she analyzes the word queer in "Little Red Riding Hood" which has many meanings to the different versions of the fairytale. “Queer reading, however, is all about straying from the path, particularly one built on binary oppositions between masculine and feminine, active and passive, and heterosexual and homosexual.”
The way society views women has changed drastically over the centuries. We see it through history books, but what about fairytales that have been around for centuries? After reading the three very different versions of “Little Red Riding Hood” it will be very hard for me to look at the story the same. Growing up, I always thought the theme of the story was to not talk to strangers when going to visit your granny in the woods. However, the three authors of these stories have very different themes, but at the same time I saw a blatant difference in each piece how woman were viewed at the time the story was written.
Some fairy tales are so iconic that they withstand the passing of time. One of those fairy tales is that of Cinderella. The rags to riches story that gives even the lowliest of paupers, hope that they may one day climb the social ladder. While the core message of the story has transcended time, over the years it has been adapted to address a variety of audiences. One of those renditions is Perrault’s Cinderella where the traditional idea of gender is conveyed and therefore associated with good/evil. This idea is challenged by a fellow 1600’s French author, L’heriter de Villandon’s, who’s version of Cinderella brings about a female protagonist who is also the heroine.