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Themes on science fiction
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The sheer mentions of the words science fiction bring to mind certain hackneyed topics we Americans see in the media, those topics being technology and aliens. As different as each topic may be, juxtaposed, they share a key element that fuel the creative minds of science fiction writers. It is not the fact that they each have drastically advancement these past one hundred years, but rather the thought of an invasion. Although the idea of technology one day overpowering us has dominated Hollywood films for the past decade, it is a rather new topic. The War of the Worlds, a novel written by H.G. Wells in 1898, is considered by Kroeber, a professor and writer of the introduction to the Signet Classic version of the same book, to be “the most famous and most important science fiction story ever published.” (Wells, vii) The novel focuses primarily on an unnamed narrator, who struggles to not only save his wife, but himself from the rampaging Martians and their instruments of destruction, such as the Heat-ray and the black smoke. Through mentions of accurate scientific research, fictional news stories, and geographic settings, Wells creatively presents to the reader a story with a sense of verisimilitude that is seemingly produced to create the image that the accounts were real and factual.
It may or may not come as a surprise to the reader that the novel focuses on Martians, aliens from the planet Mars. As science has proved to us, Mars does indeed have elements that can harbor life. Wells takes inspiration by this, mentioning that “[Mars} has air and water and all that is necessary for the support of animated existence.” (Wells, 6) After the Martians die off and their bodies are used for science, their anatomy is exposed, and Wells s...
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...s the novel progresses, and as do the Martians, different towns are mentioned, such as Cobham and Ottershaw. The narrator tries to protect his wife and send her to a different town, Leatherhead. The narrator’s brother, who later gives information to the narrator about the invasion, is studying in London. The narrator arrives there near the end of the novel, and realized the death of the Martians.
In conclusion, many elements give the sense of verisimilitude to the novel The War of the Worlds. The aspects listed exemplify Wells’ idea to present fictional accounts as factual and give the reader a false-sense of reality. The scientific evidence given to reader by the narrator is not only the optimum, but the antithesis of jejune and personifies the backbone of this great novel.
Works Cited
Wells, H. G. The War of the Worlds. New York: Signet Classics, 2007. Print.
Tracy K. Smith’s “Life on Mars” is a collection of poetry dealing mainly in the search for a sense of purpose and the nature of people. The books is something of an elegy as a whole with many poems pertaining to death and the author’s struggle with the loss of her father. The poems are at once poignant and gentle in tone and leave questions than can only be answered in multiple readings. The book is segmented in four parts that travel through different topics and types of poetry. The mood ranges from passionate accounts of Orwellian politics to soft recollections of a lovers embrace; throughout the book Smith brings in references to pop culture, science, and technology that incorporate seamlessly with her words.
The author of “The Shatterer of Worlds” is very effective at creating a strong atmosphere that supports his theme. The author, Kildare Dobbs uses character and language to establish a powerful atmosphere and support his theme. Dobbs states that war is one of the worst actions a country can engage in, and therefore a nation must be careful about entering war. By using character and language the author is able to create a horrific atmosphere throughout the short story.
Literature and film have always held a strange relationship with the idea of technological progress. On one hand, with the advent of the printing press and the refinements of motion picture technology that are continuing to this day, both literature and film owe a great deal of their success to the technological advancements that bring them to widespread audiences. Yet certain films and works of literature have also never shied away from portraying the dangers that a lust for such progress can bring with it. The modern output of science-fiction novels and films found its genesis in speculative ponderings on the effect such progress could hold for the every day population, and just as often as not those speculations were damning. Mary Shelley's novel Frankenstein and Fritz Lang's silent film Metropolis are two such works that hold great importance in the overall canon of science-fiction in that they are both seen as the first of their kind. It is often said that Mary Shelley, with her authorship of Frankenstein, gave birth to the science-fiction novel, breathing it into life as Frankenstein does his monster, and Lang's Metropolis is certainly a candidate for the first genuine science-fiction film (though a case can be made for Georges Méliès' 1902 film Le Voyage Dans la Lune, his film was barely fifteen minutes long whereas Lang's film, with its near three-hour original length and its blending of both ideas and stunning visuals, is much closer to what we now consider a modern science-fiction film). Yet though both works are separated by the medium with which they're presented, not to mention a period of over two-hundred years between their respective releases, they present a shared warning about the dangers that man's need fo...
In this essay I will discuss the way in which the generic marker ‘The visual surface of Science Fiction presents us with a confrontation between those images to which we respond as “alien” and those we know to be familiar’ can be applied to Blade Runner and to what end.
Suvin, Darko. Metamorphoses of Science Fiction: On the Poetics and History of a Literary Genre . New Haven : Yale University Press, 1979.
The Best Science Fiction of the Twentieth Century. Ed. Orson Scott Card. New York: The Berkley Publishing Group, 2001. 212-217.
In 1898, H G Wells wrote “The War of the Worlds,” a novel that envisioned the destruction of a great city and the slaughter of its inhabitants. The invaders were Martians, but aliens were not needed to make this devastation a reality. In a few years after the publication of the book, human beings would play the part of inhuman pillaging with the realization of war and its effect toward society.
what he noticed about how Americans use non-verbal communication. He said that it is very easy to tell when something is bothering us or we are excited about something. We as Americans follow Albert Mehrabian’s thought on non-verbal communication and show our emotions more with gestures. This was something I learned from the interview because I was not aware of this culture aspect we as Americans hold.
Hoskinson, Kevin. “The Martian Chronicles and Fahrenheit 451: Ray Bradbury’s Cold War Novels.” Extrapolation (Kent State University Press). 36.4 (1995): 350-351. Literary Reference Center. Web. 2 March 2011.
It's an object lesson in civilization. " We'll learn from Mars" (pp. 55. The aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid aforesaid a Throughout the story, Earth man,especially American think that they are superior to the Martian. Earth man can do anything and knows everything. However, Bradbury's message is to tell them it is not true.
Thirdly, the Clash of Civilizations is a theory by Samuel Huntington, which shows that the conflicts that North Korea and South Korea faces in the modern era are caused by differences. On one hand, the war was considered the clash of civilizations at one of two levels: the micro-level. It is when adjacent groups along the fault lines between civilizations struggle violently, over the control of territory and each other. It is clear that North and South Korea fought a gruesome war, and allies of both countries were involved (Huntington 29). The death toll had reached over 54,000, and this is a clear example of how two neighboring civilizations with different ideologies can clash with each other (CNN). On the other hand, there is a macro-level,
Science fiction never ceases to amaze me as I take great enjoyment in exploring these creative universes. I have always had a great interest in military science fiction for its take on technological innovation and critical analysis. Military science fiction in general is very speculative about future of technology and warfare. The military science fiction genre also serves as a critique of contemporary politics as it deals with many of the same issues that go on today. This has made military science fiction one if the most well respected genres of science fiction for it ability to indirectly criticize modern society. My Integrated Project explores the relationship between how technology that has arisen from war has been some of the most innovative and why war has become an unshakeable aspect of human existence.
This brings me to one of Wells' most important ideas that he wanted to tell his readers. That was the idea of vivisection or cloning of humans and animals. In todays world we are trying to control evolution by furthering our studies into cloning. He was right about his expectations of future societies and his ideas about how scientific advancements would affect our world. It was different because when this book was published it got horrific reviews for being too outlandish with its views on society. I think that if the book was published today it would be raved as a good warning for all the cloning scientists. Tod...
The genre of what is called science fiction has been around since The Epic of Gilgamesh (earliest Sumerian text versions BCE ca. 2150-2000). The last 4000 years has evolved science fiction and combined it with all categories of genres comprising action, comedy, horror, drama, and adventure in many different ways. From chest bursting aliens, to robot assassins sent back in time science fiction has successfully captured the imagination of nearly everyone that has been introduced to it. The movies Close Encounters of the Third Kind and Independence Day are both examples of films created with the idea of advanced life existing outside the boarders of our own world. The foundation for each film in view of how extraterrestrial life will affect human affairs, however are very different.
Sci-Fi novels have been around for almost a century. Sci-Fi has the most potential of any genre to capture and explore the imagination of the world we know , or don’t know. Like any other genre Sci-Fi has tried to teach us lessons , or warn us of our arrogant choices as a whole civilization. But like all things, it changes with time. Sci-Fi writers adjust their styles accordingly based on current economic, political, or environmental problems around the world. The language in the writings change as well in an ongoing effort to keep up with the trends of popular culture.