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The war of the worlds1898
The war of the worlds1898
The War Of The Worlds
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The War of the Worlds film (1953) as a Cold War film This is one of the best science fiction films of the twentieth century and it is also a Cold War classic film. The film was released in 1953, produced by George Pal and directed by Byron Haskin and it was the year's biggest science fiction film hit. The plot of the film is very different from the novel, which tells the story of a ninetieth century writer who journeys through London and its southern suburbs while the Martians attack and at the end he was reunited with his wife. In the film the protagonist is a Californian scientist who falls in love with a former college student after the Martian invasion begins in a small Californian town; he also reunited with his girlfriend at the end The most powerful of these new weapons was the atomic bomb. Neither Russians nor Americans knew the amount of radioactivity and destruction power it could have. This was showed in the film through the preparation of the scientists to observe the drop, in Los Angeles, of the atomic bomb over the Martians machines and it secondary effects. The mass destruction without mercy that the Martians were inflicting to humans in the world also reminded the viewers the mass destruction in all the Earth that an atomic war will bring. The radiation after an atomic bomb was a big concern at the time and this was obvious since the beginning of the film when it mention that the meteorite spaceship had radiation. The concept of heat ray weapon, the green disintegrator ray, the force field of the Martians spaceships, the floating concept for the move of these machines were a preview of new technologies to come. The sound effects were fabulous and as a result they were used later in many well know science fiction movies. All this war technologies were a concern for the general public of 1953 when the movie was
In The Looking Glass Wars, Frank Beddor uses conflict to transform Alyss from a naïve, mischievous, and endearing little girl into an imaginative, disciplined, and confident young woman so that she could lead the Alyssians in an attempt to defeat Redd and take back her queendom. Alyss starts off the book as a seven-year old girl about to start training to become queen some day. Towards the end of the book Alyss will conquer the Looking Glass Maze and go on to defeat Redd. The reader will understand how Alyss goes from a mischievous, naïve, and endearing little girl to a more naïve and endearing teenager. And last the reader will learn how Alyss became an imaginative and disciplined young woman after she sacrificed herself for he friends.
For some people a sad story, yet for others a message to the people that see the movie. The Manchurian Candidate (1962) is a movie made after the time of the Cold War (1945-1952) . Indeed, there are reasons to believe that this movie is anti-communist by the fact that it presents traits of some Cold War features such as espionage and maybe proof of McCarthyism.
The title of this novel, “The Wars” is illusory. Upon first glance, it makes one expect a protagonist who goes to an actual war, uses physical strength to fight on the battlefield and becomes a war hero.While part of that is true, there are also other significances of the war associated with this title. This novel recounts the journey of the protagonist, Robert Ross as he starts out as a shy, introvert and an inexperienced person before he goes to war; he experiences a change in himself as a result of the people and the battle(s) that he fights with the factors in his surroundings. Therefore, “The Wars” doesn’t necessarily mean the war with the enemy but it includes the wars at home, wars against nature and wars of relationships. Which
Dr. Strangelove Or: How I Learned to Stop Worrying and Love the Bomb. Directed by Stanley Kubrick. Columbia Pictures, 1964.
Earth, fire, air and water play significant symbolic roles throughout the novel. They constantly change from the ordinary and life bearing to the unnatural and life threatening depending on if they are associated with the domestic life and the terrifying world of the wars.
Dr. Strangelove is in itself one of the most interesting pieces of cinema in the history of the medium. It captures a moment in world history, and the fear and hysteria that was associated with it, and translates it into the darkest of comedies. Kubrick came of age after World War II and the beginning of the Cold War, and like many others during this time period, he suffered immense anxiety about the potential for nuclear war, fearing that his hometown of New York could be a likely target, and even considered moving to Australia. He began consulting with others about the possibility of making the subject of nuclear conflict into a movie.
Kubrick was obsessed, around the 1950’s, with Sci-Fi hits one after the other, it helped this genre evolve into something bigger. Kubrick believed that this genre had the future of being something else and the spectators have never seen before. He wanted to change the way we watch movies all together. Kubrick started talking about a new project, that when it became to a reality, he placed a temporary title of “The Conquest of Space”. As always, he started to read all types of Sci-Fi books that he could come across with, to find interesting stories. Someone had recommended him to speak with Arthur C. Clarke.
I was charmed by this film the first time I saw it, and every time since. It was the synthesis of the journey of mankind into the future and an argument for space as mankind’s ultimate destination. It was the best science fiction film I had ever seen, as it presented several different possibilities and scenarios of what could happen as well as what might happen to man in his quest to conquer space. The introduction of the computer as an artificial intelligence was an added plus. The idea of a machine making the same mistakes as any human being proved out in its own statement: that any glitches in its operating parameters had to be due to human error. Given that machines are incapable of emotions like guile, hatred, fear and sorrow, HAL was nearly as emotional as any organic being. This in itself was a glorious foil for man’s ambitions to discover the wonders of deep space.
3. Similar to MAD, the doomsday device shown in Dr. Strangelove is a machine designed to detonate after any nuclear attack on the USSR. The doomsday device consists of "Cobalt Thorium G" followed by in each of the 50 buried bombs. It is quoted the aftermath would cause Earth to be "uninhabitable".
The Warramunga’s War is Australian author Greg Kater’s first novel. According to Mr. Kater’s website The Warramunga’s War is the first of a planned trilogy of fictional historical novels. Mr. Kater weaves fictional characters and events with historical facts and people.
1980. Warner Bros. Directed by Stanley Kubrick. Music by Wendy Carlos and Rcachel Elkind. Cinematography by John Alcott. Editing by Ray Lovejoy. With Jack Nicholson, Shelley Duvall, Danny Lloyd.
The atomic bomb1 is the most destructive weapon known to mankind. A bomb of this nature is capable of obliterating anything up to four square miles and anything reaching outside that area receives very extreme damage. Albert Einstein was the man who had convinced the United States to research the Atomic Bomb.
Even though Stanley Kubrick’s Dr. Strangelove, or: How I Learned to Stop Worrying and Love the Bomb screened in the midst of the sobering Cold War, critics were keen on praising the film for its mastery of humor applied to such a sensitive matter. The film is exceedingly loaded with metaphors, innuendos, and allusions that nothing can be left undissected or taken for face value; the resulting effect is understood to be part of Kubrick’s multifarious theme. Kubrick has stated that what began as a “the basis for a serious film about accidental war ” eventually birthed an absurd and farcical classic comedy. The director fuses together irony, satire, and black humor to create a waggish piece but most of all the situation of the times and its gravity is the essence of what the audience finds so hilarious . Using caricatures rather than characters, exaggerated script, and sexual undertones, Kubrick manifests to the audience their own predicament and just how ridiculous it is to even consider brinksmanship as a means to preserve the American lifestyle.
Inspired by Ancient Greek and Roman Legend, Herbert George Wells creates a idea of a “Heat Ray” and inspires the Ray Gun Era in the 1920s. Using the legends of Zeus, Icarus, Aristophanes and Archimedes, Wells creates a mood as if he was a century in the future during the Victorian Era in his book, “The War of the Worlds”. One of the theories that inspired Wells was the Ancient Greeks myth of Icarus- the man who fell to his death because he flew too close to the sun and the sun’s energy melted the wax on his wings- because the Ancient Greeks realized the power of sunlight. H.G. Wells is one of few writers in history to combine action and a stimulating idea. His book, “The War of the Worlds” was the first book to describe mechanized warfare
Throughout history, men have constantly been at war with something. Whether that something was nature, other men, or a supernatural force, men have historically loved battle. War stories have always been a way for authors to express their concerns about issues in society. Through these stories, authors depict honor not seen in real life, problems that face the world now, and closure so often exempt from our world. There are defined enemies, a clear line drawn between good and bad, and we may be powerful and violent for the sake of righteous ideas. "The war story is a way to exemplify good angels and bad, to exercise our fears, and find some comfort in the inevitable triumph of right over wrong," (strangewords.com). There are three main areas that come to mind under the heading "Men as they are portrayed in war". These topics are: typical attire, enemies, and weapons. We will be comparing and contrasting the four issues as they have been presented to us in science fiction, and also how they have been portrayed throughout history.