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Sir gawain character
The Green Knight Character Analysis in Sir Gawain and the Green..
The Green Knight Character Analysis in Sir Gawain and the Green..
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The usage of plot devices in a literature piece is not uncommon, it is used from fairy tales to autobiographies. Plot devices are mechanisms which keep the story going, devices which capture the reader's attention by annoying or confusing the reader to create suspicion and to keep the plot going. There are many functions which fall under ‘plot devices’ which not every fairy tale follows but there are some which Sir Gawain and the Green Knight acknowledges through the poem. On year’s day in Camelot, King arthur and his kingdom is having a feast as a celebration. It is here when the unknown creature which is the Green Knight armed with an axe enters the hall ”there hurtles in at the hall- door an unknown rider” and proposes a game “you will graciously grant the game that I ask”. The Green …show more content…
Knight proposes for someone in the court most valiantly the king to strike him with his axe once, with the sole condition that he would return the blow twelve months later.
It is here where the first function comes into play, being; the villain tries to find the hero [g]. It is here where Sir Gawain takes arthur's place and accepts the challenge. Sir Gawain was able to successfully hit the Green knight in the head with his first stroke “the shock of the sharp blow shivered the bones and cut the flesh” (424-425). It is here where another function comes into play being; the protagonist and the antagonist fight. As the time span of 12 months is slowly coming to an end, Sir Gawain sets off to find the Green Chapel which was the location he was given to complete his debt “now he rides in his array...” where the next function is seen which is that the hero or protagonists goes on a journey outside their home to look for the villain. It is until he reaches a castle amongst prayers where he is welcomed by Bertilak de Hautdesert “ To this home you are heartily welcome” (835). The function that comes into play in this portion of the poem is that the hero falls for a trap. Even Though, the trap is not as clear there is
something definitely suspicious about the warm welcoming to Sir Gawain and how he was given all the commodities without asking or being curious about Sir Gawain. All of these function are based around Propp’s morphology, of course it is not a sequence of plot devices which are used in every fairy tale or the way to look at plot. Nevertheless, it is an illuminating way to look at the overall plot and to be able to make connections to other stories and films through the story plots. It personally took me some time to connect Sir Gawain and the Green Knight with another movie which I have seen before, this is because the story line used in this poem is extremely unique. Nevertheless, there is a series which have similar plot devices as Sir Gawain and the Green Knight such as Scooby Doo. This is a children’s series which was very popular around 6 years ago and it would bring suspension, mystical creatures, journeys and revelations. This series relates back to this poem as there is a hero and a villain, but the villain never truly ends up being harmful, or neglectful. The mystical creatures always seem to find the heroes and then disappear into another country or region leaving the heroes to leave their home and start a journey to find this mystical creatures which are labelled as villains. These heroes always find hospitality in the most suspicious places which are most commonly the enemy's ground where they end up defeating the mystical creature and returning home.
Over the course of the poem Sir Gawain and the Green Knight, Sir Gawain faced situations that influenced his character which can be taken and analyzed for a teenager today. A teenager typically faces the issue of blending in and accepting who they are in high school, and by viewing Gawain’s experiences and changes, we can use it to adapt along with our peers in school. Initially, he is seen as a humble and unpopular knight amongst every other at the round table in Camelot. However this changes after engaging in a violent game with the Green Knight. Gawain gained fame over the course of a year, and as a result it had changed his initial outlook on his loyalty to the chivalric code, as well as his values on life.
Authors incorporate religious principles to set forth the moral characteristics and ideals expected of a person. Literary works are illustrated with biblical allusions to help express the message behind the plot of a story. The poem Sir Gawain and the Green Knight integrates biblical beliefs to depict the views on human nature. In this work, Christian concepts are embedded into the poem to suggest the Green Knight’s characterization as God, a representation to test human nature’s fidelity.
The story Sir Gawain and the Green Knight provides an excellent example of Hyde’s trickster figure in the character of Bernlak, also known as Bertilak, Bercilak, or simply as the Green Knight. The tale of Sir Gawain pits him against the daunting and formidable Green Knight; a mystical and intriguing character, who rode into Arthur’s court, brandishing a great axe and clad all in green. He challenges the knights to a game, and only after Arthur concedes to play the Green Knight’s game, does Gawain instead offer to take his place, thus setting in motion the story. In Sir Gawain, the Green Knight displays several key characteristics of Hyde’s trickster such as: crossing boundaries, being contradictory, and questioning
The story begins during the New Year's feast in King Arthur's court. Then a green knight enters asking all of the knights in the court if they would like to play a game. The game is he will allow which ever knight that chooses to challenge him one swing with a battle ax to try and chop off his head, but in order to play the game, the accepting knight must meet the green knight one year later at the green chapel. The brave knight Sir Gawain accepts to the challenge of the green knight. Sir Gawain takes one swing and chops off the head of the green knight. Right after the green knight's head is chopped off he gets up immediately, picks up his head and leaves. Once a year passes, Gawain sets off on a journey to find the Green Chapel. He arrives at a castle in which a lord welcomes him to stay for several days (Gawain only needs to stay there for three). The next morning the lord makes an agreement to share everything he gets during these three days with Gawain, but Gawain must agree to do the same. During days one and two the lord's wife tries hitting on Gawain, but he only allows her to give him a few kisses. At these days Gawain shares what he got to the lord for what he has hunted those days. On the third day, Gawain finally accepts to take a magic girdle from the lord's wife, but he didn't share it with the lord. This magic girdle helped Gawain survive the three fatal swing's of the green giant's ax, only leaving him with a little nick. After Gawain survives these 3 swings at his neck, the green knight then reveals his identity and explains that he is Bercilak, the lord of the castle. He also said that the three blows were taken at him in regards to the three days of their agreement.
There are many parallels that can be drawn from the three temptations and hunting scenes and the three blows exchanged by the Green Knight. All of these scenes are interlocked together in the way that Gawain's quest is told and his trails he endures leading up to his meeting with the Green Knight to fulfill his promise made the year before.
In the opening lines of Sir Gawain and the Green Knight, the Gawain-poet predicates the numerous dualities—which lead the reader through questions of moral seriousness—that exist in the poem. The opening historical recounting, according to Richard Hamilton Green, reminds the reader that “the greatness of the past is marred by reminders of failure” (179). The paradox of triumph and greatness arising out of failure foreshadows Sir Gawain following the same pattern of fate as his predecessors. While the completion of Gawain’s quest reaffirms the historical paradox of greatness, his journey to renown is fraught with situations and symbols that develop the poem’s main concern of moral seriousness. The Gawain-poet skillfully reveals his theme by leading Gawain on a journey in which nothing is what it seems. Sir Gawain and the reader are confronted with several contrasts of characters’ actions and intentions, symbolic meanings, and Christian and secular virtues. Mainly by showing the difference between actions and attitudes while inside in a social situation and outside in a more wild, untamed environment, these contrasts help to emphasize the importance of unbending faith and loyalty.
In the final scenes of Sir Gawain and the Green Knight, Gawain’s encounter with Sir Bertilak allows Gawain to perceive his own flaws, manifested in his acceptance of the Green Girdle. The court’s reaction to his personal guilt highlights the disconnect between him and the other knights of the Round Table. Gawain’s behavior throughout the poem has been most noteworthy; his understanding of his sin, one that many of us would dismiss since it was propelled by his love of life, enhances his stature as a paragon of chivalry.
In the opening scene Sir Gawain faces his first trial when the Green Knight proposes his “Christmas game.” The room falls silent for “If he astonished them at first, stiller were then/ All that household in hall, the high and low;” (lines 301-302). The Green Knight begins to mock the court; and then boldly, King Arthur accepts h...
Web. 30 Sept. 2009. Sir Gawain and the Green Knight. The Norton Anthology of English Literature, Volume A. Ed. Stephen Greenblatt.
In the anonymous poem Sir Gawain and the Green Knight, the character of Sir Gawain is portrayed as the imperfect hero. His flaws create interest and intrigue. Such qualities of imperfection cannot be found in the symbol of the pentangle, which he displays on his shield. This contrast between character and symbol is exposed a number of times throughout the poem allowing human qualities to emerge from Gawain’s knightly portrayal. The expectations the pentangle presents proves too much for Gawain as he falls victim to black magic, strays from God, is seduced by an adulterous woman, and ultimately breaks the chivalric code by lying to the Green Knight.
Sir Gawain and the Green Knight is a medieval poem by an unknown author, written in Middle English in the 14th century. This poem is uncanny to most poems about heroism and knightly quests as it doesn’t follow the complete circle seen in other heroism tales. This poem is different to all the rest as it shows human weaknesses as well as strengths which disturbs the myth of the perfect knight, or the faultless hero. The author uses symbolism as a literary device in Sir Gawain and the Green Knight to give the plot a deeper and more significant meaning. Symbolism is used to emphasise the difference of this heroism story against others and therefore symbolism is of great importance in this poem. The importance of the following symbols will be discussed in this paper; the pentangle, the colour green, the Green Knight, the exchange of winnings game, the axe and the scar. This paper argues the significance of the use of symbolism as a literary device in the poem Sir Gawain and the Green Knight.
The Green Knight, serves as a symbol himself. He is presented as a mixture of foreign and familiar, evil and good. In the beginning the Green Knight is carrying peace(holly-branch) in one hand and war(battle axe) in the other. It is very difficult to see what the Green Knight stands for, because for every positive we see a negative, and for every extreme there is an opposite extreme shown. In the beginning he comes, we believe, to harm King Arthur or Sir Gawain. In the end, we find out that he had planned the whole affair to test Sir Gawain. King Arthur and the other Knights of the Round Table were also taught and cowardice and how to be stronger and better people.
The Canterbury Tales, written by Chaucer, and Sir Gawain and the Green Knight, written by an anonymous author, are both sophisticated fourteenth-century examples of medieval romance. Medieval romances captured the heart of their audiences as narratives and stories that featured a protagonist, often a knight, and dealt with religious allegories, chivalry, courtly love, and heroic epics. The concept of the knight emerged from the remnants of the Anglo-saxon literature and ideals and influence of the Christian religion and church. There is a distinct difference between the famous pagan heroic like Beowulf and the romantic medieval tales like Sir Gawain and the Green Knight of the Canterbury Tale. The Anglo-Saxon hero Beowulf exemplified qualities expected of warriors who could attain kingship by their heroism and battle deeds. They possessed the qualities of valor, military prowess, generosity, and honor. The hero fights for the survival of their tribe and nation, and it is in battle that the mettle of the epic hero is ultimately tested. The romantic conventions , influenced by Christianity and French ideals, created a new chivalric knight who sets out on a trial or adventure. They possessed similar qualities to their epic hero counterparts – valor, loyalty, honor, and skill in battle – but differed in knowing temperance, courtesy towards women, and courtly skills. The hero is no longer fighting for his people but for his ideals. By the 14th century, The Tale of Sir Gawain and the Green Knight and The Canterbury Tales have began to criticize the notion of chivalry which had become old and obsolete in their society; the idealization of chivalry practiced by knights could longer withstand the complexities and indeterminateness of situa...
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.
The narrative artistry of Sir Gawain and The Green Knight can be attributed to the fundamental elements of chivalric life and the exploration of classic mythological elements that allows the narrative to bridge the gap between Christianity and Paganism, and allow its readers to find their own spiritual interpretation with in the text.