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Analysis of How to Train Your Dragon characters
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The movie 'How To Train Your Dragon' contains many static characters, and only few dynamic characters. Young Vikings in training, as well as their teacher : Fishlegs, Snoutlout, Gobber, Tuffnut and Ruffnut, are all consistent in their behavior and morals throughout the movie. This is what makes them static characters. Also, the mother dragon that Hiccup, Astrid and Toothless find in a cave is a static character because it is the antagonist in the film and she never changes until she dies.
There were four dynamic characters in 'How to Train Your Dragon'. They are: Hiccup, Astrid, Stoick, and Toothless. Dynamic characters are the people, or in this case, people and dragons, that change because of the experiences that they are forced to overcome. The character that our group chose to examine is the vicious and unforgiving Night Furythat turns in to a cat- like pet: Toothless.
In the beginning of the movie, when Hiccup captures the Night Fury in a net, he is an intimidating, vicious, and mythical dragon that no Viking wants anything to do with. In the book that Hiccup has, it says that if you see a Night Fury, you have to run and hide, or die. As the story progresses and the plot thickens, Hiccup tends to the dragon's injured tail, feeds him, and names him Toothless. The Night Fury gradually becomes more and more friendly and welcoming to Hiccup and they devellop a friendship. By the end of the movie, after the Toothless and Hiccup have defeated the gigantic mother of all dragons, Toothless is the friendliest dragon in the village, and Hiccup is his best friend.
There are four types of conflict that are exhibited in the movie 'How To Train Your Dragon'. They are: Person vs. Society, Person vs. Person, Person vs. Nature, and Perso...
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...d of conflict. Hiccup eternally struggles with being a non-murderous Viking because he wants to kill dragons and makes his father Stoick proud; but he can't handle killing or hurting dragons. Another Person vs. Person conflict is Astrid vs. Astrid. She wants to be a warrior, but she can't quite exceed her own expectations for herself because she is always being shown up by Hiccup. Again, both of these conflicts are worked out after the immense battle between the dragon and the Vikings because Atrid becomes a warrior and Stoick becomes a proud father.
How To Train Your Dragon is a movie about a boy named Hiccup who questioned the morals of not only society, but also of his own father. The film documents his evolution, as well as Toothless changing from a fierce beast to a friendly pet. It also exhibits conflicts of all sorts between characters, nature, and society.
Once leaving the unknown, our hero, according to his/her circumstances must face his demons by slaying the dragon. It is now our hero overcomes to be a better version of himself/herself. Slaying the dragon is something the hero probably ran from their entire life up until this point. It’s what has scared our hero the most.
The movie of Of Mice and Men had many differences while still giving the same message that the book was portrayed to have. One of the major differences was that Candy never came into the room when Lennie and Crooks were talking to each other. This was major because Crooks never found out that the plan was true about the little house. In the book after he heard Candy talk about it he wanted to get in on the deal. Also the movie it never showed Lennie have his illusions of his Aunt Carla and the rabbits when he was waiting by the pond.
Everyone comes across difficulties in their everyday life. It doesn’t matter how small you are or how big you are or even how tough you are, you run into a problem every single day. Some problems are easier to handle and you can work them out by your self like Beowulf did with Grendel. Some problems might be too difficult to handle or no way of concurring it by yourself. There are a lot of hard things we come across that we may need help on just like the dragon in Beowulf. Beowulf needed a little help with the dragon. The dragon was too much for him to handle and it was beating Beowulf. I have faced a few “personal dragons” on my own including my parents getting a divorce when I was young and collage.
The dragon is portrayed as the undefeatable evil. He is nearly invincible, breathes fire, and manages to fatally wound the ultimate hero of the poem. This makes him the ultimate evil Although Beowulf does defeat the dragon, the battle ends in a tie, since both sides perish, which shows the never ending balance between the two extremes: good and evil. The theme of loyalty is also explored here. When the battle between Beowulf and the dragon first begins, “[his] hand-picked troop/ broke ranks and ran for their lives” (1129). This is a common archetype that allows the hero to face the antagonist alone, all while having assistance during the journey leading up to the final battle. The author used this to emphasize the Anglo-Saxon belief of fate. Beowulf was supposed to face the dragon alone, thus his comrades had to disappear. The two ways to do this would have been to have Beowulf go alone, which would conflict with the belief of Warrior Culture, or portray his allies as cowards which would also help reinforce the Anglo Saxon values regarding courage. Thus by adding in the archetype of the cowardly allies, the author creates an emphasis on the important parts of Anglo-Saxon culture without relying on
After fighting and winning many battles, Beowulf's life enters a new stage when he finally becomes king of his homeland, Geatland. Even in his old age, his code of honor still obligates him to fight against an evil, fiery dragon. For fifty years he has governed his kingdom well. While Beowulf is governing, the dragon "...kept watch over a hoard, a steep stone-barrow" (Norton 55). Under it lays a path concealed from the sight of men. Over centuries no one had disturbed the dragon’s kingdom until one day when a thief broke into the treasure, laid hand on a cup fretted with gold, which infuriated the dragon. "The fiery dragon had destroyed the people's stronghold, the land along the sea, the heart of the country" (Norton 57).
When the dragon awakes after three hundred years of sleep, he discovers that his cup has been stolen. The dragon, also known as the worm, fills with anger and rage. Even though he is so angry, he does like the idea of battle: “Yet he took joy in the thought of war, in the work of fighting” (Donaldson 40). The dragon cannot wait to ravage the land of the people where one man has stolen from him: “The hoard-guard waited restless until evening came; then the barrow-keeper was in rage: he would requite that precious drinking cup with vengeful fire” (Donaldson 40). The dragon destroys the land and kills everyone around. The dragon even destroys Beowulf’s home.
Beowulf’s life was truly epic struggle. The monsters he battled made it so. Grendel and the dragon, capable of crushing men physically, stood for evils that could just as easily crush men in spirit. These two beasts represented society’s greatest fears, as well as detriments, and Beowulf fearlessly took them on. Grendel taught the hero a valuable lesson about maintaining one’s humanity in a world dominated by the dogs of war. The dragon, showed Beowulf’s mortality, his imperfection, but the hero eradicates it nonetheless, saving his people from not only physical threat, but sin. Bringing in such spiritual and moral dimensions, these two beasts certainly give the story of Beowulf depth.
Peradventure, the moral of the film was to teach us to be positive and look for something beyond the five senses, something intangible yet an innate human necessity. This can be seen at the very end of the film where Ofelia finally completes the tasks required of her and has her wish granted to her, in a most unexpected way one may say. The constant conflict between reality and fantasy can also be a symbolic representation of religion. The faun and fairies representing God and His angels, while everything else (the war, the killings and the beasts she fights) a representation of the devil. The battle of good and evil is simply an inevitable part of life - we all should make decisions of who we want to be, just as Ofelia refused to sacrifice the life of her baby brother and was the one to die in his place. There is a high level of familiarity that Del Toro presents, the wars and innocent deaths witnessed in the film is experienced by many in today's society. The sufferings inflicted on innocent people due to political disagreement has been something that humanity have experienced from the beginning of
Heroism means doing extraordinary and brave deeds. The film “Dragonheart” is a great illustration of this concept. It is a story of an honourable knight, Bowen, and a kind-hearted dragon, Draco, leading a group of people to rebel against the evil King Einon. The nature of the heroism demonstrated by the two main heroes, Bowen and Draco, has similarities and differences. Both Bowen and Draco obey their respective codes of conduct and they value their noble ideals above everything else. Compared to Bowen, Draco is more likely to pull himself together after a setback in life. Both of them are helpful and loyal towards each other after they become allies.
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The Dragon: The enemy that finally kills Beowulf. It guards a great tresuarehoard, and when...
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