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Edgar allen poe as he relates to psychology
Edgar allan poe mental state
The use of symbolism in the novel
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The Pit and the Pendulum Like many stories written by Edgar Allan Poe, “The Pit and the Pendulum” creates an eerie atmosphere with an unknown character. This story focuses mainly on the distinct detail on the surroundings that seem to enhance the senses due to the character’s current state of blindness in the present environment. With little information presented of the character’s reason in being there, the experience seems to be the main focus of this short story. “Poe places the narrator of “The Pit and the Pendulum” in just such a crucible of painful sensations, which force him to grapple with an ultimate state of horror.” (Kent Ljungquist) As stated in an analysis by Kent Ljungquist Poe does place the narrator in this threshold of fear ,but interesting enough in this story compared to his other works seems to revolve around the sense of hope. The story begins with the main character’s apprehension having already taken place. The entities that apprehend this character are unknown and are not labeled. “I WAS sick -- sick unto death with that long agony; and when they at length unbound me, and I was permitted to sit, I felt that my senses were leaving me. The sentence -- the dread sentence of death was the last distinct accentuation which reached my ears.”(The Story) With this text you can conclude that the narrator was …show more content…
When starting the story the narrator says “ I WAS sick... I saw that the decrees of what to me was fate... I had been deceived...” ( Story Citation). The story is told in the past tense it shows that the narrator may have been recollecting or telling the story of his past experience. This makes sense because at the end of this story the narrator is saved by the French army and personally by General Lasalle. Narrating in the past tense since the beginning shows the possible outcome of the future, that everything had already passed and was over
Edgar Allan Poe, Born Jan 19 1809, was better at writing suspenseful stories, usually with a twist at the end. In the story, “The Pit and the Pendulum”, Poe describes an unnamed narrator telling the story of a man who was put in prison, drugged, and sentenced to death
Poe also uses figurative language. Poe word choice just adds to the feeling of how composed and how well put together his writing is. Poe like to pull good objectives and good word choices , to put into detail, “ Its pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the orchestra were constrained to pause, momentarily, in their performance, to hearken to the sound; and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and, while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused revery or meditation’ (5). In this quote Poe loves using lots of descriptive words, even if the sentence is short , to describe the pendulum swing for example, one adjective is not enough, Poe uses three, “dull, heavy and monotonous
The Pit and the Pendulum and the Fall of the House of Usher are both dark and both have a gothic writing style to them. Edgar Allen Poe is known for his gothic writing style. In the Fall of the House of Usher he uses dark, gloomy, and suspenseful verbs. In the Pen and the Pendulum he uses suspense and a dark atmosphere.
yes, it was this! He had the eye of a vulture --a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees --very gradually” (41), is full of intense and vivid descriptions providing the reader insight into the narrator’s mind. By seamlessly integrating the narrator’s tone with vivid descriptions of sounds, “the beating of the old man’s heart” (43) and “the groan of mortal terror” (42), Poe expresses the old man’s fear and how his fear feeds the narrator’s desire. The narrator’s excruciating commitment to being overly cautious illustrates this and reveals a predator mentality in the narrator as he waits and observes his soon to be victim in the shadows.
In the Story The Pit and the Pendulum, the narrator explains that he has been sentenced to death by the Inquisition (the institutionalized persecution of all Protestants and heretical Catholics by the Catholic government in 15th- and 16th-century Spain). The reader however must not get Poe confused with the narrator because the narrator is the one telling the story while Poe is the author of the story. The narrator starts his story by saying he is sick unto death (180). The narrator here is trying to suggest that this sickness is the normal position of a human being; everyone is mortal. He recognizes this in the beginning. "The Pit and the Pendulum" is a story of torture. The punishments that the narrator is about to receive illustrate the power of humans to inflict pain and suffering on others. In addition, though, this story shows that the worst kind of torture is that of uncertainty and fear. Once the narrator understands that he will die from falling into the pit, it is no longer as cruel a punishment as the Inquisitors want to give him. Therefore, each punishment entails some element of pain, but, more importantly, a great deal of mental anguish before death.
“The Cask of Amontillado”, “The Tell-Tale Heart” and “The Pit and the Pendulum”, all have common motifs; death, fear or terror, and madness. Each story has their own special way of showing the three different motifs. In all three stories these three motifs were connected in some way. Someone was afraid of something or someone, which drove them mad, which led them to kill someone. In the case of “The Cask of Amontillado” death was caused by revenge, and hate. Death, fear and madness are all common themes in a lot of Poe's work. They add depth and different perspectives to look at things from. They all make the stories what they are.
Dark romantic literature has delved into the pits of man’s soul, through the use of psychology, to showcase a new take on the horror one can experience. It is this literature that touches all who reads it with a cold hand through exploiting a common fear shared by most. In Edgar Allen Poe’s “Fall of the House of Usher” Poe creates an ominous and eerie set of circumstances that incites pure fear into the narrator through his use of the Gothic Elements and Psychology to exploit the narrator’s fear of insanity to create the single effect of fear.
The writing style of Edgar Allan Poe shows the writer to be of a dark nature. In this story, he focuses on his fascination of being buried alive. He quotes, “To be buried alive is, beyond question, the most terrific of these [ghastly] extremes which has ever fallen to the lot of mere mortality.” page 58 paragraph 3. The dark nature is reflected in this quote, showing the supernatural side of Poe which is reflected in his writing and is also a characteristic of Romanticism. Poe uses much detail, as shown in this passage, “The face assumed the usual pinched and sunken outline. The lips were of the usual marble pallor. The eyes were lusterless. There was no warmth. Pulsation had ceased. For three days the body was preserved unburied, during which it had acquired a stony rigidity.” page 59 paragraph 2. The descriptive nature of this writing paints a vivid picture that intrigues the reader to use their imagination and visualize the scene presented in the text. This use of imagery ties with aspects of Romanticism because of the nature of the descriptions Poe uses. Describing the physical features of one who seems dead is a horrifying perspective as not many people thing about the aspects of death.
Edgar Allen Poe uses figurative language throughout the story to develop the mood. For example, “He had the eye of a vulture, the eye of one of those terrible birds that watch and wait while an animal dies, ...”. This sets a creepy and horrifying mood. Also it shows the author of thinking the eye is a little disturbing. Another example is ,“ Yes. He was dead! Dead as a stone. His eye would trouble me no more!”. The narrator is saying that the person the had killed was as non moving as a stone. Also it sets an eerie mood knowing the narrator killed the man. The final
In the beginning of the story, the narrator feels very uncomfortable knowing that he will
Poe’s themes in his poems and short stories reveal a Gothic look on the world that includes morbid imagery that some people would not be comfortable with reading. In The Pit and the Pendulum, the narrator has to make a drastic decision that not most would have to make: the choice of how to die. Although, the true horror of The Pit and the Pendulum is not just a matter of the choice of death, I believe it is also in the horror of no matter the result, he will die either way. Death in this situation is unavoidable and creates a strain in the human subconscious because of the natural human instinct to want to live. Burduck in his book Grim Phantasms: Fear in Poe’s Short Fiction writes that “of all the emotions by and affecting the mind, feat most intrigued Poe” (5). Poe’s use of fear is seen throughout many of his works and The Pit and the Pendulum is a prime example of this. The narrator in the story is put into an underground dungeon that he cannot get out of. The darkness encompassing him brings a “fearful idea” to his mind and in the dark waves his arms widely about in all dire...
In this complete darkness the main character has no idea where he is. Could it be a tomb, or is he in prison waiting to be hanged? The unknown narrator shows fear by the opening of story when he states, “I was sick unto death, with that long agony, and when they at length bound me, and I was permitted to sit, I felt that my senses were leaving me.” (Poe 1.) He felt this way every time he would take a drink of what little water was left for him. He would drink it, fall asleep and wake up somewhere else. When he feels the walls are beginning to close in on him and he is going to fall into a pit, he realizes the water he has been drinking is drugged. It is when he stands up he realizes he is in a dark cell with a deep pit in the middle. At the bottom of the pit is water. “And then there stole into my fancy, like a rich musical note, the thought of what sweet rest there must be in grave.” (Poe 2.) The character begins to think why am I here? Am I going to die here not knowing why? No one gave him a reason why he was taken and put in a dark cell. He knew it was the Spanish Inquisition but as far as he was concerned, he ...
Hope and patience are two characterizations that are typically taken for granted, especially during critical times. Mainly because it is natural to lean on the pessimistic side when things are going wrong. Edgar Allan Poe creates a twist in his story “The Pit and the Pendulum” by conceiving a character rather disparate from his usual. The passage starts off by the character informing the reader of his current situation and then fainting. He then wakes up to the realization that has indeed only passed out and is yet to receive his death punishment. As the story unfolds, he is put into a set of complications that bring him closer and closer to death. Each time he faces one, his thoughts become more hopeful and he becomes more patient. Edgar uses
Edgar Allen Poe’s tone of the story is delusional and uneasy. The tone is of an insane mind. The story has mystery, death and the possibility of the supernatural, this short story is a work of Gothic writing. The setting is dark and shadowy which leads the reader to connect with the narrator.
Comprehension and Literary Analysis Responses for “The Pit and the Pendulum” 1. The narrator has a life sentence for his crime of being a converted Jew or Muslim at the time of the Spanish Inquisition. One could tell this when the narrator states, “The sentence… the dread sentence of death” (Poe “Pit” 296). He then says, “After that, the sound of the inquisitorial voices seemed merged in one dreamy indeterminate hum” (Poe “Pit” 296). 2.