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Themes of the tell-tale heart
Comparing stories of edgar allen poe
Essays on the tell tale heart symbolism
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In Edgar Allen Poe’s classic short story, “The Tell-Tale Heart,” an impression of apprehension is established through the fear-induced monologue of an unknown narrator. Right from the beginning of this short story, Poe prepares the reader for a horrific tale by way of the narrator admitting to the audience that he has, “made up my mind to take the life of the old man” (41). The narrator not only admits to this heinous crime, he proclaims that he had done so out of complete ‘sanity’ and proceeds to inform the audience, “and observe how healthily --how calmly I can tell you the whole story” (41), as he feels this will justify his atrocious crime. The narrator’s assurance of sanity is swiftly demolished as their mania takes control of the way they explain their actions. This obvious foreshadowing forces the audience to surpass the dreadful details and look for the remarkable facets of Poe’s short story allowing the setting of the …show more content…
yes, it was this! He had the eye of a vulture --a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees --very gradually” (41), is full of intense and vivid descriptions providing the reader insight into the narrator’s mind. By seamlessly integrating the narrator’s tone with vivid descriptions of sounds, “the beating of the old man’s heart” (43) and “the groan of mortal terror” (42), Poe expresses the old man’s fear and how his fear feeds the narrator’s desire. The narrator’s excruciating commitment to being overly cautious illustrates this and reveals a predator mentality in the narrator as he waits and observes his soon to be victim in the shadows. These laborious endeavors confirm the narrator’s suspected mental state leaving the audience perplexed and curious as to what to expect next as the reader has now confirmed the narrator is unstable and therefore
Moreover, the diction of the narrator and his repeated pleas to the reader to believe this thought, while not truly convincing, serve as a means to support his case. He asks, ”How, then, am I mad?” and “but why will you say that I am mad?” Beyond what could be considered a maniacal monologue, the narrator’s creepy fascination with the old man’s eye further distinguishes mental illness. What is described as “a pale blue eye, with a film over it” is, in all probability, a cataract, which is not nearly as evil as
The narrator thinks that if a murder is carefully planned, then the murderer is not insane. Also, the narrator claims he suffers from acuteness of the senses. Regarding the sound of the old man's beating heart, the narrator says, "And now have I not told you that what you mistake for madness is but over-acuteness of the senses? --now, I say, there came to my ears a low dull, quick sound, such as a watch makes when enveloped in cotton". The narrator claims he is not imagining the sound, but he is hearing it because his senses are so sharp.
A criminal never wants to be exposed or caught; yet the narrator willingly tells his story just so that he can prove his mental state. Again showing that his reasonableness is not entirely there. As he goes further on goes to explain his story, the narrator gets into detail as if he was excited and passionate about what he was going to say. He wanted his audience to be amazed and intrigued by his plot. Not showing remorse but cockiness in the way he had gone about his execution and the events leading to it.
This vivid testimony immediately gives the reader insight into the narrator’s state of paranoia. Regardless of “how calmly” the narrator vows he can recount his story, his words foreshadow the crime he commits (Poe 922). He is mentally imbalanced and has committed murder without a rational motive. In “Ego-Evil and ‘The Tell-Tale Heart’”, Magdalen Wing-chi Ki says the narrator’s mind is “utterly corrupt at its root” because he is “immune to the notion of right or wrong” (Wing-chi Ki 29). This underscores the ideology that the crime is without motive and is ultimately an irrational act, thus rendering the narrator acutely aware of the agonizing consequences of his actions....
Can one truly ever get inside Edgar Allan Poe’s head to have a full understanding of what he meant in any of his literary work? One can only try to piece together the deep, dark feelings which he expressed through his poems and stories. When using literary critical thinking to dissect Edgar Allan Poe’s “The Tell-Tale Heart”, it is found to be slightly intriguing. In this short story, Edgar Allan Poe depicts how guilt and fear can drive a person completely insane all while drawing out a very elaborate plot.
In numerous short stories, authors use different writing styles to grab a reader’s attention. In Edgar Allan Poe’s short story, “The Tell-Tale Heart”, Poe uses imagery and eccentric language choices to hook the reader into wanting to know more. Poe’s use of these different literary aspects is most clearly seen in the passages where the narrator is describing the old man’s eye. These passages are important because they help the reader empathize with the old man and question why the narrator is so fixated on his eye. Poe includes these passages to show the madness of the narrator and to emphasize the importance of the old man’s eye.
As the story progresses the sanity of the narrator becomes questionable. However, one cannot fail to recognize the characteristic unreliability of a first person narrator. The narrato...
The narrator’s paranoia of the heartbeat’s growing volume exemplifies the power of syntax. “It grew louder! louder! louder!... Was it possible they heard not? Almighty God! No, no! They heard!” (Poe). The emphasis of this phrase gives the sense that the narrator is screaming on the inside. The repetition of the word, insanity puts the heart beat in the readers mind, almost making seem as if they can hear it too. Then the finial italics on the last louder creates the sense that the narrator has climaxed to the sounds and is about to break under the pressure of the noise. Poe uses self—doubt to capture the mental thought of the narrator, taking away all his reliability. If we are to believe the police could hear a heartbeat we would befools. The narrator himself doubts himself when he says “no! no!” (Poe), but his paranoia forces him to believe the worse. The narrator crumbles to his fear of the police officer’s mockery. The beginning of this phrase is used again (with an extra louder) creating even more tension than before and concluding to a larger climax, the confession to the murder of the old man. Without syntactical devices, the phrase would say “It grew louder… was it possible they heard not? No. They heard.”(Brett). The syntactical devises used help the reader become fully engaged in the insanity of the narrator and leads to a deeper sense of connection with the reader and the
(1) In the chapter "Reading a Short Story", Andrew Bennett and Nicholas Royle suggest that one way to interpret a short story is to look at it as "an elaboration on a single sentence, phrase, or word" (54). In other words, looking at a since phrase or word in the a short story can help the reader develop a deeper understanding of the text. The short story "The Tell-Tale Heart" by Edgar Allen Poe can be better understood when it is analyzed as an elaboration of a phrase. In Poe's story "The Tell-Tale Heart" the narrators descent into madness can be understood better when it is examined as an elaboration on the phrase "How, then am I mad," (186).
In the United States alone, 18.2 percent of the total adult population, suffer from mental illness according to a 2016 Newsweek article. This statistic proves that you are probably likely run into people with mental illness in the United States alone. Similarly, in “The Tell-Tale Heart” by Edgar Allan Poe, the narrator most likely suffers from mental illness which causes the narrator to see things. This is most likely why the narrator sees the old man’s blind eye as a vulture’s eye. Although the narrator most likely has mental illness, he is still rational enough to plot out the killing of the old man.
The short story Edgar Allen Poe’s “The Tell-Tale Heart” is about an unidentified narrator who shares his events of killing his roommate. The narrator claims the reason was due to the older man’s “evil eye.” The story falls short of reasonable evidences to prove that he is suffering from insanity for killing the older man leading the narrator to be unreliable. Through acts that show contradiction, obsession and acts of paranoia.
“The Tell-Tale Heart” by Edgar Allan Poe is a first-person narrative short story that features a disguised-cum-mysterious narrator. The narrator does not reveal any interest while proving his innocence regarding the murder of the old man. Moreover, he makes us believe that he is in full control of his mind but yet suffering from a disease that causes him over acuteness of the senses. As we go through the story, we can find his obsession in proving his sanity. The narrator lives with an old man, who has a clouded, pale blue, vulture-like eye that makes him so vulnerable that he kills the old man. He confesses that there was no interest, no passion whatsoever in killing the old man, whom he loved. Throughout the story, the narrator directs us towards how he courageously ends up committing a horrifying murder and dismembering the corpse into pieces. Consequently, we can behold that the conventional definition of ‘irony’ is met; he tries to convince the readers about his fully sane state of mind but in turn, ends up exposing his utmost insanity. The narrator of “The Tell-Tale Heart” who claims to be sane is in fact trying to get away with the punishment for the crime that he readily admits by faking insanity through ironic means.
The reader can infer that the narrator is insane when the narrator gives insight on why and how he observed the old man. The narrator is disturbed every time the old man opens his “vulture” like eye. This in turn causes the murder of the old man and leaves the narrator with a body to hide. The narrator is then placed in situations where he feels guilty for killing the old man, which in turn leaves him in conflict with himself. For example, he finds himself in a situation where he questions the reader of his own sanity in the beginning of the story.
“He had never wronged me. He had never given me insult. For his gold I had no desire. I think it was his eye! Yes, it was this! He had the eye of a vulture --a pale blue eye, with a film over it. Whenever it fell upon me, my blood ran cold; and so by degrees --very gradually --I made up my mind to take the life of the old man, and thus rid myself of the eye forever.” (Poe 1)
Thematically, “The Tell-Tale Heart” can be construed as an exploration into the conscience of the human psyche. In order to fully appreciate “The Tell-Tale Heart” to its depth, background information about its author is imperative. Edgar Allen Poe, born in 1809 to a Bostonian family, is widely considered to be both a forefather and trailblazer in the mystery and horror genres. Throughout his career, Poe was a recognized “U.S. American short-story writer, poet, critic, and editor” (Edgar Allen Poe), although he did not enjoy financial success during his lifetime His seeming obsession with the morbid and macabre may be attributed to his tragic childhood.