Edgar Allan Poe’s “The Tell-Tale Heart”, a short story about internal conflict and obsession, showcases the tortured soul due to a guilty conscience. The story opens with an unnamed narrator describing a man deranged and plagued with a guilty conscience for a murderous act. This man, the narrator, suffers from paranoia, and the reason for his crime is solely in his disturbed mind. He becomes fixated on the victim’s (the old man’s) eye, and his conscience forces him to demonize the eye. Finally, the reader is taken on a journey through the planning and execution of a murder at the hands of the narrator. Ultimately, the narrator’s obsession causes an unjust death which culminates into internal conflict due to his guilty conscience. The narrator is a perverse example of how one’s guilty conscience ultimately causes a destructive, self-fulfilling prophecy. Poe chronicles the narrator’s guilt by describing obsessions of the tortured mind, eye, and heart. The tale begins with a dramatic declaration of a tortured mind: “very dreadful nervous I had been and am” (Poe 922). This vivid testimony immediately gives the reader insight into the narrator’s state of paranoia. Regardless of “how calmly” the narrator vows he can recount his story, his words foreshadow the crime he commits (Poe 922). He is mentally imbalanced and has committed a murder without rational motive. In “Ego-Evil and ‘The Tell-Tale Heart’”, Magdalen Wing-chi Ki says the narrator’s mind is “utterly corrupt at its root” because he is “immune to the notion of right or wrong” (Wing-chi Ki 29). This underscores the ideology that the crime is without motive and is ultimately an irrational act, thus rendering the narrator acutely aware of the agonizing consequences of his actio... ... middle of paper ... ...dy. Cambridge: Harvard University Press, 1966. Print. Poe, Edgar Allan. "The Tell-Tale Heart." George McMichael, et al. Anthology of American Literature. Ed. 10th. Boston: Longman, 2011. 922-925. Print. Pritcher, Edward W. "The Physiognomical Meaning of Poe's "The Tell-Tale Heart"." Studies in Short Fiction 16.3 (1979): 232. web. 1 November 2013. . Wing-chi Ki, Magdalen. "Ego-Evil and "The Tell-Tale Heart."." Renascence 61.1 (2008): 25-36. Web. 1 November 2013. . Witherington, Paul. "The Accomplice in "The Tell-Tale Heart"." Studies in Short Fiction 22.4 (1985): 471-475. Web. 1 November 2013. .
The “Tell-Tale Heart” is a short story written by Edgar Allan Poe and serves as a testament to Poe’s ability to convey mental disability in an entertaining way. The story revolves around the unnamed narrator and old man, and the narrator’s desire to kill the old man for reasons that seem unexplainable and insane. After taking a more critical approach, it is evident that Poe’s story is a psychological tale of inner turmoil.
Poe, Edgar Allan. "The Tell-Tale Heart." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 33-37.
The. 15 March 2014. http://xroads.virginia.edu/drbr/wf_rose.html> Poe, Edgar Allan. The "Tell-Tale Heart." Skwire, David and Harvey S. Wiener.
...binson, E. Arthur. "Poe's 'The Tell-Tale Heart'." Twentieth Century Interpretations of Poe's Tales. ED. William L. Howarth. Englewood Cliffs, NJ: Prentice-Hall, Inc., 1971. 94-102.
Poe writes “The Tell Tale Heart” from the perspective of the murderer of the old man. When an author creates a situation where the central character tells his own account, the overall impact of the story is heightened. The narrator, in this story, adds to the overall effect of horror by continually stressing to the reader that he or she is not mad, and tries to convince us of that fact by how carefully this brutal crime was planned and executed. The point of view helps communicate that the theme is madness to the audience because from the beginning the narrator uses repetition, onomatopoeias, similes, hyperboles, metaphors and irony.
"The Tell-Tale Heart" is one of the most successful fables ever written. It took off its most fantastic details regarding the murdered man 's vulture like eye, and the long drawn out detail concerning the murderer 's slow entrance into his victim 's room, the story stays at an unforgettable recording of the guilty conscience of the man 's voice.
Ki, Magdalen Wing-chi. "Ego-Evil and 'The Tell-Tale Heart '." Renascence: Essays on Values in Literature 61.1 (2008): 25+. Academic OneFile. Web. 24 Sept.
Edgar Allen Poe's "The Tell Tale Heart" is a short story about how a murderer's conscience overtakes him and whether the narrator is insane or if he suffers from over acuteness of the senses. Poe suggests the narrator is insane by the narrator's claims of sanity, the narrator's actions bring out the narrative irony of the story, and the narrator is insane according to the definition of insanity as it applies to "The Tell Tale Heart".
Poe, Edgar A. “The Tell-Tale Heart”. American Literature: Volume One. Ed. William E. Cain. New York: Pearson, 2004. 809-813. Print
Human nature is a conglomerate perception which is the dominant liable expressed in the short story of “A Tell-Tale Heart”. Directly related, Edgar Allan Poe displays the ramifications of guilt and how it can consume oneself, as well as disclosing the nature of human defense mechanisms, all the while continuing on with displaying the labyrinth of passion and fears of humans which make a blind appearance throughout the story. A guilty conscience of one’s self is a pertinent facet of human nature that Edgar Allan Poe continually stresses throughout the story. The emotion that causes a person to choose right from wrong, good over bad is guilt, which consequently is one of the most ethically moral and methodically powerful emotion known to human nature. Throughout the story, Edgar Allan Poe displays the narrator to be rather complacent and pompous, however, the narrator establishes what one could define as apprehension and remorse after committing murder of an innocent man. It is to believe that the narrator will never confess but as his heightened senses blur the lines between real and ...
“The Tell-Tale Heart by Edgar Allan Poe.” University of Virginia, n.d. Web. 27 March, 2014.
Through the first person narrator, Edgar Allan Poe's "The Tell-Tale Heart" illustrates how man's imagination is capable of being so vivid that it profoundly affects people's lives. The manifestation of the narrator's imagination unconsciously plants seeds in his mind, and those seeds grow into an unmanageable situation for which there is no room for reason and which culminates in murder. The narrator takes care of an old man with whom the relationship is unclear, although the narrator's comment of "For his gold I had no desire" (Poe 34) lends itself to the fact that the old man may be a family member whose death would monetarily benefit the narrator. Moreover, the narrator also intimates a caring relationship when he says, "I loved the old man. He had never wronged me. He had never given me insult" (34). The narrator's obsession with the old man's eye culminates in his own undoing as he is engulfed with internal conflict and his own transformation from confidence to guilt.
Does the narrator show weakness through this mental illness or is it a sophistical mind of a genius? This is the question that must be answered here. Throughout this discussion we will prove that the narrator is a man of a conscience mind and committed the crime of murder. Along with that we will expose Poe’s true significance of writing this short story, and how people were getting away with crime by justifying that they were insane.
Poe uses the protagonist in ‘The Tell-Tale Heart,’ to show how an unstable and disturbed mind can lead to evil. “For his gold I had no desire. I think it was his eye! yes, it was this! He had the eye of a vulture-- a pale blue eye, with a film over it” (Poe 885). The protagonist focuses on the old man’s flawed eye, and he believed that it gave him a reason to murder him. This shows that he is not a sane or rational person because he wants to kill an innocent man over a problem that he cannot fix. This signifies broken human nature. “Never before that night, had I felt the extent of my own powers-- of my sagacity” (885). This quote suggests that sinning makes the protagonist feel powerful. This shows that humans can find satisfaction in
Poe, Edgar Allan. "The Tell-Tale Heart." Literature: An Introduction to Fiction, Poetry, and Drama. Ed. X. J. Kennedy and Dana Gioia. 7th ed. New York: Longman, 1999. 33-37.