Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Poe's writing style and techniques
Symbolism of the story of the Masque of the Red Death
Symbolism of the story of the Masque of the Red Death
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Poe's writing style and techniques
The Masque of the Red Death was very serious from the beginning to end. The story never pulled away from the sense of a looming threat. Poe did not waste anytime, he cut straight to the point and set the tone right away. The tone relates to people language and the specific words that he uses to create illusion and imagery. Poe uses different times of words to define his language which is called Old English today. Poe sentences are also short and they are practically identical in the simple structure. Poe is a very different writer than most writers today, he has a unique way about his language. Poe language is serious, he cuts straight to the point in the beginning of the story. For example, “ The “Red Death” had long devastated the country. …show more content…
Poe also uses figurative language. Poe word choice just adds to the feeling of how composed and how well put together his writing is. Poe like to pull good objectives and good word choices , to put into detail, “ Its pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the orchestra were constrained to pause, momentarily, in their performance, to hearken to the sound; and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and, while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused revery or meditation’ (5). In this quote Poe loves using lots of descriptive words, even if the sentence is short , to describe the pendulum swing for example, one adjective is not enough, Poe uses three, “dull, heavy and monotonous
Edgar Allen Poe is known for his dark yet comedic approach toward the his theme of his stories. Likewise, Poe’s themes have gathered many fans due to his impression of reasoning in his stories. The author uses thinking and reasoning to portray the theme. Poe’s unique diction comprehends with the theme of the story. Poe has a brilliant way of taking gothic tales of mystery, and terror, and mixing them with variations of a romantic tale by shifting emphasis from, surface suspense and plot pattern to his symbolic play in language and various meanings of words.
...of the people (even though the quote is cased in the present and looking back). The Red Death was instrumental in European History, and Poe did a wonderful and interesting job of exposing this history. The fact that really attracted me to this story was that I knew a lot about the plague, and I was able to make a lot of connections between the “The Masque of The Red Death” and history. This story shows how sneaky and powerful the plague was filters the history into the elaborate story very nicely.
In the "Masque of the Red Death," the first sentence, "The Red Death had long devastated the country," sets the tone for the whole story. Poe describes the horrors of the disease, stressing the redness of the blood and the scarlet stains. The disease kills so quickly that one can die within thirty minutes of being infected with the disease. To create a frightening effect of the revulsion of this disease, Poe uses words such as "devastated," "fatal," "horror of blood," and "sharp pains and profuse bleeding." In summary, the story relates the prince, trying to be safe and away from the horrible death, invites a thousand friends to be in seclusion in his abbey away from the disease. During a celebration , a masked ball at the abbey - with incredible described rooms and moods - a surprise masked intruder causes death to all.
Edgar Allen Poe, in the short story “The Masque of the Red Death”, shows how people may try to outsmart death and surpass it, but in the end they will die since death is inevitable. He reveals this in the book by showing all the people closed up in the abbey that belongs to Prince Prospero. They are trying to escape the “Red Death” and think that they can escape the death by hiding away in the abbey. They manage to stay safe for six months but in the end they all die after the stroke of midnight during the masquerade ball Prince Prospero puts on from the Red Death itself which appears after midnight and leaves no survivors in the end. Poe develops the theme of how no one can escape death through the use of the point of view, the setting, and symbolism.
"The prince had provided all the appliances of pleasure. There were buffoons, there were improvisatori, there were ballet-dancers, there were musicians, there was Beauty, there was wine. All these and security were within. Without was the 'Red Death,'" (209). As Edgar Allen Poe set the scene for his story, he also created an ominous mood and a sense of suspense supported by the setting. He details the fun and amusement inside the prince's abbey, in contrast to the horror and doom outside, and the reader's curiosity is piqued, because such bliss cannot be maintained for long. Throughout the story Poe explicates and changes elaborate environments to build the suspenseful energy and create a strong structure. In "The Masque of the Red Death," setting is employed to organize motives and action, and to focus the reader on the climax. Poe targets the culminating point of his story using rich descriptions of the abbey, the masquerade, and the clock.
The first technique Poe uses in both stories is symbolism, which aids the reader in understanding the theme. In “The Masque of the Red Death,” Edgar Allan Poe uses symbolism to aid the reader in teaching the theme that death is inevitable. While explaining the setting, Poe describes a black room with red windows and then begins
Edgar Allan Poe primarily authored stories dealing with Gothic literature; the stories were often quite dreary. Poe possessed a very sorrowful view of the world and he expressed this throughout his literary works. His goal was to leave an impression with every detail that he included in his stories. Although Poe’s stories seem very wretched and lackluster they all convey a certain idea. A trademark of Poe’s is his use of very long complex sentences. For instance, in his work The Fall of the House of Usher, Poe tried to ensure that every detail was as relevant as possible by integrating a wide variety of emotion. In the third paragraph, of page two hundred ninety-seven, Poe wrote, “Feeble gleams of encrimsoned light made their way through the trellised panes, and served to render sufficiently distinct the more prominent objects around…” This sentence illustrates the descriptiveness and complexity that Edgar Allan Poe’s works consisted of. The tormented cognizance of Poe led him to use a very gloomy diction throughout his writing. Edgar Allan Poe’s use of symbols and the way he conveyed his writing expr...
Edgar Allen Poe's The Masque of the Red Death is an elaborate allegory that combines
Just from my experience, only having read a few of Poe’s extraordinary poems and short stories, I have noticed that symbolism within words gi...
After reading the “The Black Cat” by Poe, I found many different tones like urgency, shame, distress, drama, and mockery. The urgency was shown in the beginning quotes “For the most wild, yet most homely narrative which I am about to pen …” and “But to-morrow I die...”
Edgar Allan Poe has a unique writing style that uses several different elements of literary structure. He uses intrigue vocabulary, repetition, and imagery to better capture the reader’s attention and place them in the story. Edgar Allan Poe’s style is dark, and his is mysterious style of writing appeals to emotion and drama. What might be Poe’s greatest fictitious stories are gothic tend to have the same recurring theme of either death, lost love, or both. His choice of word draws the reader in to engage them to understand the author’s message more clearly. Authors who have a vague short lexicon tend to not engage the reader as much.
D. H. Lawrence wrote an essay that extensively describes Edgar Allen Poe’s writing style. Lawrence looks at Poe’s work as a scientific and mechanical way of writing. The tales Poe writes are not really tales at all. The only reason they are even considered as tales is because they are a concatenation of cause and effect. Lawrence saw Edgar’s stories as more than just a tales. They are love stories. Poe does not write looking at the human part of someone’s life. The characters are looked at as inanimate objects with human qualities, rather than the characters being human with inorganic qualities.
His constant use of adjectives pull the reader in which truly affects them. The tone which sounds like it is being told by someone mentally deranged sets the mood for the length of the story. For example, “The old man was dead. I removed the bed and examined the corpse. Yes, he was stone, stone dead…His eye would trouble me no more.” (Poe 1591) Only an insane person would kill someone over a faulty eye. It may have been terror in the beginning when there was suspense that something bad may happen, but overall the story embodies horror because the narrator took action and killed the man over something so measly. This horror affected the reader’s perspective even more towards the end when there was no sound except for the heartbeat of the man in the
Poe is known for his melodramatic writing style, but the constant repetition of daunting words is enough to make any reader practically say out loud, “Come on, Poe. Try to be a little subtle, please.”
Poe was a master at creating effect, in most cases one of mystery and gloom, which drove his poems and short fiction. But he also was a storyteller, and like any good storyteller, he forms plots. And with those plots, he forms his moods and effect. Ejxenbaum sums up this idea with, 'The particular attention paid to the unexpected in the finale and, connected with it, a story structured on the basis of a riddle or and error which holds back the significance of the plot mainspring until the very end.'; The effect cannot exist without the plot, and the plot cannot exist without the effect.