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The death of a father
The death of a father
Essays on parents death
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Lily is thinking “how much older fourteen had made [her]. In the space of a few hours [she’d] become forty years old.” She makes this connection after she realizes that maybe her mother's death could have not been her fault and that it could have been T. Ray’s and he was punishing her for it. This caused Lily to pack “...5 pairs of shorts, tops, ... shampoo, toothpaste...” $38 and a map (41-42). By doing this, it made her feel like she had aged, feeling like a 40 year old.
Lily is a dynamic character who in the beginning is negative and unconfident. However, throughout the novel Lily starts to change into the forgiving person she is at the end. In the beginning of the novel, as the reader is first introduced to Lily’s character, she comes across as an extremely negative young girl. While thinking about one of Rosaleen’s crazy ideas, she thinks to herself, “people who think dying is the worst thing,” she tells the reader, “don’t know a thing about life” (2).
The first example of Lily’s coming of age is in her spiritual development. She is introduced to the Daughters of Mary, who connect her to the Black Madonna. When Lily first sees the Black Madonna, she thought that:
Lily’s actions are completely driven by her desire to fit into the upper class part of society and her need to have money to successfully do this. The actions she partakes in to achieve these goals are sometimes harshly judged by other characters, but The House of Mirth seems to almost draw sympathy for Lily from the fact that she is stuck in this role she cannot remove herself from. Even through showing other life paths like Gerty Farish’s, Lily’s options for an independent life where she can live the way she desires are limited. What she was taught as a child, the choices she makes because of her childhood, how being poor is viewed by society, and the unjust view of Lily’s actions are what ultimately both destroys Lily and results in her being shown sympathy.
Lily’s idea of home is having loving parent/mother figures who can help guide her in life. Because of this desire, she leaves T. Ray and begins to search for her true identity. This quest for acceptance leads her to meet the Calendar Sisters. This “home” that she finds brightly displays the ideas of identity and feminine society. Though Lily could not find these attributes with T. Ray at the peach house, she eventually learns the truth behind her identity at the pink house, where she discovers the locus of identity that resides within herself and among the feminine community there. Just like in any coming-of-age story, Lily uncovers the true meaning of womanhood and her true self, allowing her to blossom among the feminine influence that surrounds her at the pink house. Lily finds acceptance among the Daughters of Mary, highlighting the larger meaning of acceptance and identity in the novel.
In the first chapter of The House of Mirth, while drinking tea with Selden in his apartment, Lily says to him, “you can’t possibly think I want to marry you” (Wharton 10). This comment is stated and accepted without further explanation, because both Lily and Selden know that Selden is not wealthy enough to meet Lily’s expectations, even though it is apparent throughout The House of Mirth that Lily has feelings for Selden, and he for her. Linda Wagner Martin’s remark, “The poignant but all-too-real narrative of the beautiful Lily Bart, fast aging beyond marriageability” points to the fact that Lily Bart was in her late 20’s and was expected to have found a husband by that age (Wagner-Martin 6). Wagner Martin also claims that, “Wharton creates in The House of Mirth the impressionable character of Lily Bart, flowerlike in fragility as well as name, who has accepted the social decree that she become a beautiful marriageable object” (Wagner-Martin 4). The narrator of The Yellow Wallpaper points out that her husband is a respected doctor, and that he provides for her. Despite his controlling and dismissive treatment of her, she consoles herself with the thought that, “He said I was his darling and his comfort and all he had, and that I must take care of myself for his sake, and keep well” (Perkins Gillman). In exchange for perceived comfort, she is his
The tableaux vivants scene in Edith Wharton’s House of Mirth is pivotal to the understanding of Lily Bart as a character. The passage not only highlights her precarious state in high-society, but it also contains one of the only instances where Lily feels truly comfortable and confident. Over the course of the description of Lily’s staging of her own tableaux, she goes from being a piece of art on display, to an artist carefully working to exhibit her own beauty. However, the contradictory reception from the audience to her intentions when her tableaux is presented, conveys her hubris in both her beauty and her ability to create visual representations of art. The scene concludes with, Gerty Farish, in response to seeing Lily’s tableaux, saying,
Lily’s life has been greatly influenced by her mother’s death. In Lily’s perspective, living with someone else’s death can be more painful that dying. This passage made me realize that your past isn’t that far behind you. It will always be there no matter how hard you try to forget about it or push it away. Lily has proven this several times throughout the book. But the results would be waking up from nightmares and not able to trust in her worth.
For this reading assignment, I chose Two of Everything by Lily Toy Hong. Since I worked with a third grader, Jacob, for the interview assignment, I asked his mom and him again today. After school, we met in the library, and I read the book to Jacob, that was very interested to listen, since it was the first time for him. During the reading, he was curious and was making predictions, such as to sell the pot. When I finished to read the book, I asked if he noticed anything that connects to math. The first thing that came in his mind was the bag of five coins as he said they duplicated to ten, and then the man put the money in one bag and duplicated again and again. Moreover, I mentioned if he could estimate how much coins the couple doubled,
“You picked Tiburon’ cause your mother had a picture with that town written on the back…She must have been there sometime in her life to own this picture” (Kidd 51). This scene was about how Lily picked her nanny Rosaleen from the hospital only because she wanted to find more information about her mother. One of Lily’s challenges was to accept the truth and forgive herself because in her head she know it wasn’t her fault that she killed her mother but another side of her think that was her fault. In the novel it say “Goddamn it, you were four years old!” he shouted. “You don’t know what you remember”….This is what I know about myself. She was all I wanted. And I took her away” (Kidd
The picture that I chose to draw, displays the emotions and guilt that the protagonist, Lily feels throughout the book and her life. In the story Lily accidentally shoots her Mom and kills her. Lily is so overwhelmed with guilt because now she has no Mother, a horrible father, and everything in her life is going down hill and it’s all her fault. “This is what I know about myself. She was all I wanted and I took her away.” (Pg.8) The quote displays that Lily’s mother is the only person who cared and loved her and that she brought upon this life she has now. Later throughout the book we find even more detail into how Lily feels. “The memory settled over me - My shoulders began to shake in a strange uncontrollable way - but I couldn’t stop shaking,
Lily has been raised motherless and alone, but through seeking out the Boatwright sisters, she has many female figures and a new found contentment of her mothers passing. Lily has been affected profoundly by her mothers passing. She constantly seeks to uncover the truth about her mother leaving her and her untimely death. “People who think dying is the worst thing don’t know a thing about life.” This quote shows just how much Lily is affected by not having Deborah in her life and the uncertainty is causing Lily great distress. At this point in the novel, Lily is vulnerable due to the overwhelming thoughts that plague her. From Lily’s journey to Tiburon, we see her break free from her time of loneliness and vulnerability, and instead, flourish
Jean Louise’s transition from a child who idolizes her father and feels a certain tenderness for life to an adult misses an entire period of life. The novel’s flashbacks to Jean Louise as a child and back to present where she is in her twenties seem to leave a blank space. It is almost as if she was asleep and woke up years later in an entirely different Maycomb. She does not even realize how much change truly occurred, “she threw off the spread, put her feet to the floor, and sat gazing at her long legs, startled to find them twenty-six years old”(141). Growing up happens rapidly for Jean Louise when she is looking back on it. It takes her until this moment to understand that she is no longer the little girl who caused a row on the playground.
Besides the obvious comparisons between Lily “Secret Life of Bees” (Sue Monk Kidd) and Scout “To Kill a Mockingbird” (Harper Lee) There are multiple comparisons you can make including their character traits and their relationships with their stand in mothers. Lily and Scout both have some obvious comparisons that affect them differently. The obvious comparisons between Lily and Scout are They both lost their mother at a young age, Scout, when she was two, and Lily when she was four, Both Lily and Scout have a “Stand in Mother” For Lily it was Rosaleen one of her father's peach pickers who he picked to be like a housekeeper, and for Scout it was Calpurnia who was their housekeeper. Neither Lily or Scout calls their father's Dad or Anything
Lily is the younger sister of the protagonist in the book called, “The Giver.” Lily is a young, and curious girl, who is often mistaken by her looks. She comes off strong, but is really a smart and kind child. Lily is aging up from a seven to an eight in the beginning of the story. When Lily is introduced, she is talking about how different a visiting group of sevens acted at playtime, but is confronted by her mother for judging other sevens, because they have different rules.
Sylvia Plath’s confessional poem is a free formed twenty line poem consisting of ten couplet stanzas which illustrate death as a state in which our imperfections are ignored. The subject of the poem is a woman who has been ‘perfected’ in death, having been released from her own personal suffering. For Plath death seems to be an achievement and just like the woman in the poem, Plath feels she will ultimately become ‘perfected’ when she too is dead. By not using the first person, Plath causes ‘the woman to become depersonalised’ and as a result the woman is distanced from the reader. This could possibly foreshadow how Plath herself, was withdrawing from life and people as she became more engulfed by depression and anxiety.